I'm always alone. Sad face emoticon.

My primary responsibility is to be funny.

I love doing a show that makes no mention of ethnicity.

A lot of Latinos are like me: third generation, English speaking.

I've always been 'ethnic friend,' without any serious moments, all jokes.

If you're playing the clubs, you're either on your way up or your way down.

I'm not much for setup... punch line. I talk about my kids. I talk about my wife.

Stop throwing us all together like some sort of Puerto Ricaminican Tex-Mex buffet.

The horrible truth is that I am lazy and I am going to write and do bits that just hand themselves to me.

Im so sick of people treating Latinos like some homogenous group that all feel the same way about everything.

I'm so sick of people treating Latinos like some homogenous group that all feel the same way about everything.

I bullshit on the phone all day with a variety of people discussing various projects, and occasionally write jokes.

I don't really move onstage; all I do is just gradually hunch more and more and jut out at the people in the front row.

Well, once I fried tofu and put Sriracha on it. After that I was so depressed I swore off preparing food for myself altogether.

People see me on the 'Daily Show' or 'About a Boy'. But the reality is that I only got into this business to do standup comedy.

I think any husband knows when to stand down when it comes to domestic disputes. After 13 years of marriage, I even think I may have it figured out.

When my son was 3 years old - I'll never forget this - there was this homeless guy walking toward us, and my son looked at me, and he said, 'Who's your buddy?'

I was a corporate hatchet man, and it's impossible for me to turn that off. It's this curse when I walk into businesses: 'That needs to be fixed, that needs to be fixed.'

There are comics in L.A. doing impressions, and the first thing they do is hunch over and then start to do this bad Rick Moranis voice I do as well when I really get going. It's pretty horrible.

You re-watch 'Napoleon Dynamite', and there's a lot of thrift shopping that goes on in that movie; there's a lot of funny stuff. It's definitely amusing, and paying 99 cents for a samurai sword is amazing.

I'm delighted to carry on in the tradition of the great reporters like Edward R. Murrow, Ernie Pyle, and Geraldo Rivera to probe vitally important issues of the day, starting with whether I'm Hispanic or Latino.

There's no reason anybody should be reading too much into 'Thrift Shop.' I just have because I have a 10-year-old and a 7-year-old who are really into going to lyric websites, hitting print, and printing lyrics for every song that's popular.

I once called a guy into his own office and spun around in his own chair to greet him. That kind of thing may be why I quit, before I got into serious trouble. I would smile and the person would get so upset. But you do a thousand of those things, and it makes you weird.

Near my house in Los Angeles is a waterfall. I love to take the wife and kids, but it's also near a sketchy neighborhood. So there's a lot of gang members that hang out at the waterfall. It's like somebody took an Ansel Adams photo and then put a Cypress Hill video inside it.

I've always liked and appreciated storytellers like Garry Shandling and Bill Cosby - more long-form comedy. So starting in San Francisco, watching all these great comics - Patton Oswalt, Dave Chappelle - you get to see them a bunch, and you go, 'Wow, this is where I need to be.'

You grow up real quick, a half-Mexican in a sailor's suit, because I'd be riding the streetcar to school everyday - minding my own business, humming out a 'Frere Jacques' - and I realized that in any other town, this might be considered cute. But you know what it is in San Francisco? Sexy.

My daughter, who is 7 years old - I have no idea where she learned this - she made a video where she's beat-boxing. We have no idea where the beat-boxing came from, but all of a sudden, there it was. Now we're launched into lyric sheets for every single song that is current. They're all over our house.

I was well-dressed and good at firing people because I really did care. I cared about giving them the opportunity to talk through the situation and was always sincere. I would explain that 'This was a bad match,' and they were probably meant to do other things if they weren't giving their all to this, which paid $10 a hour.

I'm half-Mexican - get used to it 'cause in about five to 10 years, you're all gonna be related to one. Whether you like it or not, no matter how much you prepared your family, you're gonna show up at Thanksgiving one of these years, you're gonna walk in and say, 'Hey! What's happening? Since when did we start serving flan?' Well, what's happening is that somebody's boning a Latino.

Don't bring your sand toys to the park. That's another bad move. Because I go to the park, and I'm on the Vicodin and a little weed too - let's face it - and I go in there, and my wife's like, 'Bring the sand toys! Bring the sand toys!' And I know what happens every single time: I become sand toy repo man from the eight little kids that run off in nine different directions with my sand toys.

We're down in Mexico. It's for a bachelor party, so we go into a Mexican strip club... I go back with this woman down a murky hallway, and then without missing a beat - these ladies are all business - she goes, 'Go ahead, take out your dong.' 'I'm not taking out my dong. And by the way, who uses the word dong? If you want to be hip to the lingo, they're not using the word dong up in the States.

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