I wake up at 5:30 in the morning, get to the Pawn Shop at six, work out for two hours, film until seven at night.

Mexicans work so hard. Jamaicans are like, 'Hey mon. Take it easy. You work too 'ard.' Sneak into the country Sunday night, working Monday morning.

I have to be at work every day at six in the morning and then cover premieres and parties that go late into the night, so a 12-hour workday is the norm.

I used to start at about 10 at night and work until early morning. My preferred way to work is to start in the early afternoon and work until about 3, go do errands, have dinner, and then write for a few more hours in the evening.

I used to work in a hotel kitchen at night and do theatre in the morning. After finishing my night shift - I did it for two years - I used to come back and sleep for five hours and then do theatre from 2-7 P.M. and then again hotel work from 11-7 in the morning.

If you ask people where they go when they really need to get work done, very few will respond 'the office.' If they do say the office, they'll include a qualifier such as 'super-early in the morning before anyone gets in,' or 'I stay late at night after everyone's left,' or 'I sneak in on the weekend.'

Most of my work in New York has been on new musicals. And all through the preview process, they throw you new songs, new lyrics, new choreography, new scripts; you're constantly getting new material. You might get it in the morning and put it in the show at night. It happens every single day, so those muscles are pretty toned.

I had just graduated from Michigan State and I was working at a hospital. I was a security guard, I worked at night. Part of my job was putting bodies in the morgue and doing that kind of thing. I used to put bodies in the morgue and take them out. When I got done doing that at the hospital, in the morning I would work out before I went to sleep.

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