Quotes of All Topics . Occasions . Authors
But I was feeling quite down at the time. I was living in L.A., which was kind of weird for me.
I talk all the time about the eight-year-old me and all the eight-year-olds who are living in their camps.
I was living in a large apartment with no furniture, just a typewriter, and because I had nothing else to do with my time, it made me take my writing seriously.
I type even faster than I talk. I'm very proud of that. I type so fast. And I have to because the characters are living in real time and I've got to keep up with them. It's a miracle they even give me a royalty.
The idea of trust-fund guys who live in Brooklyn in their 30s is really interesting to me. There's a time and a place where that kind of bohemian lifestyle is appropriate, soon after college, in your 20s. But there are people still living that many years later; they haven't evolved to the next phase.
When we were bringing 'Raisin' onto Broadway, our first stop was at Arena in D.C. Several things struck me about being in D.C.: One was the enormous poverty around the capital at that time - it was 1973, '74 - and I was stunned by people literally living in poverty, with holes in their houses and other things.
When I first found out I had HIV, I had to find somebody who was living with it, who could help me understand my journey and what I was going to have to deal with day-to-day. I found out that a person named Elizabeth Frazier was living with AIDS at the time, and so I called her up, and she took a meeting with me.
By the time 'Suits' had come around, I had been acting for maybe six years. 'Deal or No Deal' - I like to call it my very lucrative waitressing job. Most actors find a way to make a living while they're auditioning, and for me, holding a briefcase was an incredibly lucrative means of being able to pursue what I really wanted to do.