As someone who was born and raised in Los Angeles, I was really interested in the idea of people who move here to get into the business, and some of them do become famous and then oftentimes they fall out of that fame in very terrible ways.

And one of my other friends could not believe in God if he came down and tapped her on the shoulder. She's a biologist - a student at UCLA - and I don't judge her either, because I really believe that God is a personal opinion, and only that

And one of my other friends could not believe in God if he came down and tapped her on the shoulder. She's a biologist - a student at UCLA - and I don't judge her either, because I really believe that God is a personal opinion, and only that.

For most women, whether you're an actress or whatever you do, there is this pressure in society and within the world to look a certain way, dress a certain way, act a certain way, say certain things, and be this idea as opposed to being a person.

I have never reached certain levels of fame, like Lindsay Lohan did, or even Brittany Murphy. My career has always been this sort of even-keeled, steady existence. I was also raised by poets, and I've been doing poetry as long as I've been acting.

I think at the end of the day this movie is respecting what we as women go through as we grow up. The experiences, what we deal with, other women, things about images, things that we deal with as women. This movie addresses that in a very appropriate and sincere way.

After I saw my first poem published, I became interested in the immortalization of words and the fact that you could put something out there that you felt and that meant something to you, and that it could be interpreted by many different people to mean many different things.

Feminism? The word itself means exactly the same thing to me as the word God does - it's a spirituality that is deeply personal, deeply subjective, and deeply no one else's business. You can identify the word however you want, it's just the non-exploration of it that is unacceptable to me.

Aubrey obviously plays Karen's, Sarah Michelle Gellar's, younger sister. And, um, she's sort of always been the underdog in the family and somebody who is not as ambitious or driven as her sister, as Karen's character, so she's sort of always felt like she's had to follow in her sister's footsteps.

I think we, especially in American culture, are so afraid to talk about death. And I'm not talking about literal death. I'm talking about shedding skin. I'm talking about rebirth, ultimately, and how we continue to change as human beings and continue to grow. There's that great Henry Miller quote, "All growth is a leap in the dark."

We hung out a lot together. We went and saw films together. It was really actually quite easy. I think we were all very subconsciously connected in knowing that we needed to make it important, and therefore it just became important and it worked. Everybody had a lot of respect for each other. I think respect is the most important thing you can have.

Part of our business is that you read interviews with these people and they don't really talk candidly about what's going on and the struggle - the struggle to do what you love and to maintain body image and to maintain this sort of false stature of who you're supposed to be as a role model and also who you are supposed to be to yourself personally and privately.

When I'm acting, I have zero control, and it's the scariest thing anyone can do in that field because, you know, your face is always the one that's out there in front of the camera, and any number of things can happen to you once you've done your work. It can be edited badly, it can be distributed badly, or it can not be distributed at all. And I've certainly experienced that; every actor has.

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