Quotes of All Topics . Occasions . Authors
The trick is not to get too fanatical about getting the accent too accurate because then that becomes a mask. What I try to do is just painting and sketching some of the sounds without obliterating my own voice.
We're always looking over our shoulders, 'what they will think, what the press will think, what will this one - am I making the right career move?' When you're young you have to do all that to survive, I suppose.
I wanted revenge; I wanted to dance on the graves of a few people who made me unhappy. It's a pretty infantile way to go through life - I'll show them - but I've done it, and I've got more than I ever dreamed of.
I'm just an actor. It's the way the script is written, and it's easy. I don't have think about it. When you receive the script, you know pretty well how to play it, apart from little technicalities like the accent.
I wouldn't use the word 'scared' for my role as Hitchcock, but it was my most insecure. Taking on such a formidable, giant personality such as Hitchcock; he was one of the great geniuses of world cinema. Sheer genius.
Hitchcock was such a master of putting on screen things that made you uneasy. Somebody once asked him what frightened him most, and he said the police. He came from a poor background. I think he understood those fears.
I was lousy in school. Real screwed-up. A moron. I was antisocial and didn't bother with the other kids. A really bad student. I didn't have any brains. I didn't know what I was doing there. That's why I became an actor.
It created in me a yearning for all that is wide and open and expansive. Something that will never allow me to fit in in my own country, with its narrow towns and narrow roads and narrow kindnesses and narrow reprimands.
I'm one of the slowest drivers on the road. I mosey along. If you're doing anything too fast, including living life too fast, that creates sudden death. If I have to be somewhere on time, I make sure I leave early enough.
Living with reality is a very good trick, it gives you tremendous freedom and it changes the structure of the molecules of your soul by living with reality because you don't expect anything anymore. Which is a weird paradox.
I watched a film with a very famous, great, great actor, I won't mention his name because everyone loves his memory, but I thought, "God he was acting a lot." Great actor, but nonstop acting. Wall to wall, fitted-carpet acting.
Working with Katherine Hepburn, she said to me, "Don't act." She said, "Read the lines. Just be. Just speak the lines." I said, "Okay." She said, "You look good. You got a good pair of shoulders, you got a good head, good face."
I think the healthy way to live is to make friends with the beast inside oneself, and that means not the beast but the shadow. The dark side of one's nature. Have fun with it and you know, is to accept everything about ourselves.
Oliver Stone is a great director and I've seen many films over the years, but I try to create stuff out of my own imagination. I want to break all the rules and mess about with it and make a different movie just for the fun of it.
I was trundling around with my inadequacies, and inner pain and loneliness. I yearned, desperately, to be something. I yearned to get out from where I was ... some deep discontent within myself, actually some deep dislike of myself.
I love to read, and so I've been reading everything I can, not intensely, but I love to read so I read "Origin of Species" by Darwin and I can't make head or tail of E=MC squared by Einstein, but I try to baffle my way through that.
If I spent all my time criticising myself, I wouldn't be able to function. There are actors who theorise till the cows come home. I haven't the patience for them. It's maybe shallow, but that's why I'll never be part of the acting set.
I don't have people following me around, like bodyguards. I don't know how people live like that. Maybe the young movie stars have to live like that, I don't know. But it seems a little crazy to me. I don't think you need all that stuff.
I like to work. I don't like to disrupt my equilibrium. I don't like to change my head. I'd rather be a third-rate actor. It's a job, and I'm dedicated in my way. I enjoy it. I'm serious about it. But if it doesn't come off, I'm not going to die.
I just wanted to be a composer; I became an actor by default, really. I got a scholarship to a college of music and drama, hoping to take a scholarship in music. But I ended up as an acting student, so I've stuck with that for the last 50-odd years.
I don't push my luck. I don't worry about the results and therefore everything seems to work out well. That's something I've learnt over the years. The whole thing about the acting business is that it's a hit-or-miss game so I keep my distance from it.
We're just blades of grass, and when we go, we go, we never come back; one life . . . maybe that's true. But I tend to believe that this is not all there is. Because my life has been like a shadow of something deeper. And I've experienced that many times.
I never make conscious decisions. If my agent says to me, "It's a good script," I'll do it. I don't plan. I've got a lot of things to do. I'm at the roulette table and my luck seems to be running at the moment. I might as well stay there until it runs out.
Oh, the truth, oh yeah, lot of trouble that got us into, didn't it, over the last maybe thousand years? Hitler knew the truth, so did Stalin, so did Mao Zedong, so did the Inquisition. They all knew the truth and that caused such horror. Certainty is the enemy.
My life has been a kind of mystery to me. By all my logical, linear thinking I started out in school as a little boy, I didn't have a clue about anything. What they were talking about in school, couldn't play sports, couldn't learn, and I was bottom of the class.
We're all caught up in circumstances, and we're all good and evil. When you're really hungry, for instance, you'll do anything to survive. I think the most evil thing - well, maybe that's too strong - but certainly a very evil thing is judgment, the sin of ignorance.
I've always liked American actors particularly. Because that was my first impression. I was very enamoured of America when I was a kid because we were surrounded by American soldiers during the war, the accent was very strange to me, it was very exotic and very captivating.
I'll do anything to keep everyone laughing. Things get too intense on film sets. I remember on The Elephant Man, I used to imitate a cat without moving my lips. David Lynch would say, "Cut! Sorry, we've got a noise somewhere on set." Everyone would be looking around for this cat.
Some nights you might go through an entire performance and not feel a thing, and the audience may have a much better time, 'cause if you're enjoying yourself on stage too much, they're having a terrible time because they can't hear you. And if you're a woman your mascara's running.
