Argentina is amazing.

I am hungry for good work.

My life is cinematic in some ways.

My ambition is very cinema-driven.

I have to be pretty close to what I am.

I aspire to play interesting characters.

People are always ready to pull you down.

Filmmaking as a process, it's bittersweet.

Every character, for me, is a new discovery.

I can't put on a facade every time I go out.

I am too ambitious to become a house husband.

There is pathos and drama in 'Half Girlfriend.'

I look like my mother but behave like my father.

I am intrigued by women I have conversations with.

An actor is defined by the choices he or she makes.

My grandfather is from Peshawar; he was born there.

I internalise things. My sorrows and joys are private.

I made peace with 'Tevar' not doing well and moved on.

Movies are my bread and butter and my inherent passion.

Sometimes, it is important for actors to take risky decisions.

It has been an amazing experience working on 'Half Girlfriend.'

I would like to go on that path of evolving into a better actor.

I don't have many friends, but I want to retain the ones I have.

Films work due to scripts, characters, and what you see on screen.

You got to have an emotional connect with the audience who watch you.

Today, most newcomers from film families are launched in outside films.

Your success can't be determined by your surname but only by your work.

As a host, I did 'Khatron Ke Khiladi,' and it was a learning experience.

Housewives run the home and sacrifice a lot, but many people forget that.

I didn't even know I would be an actor; I always wanted to be a cameraman.

When you work with people you aspire to be like, you pay attention to them.

I have made my mistakes my strengths instead of looking at whose fault it is.

I am resilient like my mother and have the ability to face any kind of storm.

Sometimes, it is an external force that makes you realize your real potential.

I assisted on a lot of films outside my dad's company. I only did two of his films.

My first film, 'Ishaqzaade,' did well, and I got four damn good films because of it.

I'm happiest when in front of the camera, and I didn't know it until I got up there.

I am someone who doesn't talk more than what is required, but I am also a fun person.

I love leather jackets, and I am obsessed with it. I carry leather jackets fairly well.

'Ki And Ka' in a very sweet way says that if you have talent, then gender doesn't matter.

I didn't have any relationships in my teenage years, as I felt I was not attractive enough.

I went to acting school, and I polished my dancing, but I didn't really learn how to fight.

I feel that if you are not comfortable, you can't be stylish, and that is the rule I follow.

Every morning when I wake up, I am grateful and happy that I come to the film set. It is home.

I am an actor and mouldable enough to do films like '2 States,' 'Gunday,' and 'Finding Fanny.'

Every boy grows up trying to be like his father, but what if a boy grows up to be like his mother?

The choice of films I make is directly proportional to the kind of cinema I have grew up watching.

My personal style statement is very casual. And for me, comfort tops the chart over anything else.

When I get married, I think what matters is you should be happy with the person you are living with.

Sadly, Indians are not very easily accepted in Pakistan, and that has a lot to do with the governments.

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