The work ethic behind everything Kanye does is crazy. It's greatness. He told me, 'We're not just rappers, we're artists.'

I'm booby and kind of curvy, so I definitely need to wear things that work with that. I can't just put on a muumuu, because it looks crazy on me.

I'm not patient, and some things drive me crazy. In my work, I get incredibly upset when people don't get it right or don't respect others' needs.

Listen, it's crazy because I almost have to work twice as hard to get the amount of attention as it is for somebody who's a little lighter than me or from a different country than me, you know?

As a kid I loved John McEnroe. They called me Mac because, while everyone else liked Borg, I was crazy about McEnroe. I tried wearing headbands and sweatbands, and whooping at people. It didn't quite work.

I do crazy amounts of research. I want this stuff to 'work,' so to speak. I need to be, at least to me, believable - because if I feel - if I cannot invest some element of verisimilitude, the reader is absolutely not going to buy in.

I've been kinda fascinated by misfits, outcasts, and downtrodden people. I've identified with them. 'Blade Runner' probably got me more work than any. It convinced some producers that I could play something other than a rural crazy, I guess.

Timbaland was crazy to work with. When he stepped in the studio, it was like working with Morpheus from 'The Matrix' - he stepped in with three beats and said, 'Pick one.' They all sounded crazy, but I could only pick one. I picked one and he hooked me up.

For a lot of people, 'Dungeons & Dragons' has been a hard thing to describe. I can't tell you how many social environments I've been in where I say, 'I play 'D&D,'' and a bunch of normies will be like, 'How does the game even work? What's that like?' I didn't have anything to really describe it that didn't make me sound like a crazy person.

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