There are people who are convinced supernatural forces are at work, but I've no idea. I suspect 'possession' might be a psychological thing, like schizophrenia. We all think we know things, but we don't know a damn thing. Whether God exists, why we're here... Nobody really knows any of it.
I’m not being cynical, but when you’re doing a movie you have a number of choices as an actor. Then you see it all cut together and all of those precious little pieces you put in are maybe on the cutting room floor. So, you don’t have that much control. You have very little control, in fact.
Acting is a creative process, and directing and music. I think creative people - and I take myself as a creative person and it doesn't mean you have to be an actor, a musician, or a painter - but I think if you are in a creative profession or a creative business you do have a heightened awareness.
I think one of the things you have to have is a respect for the camera, a real respect, and a real love for it, and to really, when I say take it seriously, quote 'seriously', I mean not patronize it. It's a big mistake to patronize it and think it's a third rate medium, because it's not, it's a great art form.
I do my job, and I do what I’m paid to do and I’m always prepared. I prepare by learning the text so well that when I show up, I’m relaxed and the performance sort of happens. Now whether that’s good or bad, I don’t know... Whatever I say is going to sound very egocentric and self centered anyway so I’d better shut up.
I come from - I came from Wales, and it's a strong, butch society. We were in the war and all that. People didn't waste time feeling sorry for themselves. You had to get on with it. So my credo is get on with it. I don't waste time being soft. I'm not cold, but I don't like being, wasting my time with - life's too short.
I used to be a bit obsessed by acting but not anymore. I do enjoy acting but I probably enjoy it more now because it's easier. I can't work in the theater because to me it's too serious. It's like being in prison for me. I admire people that can do that but I can't do it. I'd rather live my life and do a bit of acting in between.
There's no truth in acting, it's all a trick, because you go on stage in front of sets, you're on film - it's all a trick. I'm making it sound very - I really am demystifying it, but what I try to do, what I do, and I hope effectively, is to create a reality as if it is happening now, that you're fishing for words out of the air.
Years ago I met Richard Burton in Port Talbot, my home town, and afterwards he passed in his car with his wife, and I thought, 'I want to get out and become like him'. Not because of Wales, because I love Wales, but because I was so limited as a child at school and so bereft and lonely, and I thought becoming an actor would do that.
I just remember Kathy Bates getting on the stage and "The Oscar goes to Anthony Hopkins." I looked around, because I really thought Nick Nolte would get it. I really thought Nick would get it. I was very surprised. It was neck and neck with Nick Nolte and myself. So I really was expecting that to happen, and I went in there without any expectations.
When you're younger you have a lot of ideas and you're probably more insecure, all those things. I work with young actors now and I see their insecurities and I make fun of them. I don't make fun of them but I make them laugh, because I know what they're going through. When you get older you think 'It's only a movie after all, it's not brain surgery.'
When you begin to believe you have license because you are a special person breathing special oxygen, that's when you're in big trouble. That's the road to insanity. And a lot of people in the studios are like that. They believe that they are special. I do think actors are blessed, or cursed, with maybe a slightly heightened awareness, which you have to use.
What is so liberating about this whole business is when you see that, you know, big movies are going to come out, huge movies are going to come out, and then you see them up in Malibu in the little Triplex theater a week later, on the scratch negative, and you think...“This is show business. This is the great movie career. And it’s all finding it in the shoebox.”
I believe I am quite amiable and affable and quite fair, and I've rarely worked with people who are the opposite. Moodiness scares me. What gets to me is unkindness. Madness. Unwarranted cruelty through words. People who scream and shout at work. I hate confrontation and violence. I've done it in the past and I don't want to do it again. I guess I want a perfect world.
The way to make better decisions is to make more of them. Then make sure you learn from each one, including those that don't seem to work out in the short term: they will provide valuable distinctions to make better evaluations and therefore decisions in the future. Realize that decision making, like any skill you focus on improving, gets better the more often you do it.
I was born in the same town as Richard Burton, the actor, and I saw him, he used to come - he and his wife drove by in the car in my father's shop and Burton would come home from Hollywood and ask him for his autograph, and I thought, I want to be like him. And that's all I said to myself, I want to be like that. I want to get out of this environment of my own empty mind.
Try not to be concerned with it. It's a spiritual thing. Don't look for the results, don't live in the payoff. Live in the moment which is a spiritual principle. Live in the moment and let the results take care of themselves. It's in the hands of God. The rest is all ego. And I have learned, over the years, it's got nothing to do with me. As my life is none of my business.
I do the best I can - I know my way around [Russian method acting pioneer] Stanislavski, but I can't take myself seriously like that. I respect people who do it, of course. I just think I'm lucky to still be working at 73. You reach a point in life where you just think, "Show up, do your job, make sure the cheque's on the way," and that's it. I'm not hungry to do anything more, really.
Most of my last 30 years have been like that. Results and manifestations of things I'd dreamed of as a young kid and wanted as a child and as a young man. I realized it maybe 30 years ago. I thought, "This is unreal. This has happened as I expected it to, as I'd pictured it." My whole life has been like that and I'm fascinated by that power that we all have. That we create our lives as we go.
You relax within the verse. You realize the structure of the verse and relax into it. It's like swimming. Or riding a bike. You can't make it sound real if you are thinking it through as you go. You can't think through Shakespeare, you have to speak it. And listen to the rhythm of it and then it takes you over. And to make it sound real you speak as if you believe it. Don't act it. Just be it.
What a glorious night. Every face I see is a memory. It may not be a perfectly perfect memory. Sometimes we had our ups and downs. But we're all together and you're mine for a night. And I'm going to break precedent and tell you my one-candle wish...that you would have a life as lucky as mine, where you can wake up one morning and say, 'I don't want anything more'. Sixty-five years. Don't they go by in a blink?