We worked solidly for a long time together. George Marriott Edgar and myself.

Sometimes you have to take a thing when it comes and be glad. I first began to feel this way in '57, when I started to get myself together musically, although at the time I was working academically and technically.

I spend a lot of time working by myself developing songs, but I really need some other counterpart to help me pull it all together, because you go nuts working if I had to finish an entire project all within my own head.

Tiesto is legend. I've been in the studio many times. We did a tour together; I jumped onstage with him, he jumped onstage with me. Still, every time, I have to pinch myself and realize this is the guy who made me start doing what I'm doing right now.

On the off days, you have to come in and try to maintain your rhythm, just try to keep everything together. I sometimes come by myself, or some of my boys, get up a few shots, not too much, before or after practice. I always find time to get some shots up.

The first time I did stand-up I was 17, and I was really a stand-up once I was 19 in New York, and now I'm 41, and I still feel like I haven't found myself onstage. Earlier in my career, I was really tight, really together, and knew who I was and I was confident.

Earlier I had been in New York, which was my first time to New York, and I got booked in the Baby Grand up in Harlem there. I was booked there for a week; they kept me there for about a month. That's where Doc Pomus and myself became very close friends and start running together around town and what not.

In addition to myself and a number of others, President Clinton talked about the deficit and the debt issue. And he pointed out, really, what I pointed out, which is that when he left office, we actually had projected surpluses for a long period of time, because when he put together his economic plan, he did it in a balanced way.

Share This Page