Quotes by Ann Brashares - Page 6

The most haunting thing was not that he didn't love her anymore. She could have accepted that eventually. The most haunting thing was that he did. He loved her from afar. He loved her in a way that was preserved in time, that couldn't be sullied. And she tended it in her careful, curatorial way.
Ann Brashares / Film Writer
Afar
Haunting
Way
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Her body was a prison, her mind was a prison. Her memories were a prison. The people she loved. She couldn't get away from the hurt of them. She could leave Eric, walk out of her apartment, walk forever if she liked, but she couldn't escape what really hurt. Tonight even the sky felt like a prison.
Ann Brashares / Film Writer
Hurt
Memories
Sky
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Honesty was a tough customer... Once you started allowing yourself some honesty, it couldn't easily be contained or limited to one part of your life. It was like poison ivy or a bossy houseguest. Once it was there, you couldn't tell it what to do. You had to really fight to keep it from taking over.
Ann Brashares / Film Writer
Fighting
Honesty
Ivy
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He took her hand and they started walking toward the baggage claim. They didn't say anything to each other. They swung their held hands like little kids, like they believed anything could happen, like they might take off soaring into the air. All the things you wanted to happen could happen. Why not?
Ann Brashares / Film Writer
Kids
Air
Hands
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We aren't in high school. We aren't really in our families and we aren't in our houses. Those are the places we grew up and the times we spent together, but they aren't us. If think they are, then we're lost, because times end and places are lost. We aren't any place or any time . . . We are everywhere.
Ann Brashares / Film Writer
House
School
Thinking
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Maybe happiness was just a matter of the little upticks- the traffic signal that said "Walk" the second you go there- and downticks- the itch tag at the back of your collar- that happened to every person in the course of the day. Maybe everybody had the same allotted measure of happiness within each day.
Ann Brashares / Film Writer
Each Day
Littles
Moving
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Maybe they would look at each other and feel some odd yearning, but neither of them would know why. They would want to stop, but they would be embarrassed, and neither would know what to say. They would go their separate ways. Who knew? Maybe that happened every day to people who'd once loved each other.
Ann Brashares / Film Writer
People
Way
Would Be
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She'd cried over a broken heart before. She knew what that felt like, and it didn't feel like this. Her heart felt not so much broken as just ... empty. It felt like she was an outline empty in the middle. The outline cried senselessly for the absent middle. The past cried for the present that was nothing.
Ann Brashares / Film Writer
Broken Heart
Empty
Past
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Ruins stood for what was lost, and yet there were beautiful-peaceful, historic, intellectual. Not tragic or regrettable. Lena tried to keep hers that way too, and she succeeded to some extent. Why not celebrate what you had rather than spend your time mourning its passing? There could be joy in things that ended.
Ann Brashares / Film Writer
Beautiful
Joy
Mourning
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You thought you had the choice to stay still or move forward, but your didn't. As long as your heart kept pumping an your blood kept blowing and your lungs kept filling, you didn't. The pang she felt for Tibby carried something like envy. You couldn't stand still for anything short of death, and God knew she had tried.
Ann Brashares / Film Writer
Blood
Heart
Moving
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The rules took a while to sort out. Lena and Carmen wanted to focus on friendship-type rules, stuff about keeping in touch with one another over the summer, and making sure the Pants kept moving from one girl to the next. Tibby preferred to focus on random things you could and couldn't do in the Pants --- like picking your nose.
Ann Brashares / Film Writer
Girl
Moving
Summer
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As the three of them walked home from the trees, nobody needed to say it, but Ama knew. They had questioned their friendship. They had searched and wondered, looking for a sign. And all along they'd had their trees. You couldn't wear them. You couldn't pass them around. They offered no fashion advantage. But they had roots. They lived.
Ann Brashares / Film Writer
Home
Fashion
Roots
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Besides being asked why I write about young characters, I am often asked how I write about young characters. How do I throw myself across the chasm of full adulthood to relive that period? I guess I don’t, really. Age is not so much a feature of your character, as the spot where you stand for a pretty fleeting time on the arc of your life.
