Quotes by Brian Helgeland - Page 1

It's okay to lie as long as you reach a higher truth doing it.
Brian Helgeland / Screenwriter
Long
Lying
Okay
Lie
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Movie dialogue is movie dialogue. It can sound real, but no one speaks that way.
Brian Helgeland / Screenwriter
Dialogue
Speaks
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Its as boring to see a completely evil villain as it is to see a completely good guy.
Brian Helgeland / Screenwriter
Evil
Guy
Villain
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It's as boring to see a completely evil villain as it is to see a completely good guy.
Brian Helgeland / Screenwriter
Good Guy
Villain
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I worked as hard to write the worst film of the year as I did to write the best film of the year.
Brian Helgeland / Screenwriter
Film
Writing
Years
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Its such an egotistical thing to be able to just stand there and say, Action! Its like being a little mini-god.
Brian Helgeland / Screenwriter
Able
Action
Littles
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It's such an egotistical thing to be able to just stand there and say, 'Action!' It's like being a little mini-god.
Brian Helgeland / Screenwriter
Egotistical
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I think test screenings with an audience are useful because they have no dog in the fight, they just say how they feel.
Brian Helgeland / Screenwriter
Dog
Fighting
Thinking
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I know a lot of directors have a whole staff of people trying to find their next film for them. I always just end up writing mine.
Brian Helgeland / Screenwriter
People
Trying
Writing
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If Im in the bookstore, and I see a 700-page novel, my first thought is, Ooh, how could you cut this down to size and make a movie out of it?
Brian Helgeland / Screenwriter
Bookstores
Cutting
Pages
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In exchange for ten years of being on top, I'm gonna end up in prison or I'm gonna end up dead, and there's something fascinating about that.
Brian Helgeland / Screenwriter
Ends
Prison
Years
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If I'm in the bookstore, and I see a 700-page novel, my first thought is, 'Ooh, how could you cut this down to size and make a movie out of it?'
Brian Helgeland / Screenwriter
Size
Bookstore
Cut
Ooh
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There are plenty of writers who are going to become a director after their next job, but no one will believe you're a director unless you believe it.
Brian Helgeland / Screenwriter
Plenty
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In my own experience, the scripts that I wrote, if they didn't go within two years and become a film, they never went and no one ever came looking for them.
Brian Helgeland / Screenwriter
Scripts
Two
Years
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Because I've been at it so long and very steadily, I have a lot of credits, but I probably have twice as many scripts that were never made for whatever reason.
Brian Helgeland / Screenwriter
Credit
Long
Scripts
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It's always once the script's done in the first two years if it doesn't get going somehow or another, I've never had an old script that someone's made later on.
Brian Helgeland / Screenwriter
Done
Two
Years
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I always think any circumstances can be funny. Not that I'm irresponsible, but when things go wrong, I always come up with a joke or think of something funny to say.
Brian Helgeland / Screenwriter
Circumstances
Irresponsible
Any Circumstances
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As much as I love period movies and especially more swashbuckling movies, I think that sometimes they tend to be, umm... it's hard for the audience to relate to them.
Brian Helgeland / Screenwriter
Periods
Relate
Sometimes
Thinking
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I think writing is a difficult thing and you need to suffer a little bit, even if it's just to sit there and think what an idiot you are and how anyone else could do this better than you can.
Brian Helgeland / Screenwriter
Suffering
Thinking
Writing
Copy Quote
I write R-rated action dramas, and every year that goes by, that gets to be a smaller and smaller world you have to work in. You have to think of how to get the studio excited and sell them something.
Brian Helgeland / Screenwriter
Drama
Thinking
Writing
Dramas
Sell
Smaller
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I think Cool Hand Luke was probably the first movie in which I was aware of the writing as its own separate thing. It was that speech when the guy reads Paul Newman the riot act. The speech about going in the box.
