I like to spend time in the past, with the things that have been important to me.

I can slip a punch, not by three inches, but by a centimetre. Just have it brush past me. And raise an eyebrow at the same time.

I'm not going to the past, and it's not tied to me, every time moving forward, and this is more important - to move forward every time.

I looked for the same pitch my whole career, a breaking ball. All of the time. I never worried about the fastball. They couldn't throw it past me, none of them.

I loved the speed of go-karting, but didn't have a lot of natural talent. The first time I went out on the track I found it scary; other karts were flying past and bumping into me.

I feel like we haven't dealt with the ghosts of America's past, and the way to deal with it is to confront it, so every time people see me, I want them to be reminded and to confront that ghost.

Me and my sister made up a game called 'Milky Cow'. We were on holiday in France when I was 12, and there was a kid who had bovine features, and every time we went past her, we'd say, 'There's Milky Cow'.

There's a time where people were out holding posters in protest outside shows I was doing, and thankfully, we've moved past that. And a lot of country stations wouldn't play me. They were more conservative than I was.

I've at times in my past been so unhappy, and thought, like, 'I would give anything for this not to be happening.' And, you know, as people say, time passes, and then you think, 'I'm kind of glad that happened to me.'

'Soulfire' is a collection of stuff I've done in the past. Each song is an element of who I am: There's a doo-wop song on the album; a blues song, R&B and some jazz. For people who are going to be hearing me for the first time, it's an introduction to who I am.

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