Ann Brashares / Film Writer
Age
Character
Writing
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It was funny how the old practices always came around again. It was the rhythm of human enterprise to invent and worship some new approach, to fully reject it a generation later, to realize the need for it again a generation or two after that and then hastily reinvent it as new, usually without its original elegance. Scientists hated to look backward for anything.
Ann Brashares / Film Writer
Needs
Practice
Two
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I hated motorcycles. I said to my mother, 'I'll never get a motorcycle.' And she said, 'You never know what you'll want when you are older.' After that, the thing that scared me was not so much the motorcycle itself, but that I could turn into a person who would want one. I was scared of the idea that I could become an entirely different person, a stranger to myself.
Ann Brashares / Film Writer
Ideas
Mother
Motorcycle
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How sad it was, Carmen thought, that you acted awful when you were desperately sad and hurt and wanted to be loved. How tragic then, the way everyone avoided you and tiptoed around you when you really needed them. Carmen knew this vicious predicament as well as anyone in the world. How bitter it felt when you acted badly to everyone and ended up hating yourself the most.
Ann Brashares / Film Writer
Hate
Hurt
World
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He took her in his arms right away. "I'm so sorry," he murmured in her ear. He rocked her, saying it over and over. But no matter how many times he said it, no matter how much she knew he meant it, the words stirred around in her ear but didn't get into her brain. Sometimes he could comfort her. Sometimes he said what she needed, but today he couldn't reach her. Nothing could.
Ann Brashares / Film Writer
Brain
Comfort
Sorry
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Those were the people who made her something, and without them she was different. She'd held on to them and to that old self tenaciously, though. She clung to it, celebrated it, worshipped it even, instead of constructing a new grown-up life for herself. For years she'd been eating the cold crumbs left over from a great feast, living on them as though they could last her forever.
Ann Brashares / Film Writer
People
Self
Years
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She got under the covers and put her arms around the bag. She could smell Tibby. It used to be she couldn't smell Tibby's smell in the way you couldn't smell your own; it was too familiar. But tonight she could. This was some living part of Tibby still here and she held on to it. There was more of Tibby with her here and now than in what she had seen in the cold basement room that day.
Ann Brashares / Film Writer
Bags
Smell
Tonight
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She thought she would know when it happened. But now, as she looked around, she wondered if it was really like that at all. Maybe it happened in a million different ways, when you were thinking of it and you weren't. Maybe there was no gap, no jump, no chasm. You didn't forget yourself all at once. Maybe you just looked around one time or another and you thought, Hey. And there you were.
Ann Brashares / Film Writer
Different
Hey
Thinking
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Maybe you think you’ll be entitled to more happiness later by forgoing all of it now, but it doesn’t work that way. Happiness takes as much practice as unhappiness does. It’s by living that you live more. By waiting you wait more. Every waiting day makes your life a little less. Every lonely day makes you a little smaller. Every day you put off your life makes you less capable of living it.
Ann Brashares / Film Writer
Happiness
Lonely
Thinking
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It wasn't just that Lucy wanted to help him. She wasn't as selfless as that. She was madly attracted to him. She was attracted to all of the normal things and the weird things, too, like the back of his neck and his thumbs on the edge of his desk and the way his hair stuck out on one side like a little wing over his ear. She caught his smell once, and it made her dizzy. She couldn't fall asleep that night.
Ann Brashares / Film Writer
Fall
Hair
Night
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People said things they didn't mean all the time. Everybody else in the world seemed able to factor it in. But not Lena. Why did she believe the things people said? Why did she cling to them so literally? Why did she think she knew people when she clearly didn't? Why did she imagine that the world didn't change, when it did? Maybe she didn't change. She believed what people said and she stayed the same." (Lena, 211)
Ann Brashares / Film Writer
Believe
Mean
Thinking
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It was frustrating when people loved you and took an interest in you and sometimes worried about you and personally cared what you did with yourself. Lena wished that love were something you could flip on and off. You could turn it on when you felt good bout yourself and worthy of it and generous enough to return it. You could clip it off when you needed to hide or self-destruct and had nothing at all to give." (Lena, 194)
Ann Brashares / Film Writer
Giving
People
Self
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Carmen sat up when she heard a familiar trill from her computer. It was an instant message from Bee. Beezy3: Packing. Do you have my purple sock with the heart on the ankle? Carmabelle: No. Like I'd wear your socks. Carmen looked from her computer screen down to her feet. To her dismay, her socks were two faintly different shades of purple. She rotated her foot to get a view of her anklebone. Carmabelle: Ahem. Might possibly have sock.