Brian Helgeland / Screenwriter
Hands
Thinking
Writing
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I think 'Cool Hand Luke' was probably the first movie in which I was aware of the writing as its own separate thing. It was that speech when the guy reads Paul Newman the riot act. The speech about going in the box.
Brian Helgeland / Screenwriter
Luke
Newman
Riot
Box
Paul
Reads
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I think there's something strange about writing a script I've written many, many scripts - dozens and dozens of scripts - and every time I start one, I think to myself: 'why in the world do I think I know how to do this?'
Brian Helgeland / Screenwriter
Thinking
World
Writing
Copy Quote
If you write an original, its like you went in and dug a well, and you hit oil. But an adaptation, its like the oil wells on fire, and they bring you in to put the fire out and get it working again - or something like that.
Brian Helgeland / Screenwriter
Fire
Oil
Writing
Copy Quote
If you write an original, it's like you went in and dug a well, and you hit oil. But an adaptation, it's like the oil well's on fire, and they bring you in to put the fire out and get it working again - or something like that.
Brian Helgeland / Screenwriter
Adaptation
Dug
Copy Quote
I'm not like a Sears Catalog of ideas. I don't have that many ideas. I've more or less written them over the years. Usually, I come up with a situation or a character, and it rattles around in my head until the story or the plot emerges.
Brian Helgeland / Screenwriter
Plot
Catalog
Emerges
More Or Less
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For me in a film, almost every scene you end up cutting a bit of the start of it out, and some of the end of it out because there's always...once you've rehearsed it and shot it, it feels like a couple of times and you can always get out sooner.
Brian Helgeland / Screenwriter
Couple
Cutting
Film
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You can write anything you want on paper, like blowing up the bridge on the River Kwai, but when you actually have to do that as a director, it's not the same. Ninety percent of directing is not creative - it's putting the theoretical into the practical world.
Brian Helgeland / Screenwriter
Ninety
Paper
Theoretical
Blowing
Bridge
Directing
Ninety Percent
Practical
River
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I don't really write with living actors in mind. I guess I write for dead actors. I'll think of like, you know, Burt Lancaster would be good in this part, and so on. With 'L.A. Confidential,' it was like, 'Wouldn't it be cool if Dean Martin played the Kevin Spacey part?'
Brian Helgeland / Screenwriter
Confidential
Dean
Lancaster
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The studio is spending great amounts of money, and they want some insurance they will get money back. They go for the middle of the road, broad in appeal. It's restrictive. It's a constant struggle, but if you give in, you're just making cottage cheese, and that's the end of it.
Brian Helgeland / Screenwriter
Cheese
Constant
Appeal
Broad
Cottage
Insurance
Restrictive
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I was in a bookstore one afternoon, and I stumbled across this book called 'A Guide to Film Schools.' I always loved movies growing up and had never even conceived that it was something you could do for a living. Realizing most of them were in Los Angeles and knowing that was warm, I ended up applying.
Brian Helgeland / Screenwriter
Afternoon
Los Angeles
Realizing
Warm
Angeles
Applying
Movies Always Never
Bookstore
Conceived
Ended
Guide
Los
Stumbled
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Working on an adaptation is not as satisfying, because it's not your original work: you're interpreting. With 'L.A. Confidential,' I loved the book. In that case, I felt I was guardian of the work, staying as true to the novel as I could. I've since met the novelist, and he loves the movie and the script.
Brian Helgeland / Screenwriter
Adaptation
Confidential
Guardian
Interpreting
Satisfying
Staying
Loves
Work True Your
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I think when I start out writing, I always try to write the version of the movie that I want to go see. I don't mean it in a way that ignores the audience, but I really set out to make a movie that I want to see and that, hopefully, other people will want to go see it. So whatever's amusing to me, I guess, I throw it all in there.
Brian Helgeland / Screenwriter
Amusing
Start Always Me
Version
Me Start People
Ignores
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Brian Helgeland Quotes - Page 1

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