Older women have always been attracted to me.

Sheer flattery got me into the theater. Flattery always works with me, particularly the flattery of women.

I suppose I have played a lot of put-upon women, but it's never bothered me. They've never been weak - they've always got steel in them.

My female writers have always been my backbone. I had a writing room of six women for five years so I know what women do. Cultivated by me, by the way!

I started doing flats because women would always apologize for wearing them when they met me, as if they had to be in heels when meeting a shoe designer.

Papa always makes it clear that he would like to know me as much more rational and lucid than the girls and women he gets to know during his analytic hours.

I always wanted to be Jo in 'Little Women.' She's a bit reckless and feckless, always getting into trouble like me. But I'm probably more like Madame Bovary.

To me, I always felt like I was carrying a torch for women of any size to be themselves - it doesn't matter whether you're a size 2 or a 22, just be who you are.

A lot of my girlfriends are always telling me they're really strong independent women, but they've got their boy on the side, and they only go over when he calls.

I've always been a strong feminist and felt that the image of models was detrimental to women. That whole thing really bothered me. I would think about quitting about once a week.

Astaire never thought of what he was doing as balletic, but Kelly was always trying to dance with women on points. And his choreography is so showy and flashy. He always looks self-satisfied to me.

I've always had mostly women come out to see me perform. That's the reason the guys show up; they know R. Kelly is going to draw the women. Most of the songs I'm singing are catering to women anyway.

I've never really identified with the way a typical alpha male views women. It's always an awkward forum for me to hang out with another guy and talk about girls, because I can't really find a way to fit in.

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