Ann Brashares / Film Writer
Heart
Two
Views
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Looking back, it was the thing in his life that shamed him the most: the times he was purposefully, calculatingly mean to Alice. It was those moments, and there had been many of them, that indicated to him that he was not a good person. He got mad at her for many things, but it was always really for the same thing: that she possessed his love and he couldn't seem to get it back. She didn't deserve it, which was to say she deserved better
Ann Brashares / Film Writer
His Love
Mad
Mean
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Tibby sat on the outside of a group of kids in the film program. There was a lot of dark clothing and heavy footwear, and quite a few piercings glinting in sunlight. They had invited her to sit with them while they all finished up their lunches before film seminar. Tibby knew that they had invited her largely because she had a ring in her nose. This bugged her almost as much as when people excluded her because she had a ring in her nose.
Ann Brashares / Film Writer
Kids
Dark
Lunch
People
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People left a lot of things behind when they went in the water. Their clothes, their stuff, their makeup, their fixed-up hair, their voices, their hearing, their sight--at least as they normally experienced them....Some people lost their individuality in the water, but Riley always felt most herself. Water was supposed to symbolize renewal, she knew, but when Riley swam, pared down, alone, and unreachable--she felt a deeper sense of who she already was.
Ann Brashares / Film Writer
Hair
Makeup
Sight
Copy Quote
It was a blessing and also a curse of handwritten letters that unlike email you couldn’t obsessively reread what you’d written after you’d sent it. You couldn’t attempt to un-send it. Once you’d sent it it was gone. It was an object that no longer belonged to you but belonged to your recipient to do with what he would. You tended to remember the feeling of what you’d said more than the words. You gave to object away and left yourself with the memory. That was what it was to give.
Ann Brashares / Film Writer
Blessing
Giving
Memories
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During intermission she peeked out at the theater, watching it refill. When it was almost full and the lights blinked on and off, she saw three people file in through the center door and her breath caught. Time lapsed as they walked down the center aisle: three teenage girls all in a row. They were so big, so bright, so beautiful, so magnificent to Carmen’s eyes that she thought she was imagining them. They were like goddesses, like Titans. She was so proud of them! They were benevolent and they were righteous. Now, these were friends.
Ann Brashares / Film Writer
Girl
Beautiful
Teenage
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Riley was quiet for a minute. She gathered her blanket all around her. "Paul always loved you, Alice. He knows I know that. I know he loves me, too. But it's different." Alice opened her mouth, but nothing came out at first. "He loved me once. But I think that part is over," she said slowly. "No, it's not. It hasn't even begun." Riley took Alice's bare foot in her hand and squeezed it. "I told him, though, that he better be good to you. When you came along, I said I'd share you, but I told him to remember that you're my sister. I loved you first."
Ann Brashares / Film Writer
Feet
Hands
Thinking
Copy Quote
I'm writing this down, because it is going to be hard for me to say it. Because this is probably our last time just us. See, I can write that down, but I don't think I can say it. I'm not doing this to say goodbye, though I know that has to be part of it. I'm doing it to thank you for all we have had and done and been for one another, to say I love you for making this life of mine what it is. Leaving you is the hardest thing I have to do. But the thing is, the best parts of me are in you, all three of you. You are who I am, and what I cherish in myself stays on in you.
Ann Brashares / Film Writer
Goodbye
Love You
Writing
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Ann Brashares Quotes - Page 6

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