When I'm making my own record, it's real work for me.

It doesn't bother me to work with so much green screen. I prefer real settings obviously.

I've always enjoyed real work more than schoolwork. My mother will attest to that - she was always concerned about me academically.

I became a real Shell Motor Oil expert, and I did this 25-minute film. It turned out really well and, as a result, they offered me more work and lots of commercials to direct.

I have to admit to not being the greatest technician, but stop motion animation gives me licence to create machines that wouldn't otherwise be possible - inventions that seem real and actually work.

I always thought I'd go to university and then get a real job, you know. Now I want to do stuff that really makes me happy. Although I'm still trying to work out what that is. But for me there are always constants.

But when you work with the director and the real person who is playing opposite you, it changes everything. You are almost in a working session. I was very comfortable, and that's maybe what helped me to get the part.

I rose to the top real quick, and I was surrounded by Triple H, Ric Flair, Shawn Michaels, Undertaker, these guys who were very well respected in the profession, and they wanted to work with me, so I knew I was doing something right.

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