If you see a kid in school, who is a little shy ... that's when you should reach out. When you do, you are going to open up a flower and discover something wonderful.

My childhood was rough, we were poor and my parents were alcoholics, but nobody was mean. I knew I was loved. We were on welfare, but I never felt abandoned or unloved.

When I was starting out in this business, that was the norm. You did it all. You looked around, and entertainers could dance, sing, play the piano, act, make you laugh.

Have you noticed that all you need to grow healthy, vigorous grass is a crack in your sidewalk? Having a baby is like taking your lower lip and forcing it over your head.

It's also selfish because it makes you feel good when you help others. I've been helped by acts of kindness from strangers. That's why we're here, after all, to help others.

Before you go to bed, write down three 'gratefuls' for the day and three 'did wells' (they can even include something as simple as doing the laundry)-the results can be amazing!

But I don't begrudge anybody, because I know how hard it is to have that dream and to make it happen, whether or not it's just to put a roof over your head and food on the table.

You have to have faith that there is a reason you go through certain things. I can't say I'm glad to go through pain, but in a way one must, in order to gain courage and really feel joy.

My favourite comedian, of course, is Tim Conway. He has a way about him - being that belly-laugh kind of funny, and he has the improvisational skills, too. I've never seen anybody better.

You know, one wonderful thing that came out of my Enquirer experience is that, in my case, it was ruled tabloids are magazines. Which means they didn't have the protection that a newspaper has.

I loved doing 'The Family' with Eunice and Mama. They were very interesting because there were no jokes written into those sketches. It was all character-driven. And sometimes it got a little heavy.

I very much enjoyed doing 'Law & Order,' playing a killer - that was fun, and they had a family feel around the set, so it was a happy show to do even though the subject matter was quite the opposite.

In '57, I got a job at the Blue Angel nightclub, and a gentleman named Ken Welch wrote all my material for me. I lived at a place called the Rehearsal Club that was actually the basis for a play called Stage Door.

Everybody I know who is funny, it's in them. You can teach timing, or some people are able to tell a joke, though I don't like to tell jokes. But I think you have to be born with a sense of humor and a sense of timing.

No matter what, when you major in theater arts whether you want to write or be a director or design scenery or whatever, when you are a freshman at UCLA then - I guess it's still the same way - you had to take an acting class.

When someone who is known for being comedic does something straight, it's always "a big breakthrough" or a "radical departure." Why is is no one ever says that if a straight actor does comedy? Are they presuming comedy is easier?

I had it in my contract with CBS, a very weird clause that was never written before and certainly not since, that if I wanted to do a variety show within the first five years of the contract, CBS would have to put it on for 30 shows.

My grandmother and I followed my mother here, to a house a block north of Hollywood Boulevard but a million miles away from Hollywood, if you know what I mean. We would hang out behind the ropes and look at the movie stars arriving at the premieres.

My grandmother and I would go see movies, and we'd come back to the apartment - we had a one-room apartment in Hollywood - and I would kind of lock myself in this little dressing room area with a cracked mirror on the door and act out what I had just seen.

I always had a weak chin because we couldn't afford to correct my bite, which could have been corrected with braces. So the chin was always weak. And I always was - kind of hated my profile. And I thought wouldn't it be nice someday to feel the rain on your chin without having to look up.

I was in California, and I was going to UCLA, and I knew I certainly didn't have movie star looks. I remember seeing pictures and photos of Ethel Merman and Mary Martin, who were kind of average looking. I said, 'Well, that's for me, then, to go back to New York and try to be in musical comedy on Broadway.'

I'm glad I was born when I was. My time was the golden age of variety. If I were starting out again now, maybe things would happen for me, but it certainly would not be on a variety show with 28 musicians, 12 dancers, two major guest stars, 50 costumes a week by Bob Mackie. The networks just wouldn't spend the money today.

I'm glad I was born when I was. My time was the golden age of variety. If I were starting out again now, maybe things would happen for me, but it certainly would not be on a variety show with 28 musicians, 12 dancers, two major guest stars, 50 costumes a week by Bob Mackie - the networks just wouldn't spend the money today.

When I was in college at UCLA, I took a playwriting course. I was all set to be a writer. But I had to take this acting class as a theater arts major. I had to do this scene in a one-act comedy. I just said this line, and then... this laugh happened. I thought, 'Whoa. This is a really good feeling. What have I been missing?'

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