Quotes of All Topics . Occasions . Authors
Fat has a range of experiences.
'Simon' was such a charmed experience.
I am a psychologist. That's my training.
I like the idea of a broader range of people feeling seen.
I don't set up screenings. I can barely plan my kid's birthday party.
The Internet and social media can really be life-saving for some kids.
I think we're all a little bit caught up in the drama inside our own heads.
There is no universal gay experience. All stories are relevant, and all stories are needed.
There are so many different environmental factors for just how safe it is for a kid to come out.
I've been fat since fourth grade and bullied for it, but I still knew I couldn't represent every kids' experience.
I'm very much a people-pleaser, and with a book out, I had to learn that you can't please everybody with your book.
It's so easy as a teen to feel like everybody is having this normal experience - except you. You're on the outside.
Greg Berlanti is in charge of a lot of superhero shows on television. He is a literal superhero. He is absolutely brilliant.
It's really important to me to follow the kinds of conversations that happen around diversity and representation and writing inclusive books.
I've worked a lot with kids who identify as LGBTQ or gender nonconforming, and they are unquestionably some of the bravest people I've ever met.
As a reader and as a viewer, usually when I watch a movie, I'm caught up enough in the movie that I'm not breaking it down to the details anyway.
From a plot perspective, what I finally found for my touchstone was that I consider 'Upside' to be a loose telling of Jane Austen's 'Emma,' or 'Clueless.'
You have this idea that Hollywood is all about making money and is very impersonal. But 'Love, Simon' is such a passion project for director Greg Berlanti.
What I need, as a reader, is a character with a heart and a voice and a pulse. I need a character so vivid and so specific that she doesn't feel like fiction.
My book, 'Simon vs. the Homo Sapiens Agenda,' is a gay love story. It's also a story about friendship. Quite honestly, it's also probably a 320-page product placement for Oreos.
When I read, I don't need a character to look like me, act like me, or think like me. I don't need to have my heart broken. I don't need to be surprised or amused or challenged, and I don't need to swoon.
As a psychologist, I'm painstakingly careful not to borrow my clients' stories for my fiction - but in a general sense, I'm very much inspired by all the teenagers I've been lucky enough to know and work with.
One of the things that 'Love, Simon' is doing that hasn't been done before is it's a gay teen rom-com with a mainstream wide release and the backing of a studio that previous gay rom-coms have not had. I'm really excited by that.
Love is bumping along together with the people in your life and making mistakes and trying to make them right by virtue of the fact that these are people you actually love; you care about them enough to muddle through it with them.
Don't be afraid of growing up and changing and getting used to these newer versions of yourself and becoming more comfortable sharing those versions of yourself with the people in your life, even people who knew you when you were younger.
'Simon' was always a word-of-mouth book. When it came out in 2015, I don't know that anybody thought that 'Simon' could be mainstream. Publisher Harper Collins loved it in-house, but it wasn't a lead title. Nobody is more surprised than me that it's a film. It's the little book that could.