Quotes of All Topics . Occasions . Authors
I'm about my characters.
I don't care if I get $50m to do a film.
I live with a bunch of yuppies and models.
I don't have a problem with Werner Herzog.
I grew up in the Bronx. I'm into rap music.
I don't care if I get $50 million to do a film.
No one can stop me from talking about my movie.
A script is not a piece of literature it's a process.
The last day of your life is still going to be a day.
A script is not a piece of literature, it's a process.
A lifetime isn't long enough to learn how to make films.
In the film business, it's basically honor among thieves.
Most filmmaking is about shaking hands and just starting.
Movies are only the result of where we are as human beings.
Life is what happens when you're doing other things, right?
I come from a world where you get the film done, that's a success.
I'm a lapsed Buddhist like I'm a lapsed Catholic. I take it to a point.
The actors that I love to work with, they're hard on me. They're pushing me.
Listen, anybody who has a film festival has the right to show what they want.
I was born in the Bronx, and then my father moved us to the country at an early age.
I'm not a big fan of talking about dying. And then I make a movie where I kill everybody.
Making money is not gonna change anything about what I am, except I won't answer the door.
My job is going to be to direct the film - I'm going to do it. And that's where my job ends.
That's the thing about making a movie: You never finish editing. They just take it away from you.
As barbaric is we are, it's a miracle we haven't blown ourselves off the face of the earth so far.
My life is proof that I don't need you to do what I do. If there's no one to see it, I'll watch it.
I direct, and I make movies I can't finance. I can't raise money. I can't sell anything. I make things.
There's a difference between the world ending tomorrow and just drinking and drugging yourself to death.
I don't know what DVD commentaries are about. I'd like to strangle the person who came up with that concept.
It's funny, the hardest thing to do is to make something look like it's fast, loose and improvised, and get somebody to laugh.
Where I come from you're not raised to think on your own. It's not that you're pushed to read the Bible. The Bible is read to you.
With 'New Rose Hotel,' I knew that I was getting paid a $100,000 fee to write, produce, and direct, and that's all I was going to get.
The secret is not to make a film that causes something like Virginia Tech to happen. The secret is to make a film that stops it happening.
My existence is about making movies, so I've just got to rock and roll with the punches. You want to make movies on telephones, I'm there.
Certain actors wanna get paid, they think working in a low-budget movie is being ripped off. But for others it's like, 'Yes, let's do it.'
I don't want to live anywhere where I'm breathing two million cars' fumes and paying a zillion dollars for the right to be totally hassled.
I grew up in the '60s, which was a creative time, so it wasn't that big of a stretch to go from a baseball bat to a guitar to a film camera.
I was raised a Catholic and when you're raised a Catholic they don't teach you to think for yourself. You're taught not to think too deeply about things.
Mulberry Street was the beating heart of the Italian-American experience, but you don't find those gangsters now. I live with a bunch of yuppies and models.
I don't need to push myself. I don't need to sharpen my own knife and slit my throat. I'm trying to chill it and find an equilibrium and a balance to my work.
When I talk about drugs and alcohol, I'm talking about sex addiction, gambling addiction, eating addiction, throwing-up addiction. I'm not talking about mental illness.
As an old-time New Yorker, it's not that I miss the '70s and '80s or whatever. I miss the fact that there was a certain kind of energy that exists when people can live for nothing.
But I'm never gonna get to a point in my life where what it costs to shoot a movie is going to determine what it is. The limits of my imagination is the only thing that's gonna stop me.
The world is constantly changing. You're constantly learning and you have to be willing to get off your mark, and get off your spot and take that knowledge you have not to fix yourself into a place but to keep going.
Even if you're a poet sitting in your room writing a poem, you're still in the world - although I guess being a poet is a different than having to deal with 40 or 50 people to raise a couple million bucks and all that bullshit.
The more you get into any religion, it becomes the same. It really becomes how you treat other people and how you get outside yourself. How you look to help other people, and how you get out of this 'I, me, mine' type of thing.
I'm in a house where if the washing machine shuts off, it sings a song. If iPad gets a message, it sings a song. I'm living in a real postmodern time - every single thing sings to you to tell you it's started, it's stopped, you've got a message, you didn't get a message.
It's only Western civilization that, God forbid, you talk about dying, when it's the only thing we know for certain, right? Everyone's going to die, so what's the big problem? 'Oh, God. Don't talk about it. Don't think about it.' I mean, I'm one of them. I'm not a big fan of talking about dying.
My grandfather lived to be 96 years old. He was born in a town outside of Salerno in Southern Italy. He came to New York when he was 20. He lived in the States from age 20 to 96, but he brought his culture with him, he brought his food with him, he brought his language with him, he never spoke a word of English.
It's always a problem when you're working with people you don't really know. Most filmmaking is about shaking hands and just starting. You know, these month - or two-month-long endeavors that millions of dollars are based on, and the people doing them don't even know each other, or know each other under pressure, or know each other when things are really... Which filmmaking is completely done under in many circumstances. You're under constant crisis, making a movie.