Quotes of All Topics . Occasions . Authors
Because of the pace of daytime, you don't necessarily have time to work every detail of your character, so you have to bring a lot of it yourself.
For a long time, I so badly wanted to work with Jeremy Piven, and I ended up on 'Mr. Selfridge' with him. He was such a character - so brilliant to work with.
I think in this movie, every time I see his work, I'm blown away by it because he, to me, he really embodied the character so powerfully and so real, so truthfully to me.
It's my privilege to work with an actor like Vikram who gets into the skin of the character he is playing, so much so that after the shoot it takes him quite some time to get back to his real self.
When you play the same character for a long time, you have a shorthand. You get onto the set, you put on your outfit and two-thirds of your work is done because you've built on that work for so many years.
Sanctification is the work of the Holy Spirit in us whereby our inner being is progressively changed, freeing us more and more from sinful traits and developing within us over time the virtues of Christlike character.
I don't really worry about the size of the part much any more. It's nice to have more time to work on the character, and to have big scenes to play. But if there's something playable there, and if it's interesting to do, then that's nice.
I've had some interesting roles along the way, but they tend to be cause-driven. They're always about something. There isn't time for character work as an actor because you're fighting the cause or mourning the child or fighting the disease, etc.
I feel like most actors just dig and dig and work and work in whatever way they do to try to do as much as they can to portray a character in the limited time they have to play it, whether it's six months or one month or one week of work, you know.
You spend so much time developing a character when you do a film; so much of your work is done before you get set to shoot because you've been working on the character: the way he walks, the way he talks, what might upset him, what might make him happy.
I sort of leave the character at the end of the day. I don't carry anything around with me - no excess baggage or unnecessary thoughts. I think it's too exhausting to do that. To put things into perspective - your work is your work, and your leisure time is something else.
When you work on a film, it's important to feel that you are starting afresh and doing it for the first time. Also, it's important to have those butterflies in your stomach; you need to wonder how you are going to approach the character and whether you will be able to do justice to the part.
When I'm working in television, I've learned you've got to work fast. You don't have time to rehearse; you don't have time to just mess around. You've got to move quickly. So I pick that up from that world, and I also pick up the idea of development of character and development of situations.
Usually, people that I like to work with are people that I believe in more than they believe in themselves, and they just need that extra boost and the person to give them a little more time and understanding and introspection into their own character to find that box office that lives inside of them.