Quotes by David Hare - Page 2

When you get older, then you feel death not at the end of the road, but death all around you, in everything. Life is saturated with death. I feel death everywhere.
David Hare / Playwright
End Of The Road
Ends
Life Is
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A weak mind sinks under prosperity, as well as under adversity. A strong and deep mind has two highest tides - when the moon is at the full, and when there is no moon.
David Hare / Playwright
Adversity
Moon
Strong
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The orthodoxy of America is as rigid as that of Soviet Russia. There is one point of view allowed. If you start a conversation from another point of view, the words dry in your mouth.
David Hare / Playwright
America
Russia
Views
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I think the novel is the American form because people read it in private, and the only valuable things that happen in America happen in private life, because public life is a dead loss.
David Hare / Playwright
America
Loss
Thinking
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If the purpose of the stumpy little NFT theatre under Waterloo Bridge is not to acquaint young audiences with Ozu, with Ophuels, with D. W. Griffith and with Agnes Varda, then what exactly does it exist for?
David Hare / Playwright
Purpose
Theatre
Waterloo
Audiences
Bridge
Exist
Exactly
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I don't see the theater as an establishment. The National Theatre has always seemed to me a people's theater. It was never meant to reinforce the values of the government of the day, nor does it, nor should it.
David Hare / Playwright
Government
People
Theatre
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What politicians want and what creative writers want will always be profoundly different, because I'm afraid all politicians, of whatever hue, want propaganda, and writers want the truth, and they're not compatible.
David Hare / Playwright
Creative
Different
Hue
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Are we simply waving farewell to the days when some of the most interesting thinking in Europe and America came to us from our fiction film-makers? BBC2, which once introduced and showed great films, now shows none.
David Hare / Playwright
Europe And America
Farewell
Thinking
Film-Makers
Introduced
Waving
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The theatre is the best way of showing the gap between what is said and what is seen to be done, and that is why, ragged and gap-toothed as it is, it has still a far healthier potential than some poorer, abandoned arts.
David Hare / Playwright
Art
Done
Theatre
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For a politician, the mans to power is paramount, and the ideology, in a way, can look after itself; I'm afraid a writer can't think like that. A writer has to think that it's more important to be right than to be popular.
David Hare / Playwright
Important
Looks
Thinking
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I'm not good at standing on platforms and persuading people to my political point of view. Nor would I seek to. My gift is completely different. It's for presenting an imaginative version of the world which I hope people would recognize and be affected by.
David Hare / Playwright
People
Political
Views
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Writers always sound insufferably smug when they sit back and assert that their job is only to ask questions and not to answer them. But, in good part, it is true. And once you become committed to one particular answer, your freedom to ask new questions is seriously impaired.
David Hare / Playwright
Jobs
Answers
Sound
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My father always said 'There's no free lunch.' My father was right. There's no free lunch and there's no free market. The market is rigged, the market is always rigged, and the rigging is in favour of the people who run the market. That's what the market is. It's a bent casino. The house always wins.
David Hare / Playwright
Running
Father
Lunch
Winning
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I don't think of my plays as steamy places where people display huge amounts of emotions. The feeling is underneath, which in my experience is where most feeling is. I don't myself spend my life shouting in rooms, and I don't really believe things in which people do spend their time in total hysteria.
David Hare / Playwright
Believe
Play
Thinking
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Obviously VIA DOLOROSA is completely artificial. It is as highly wrought as any of my plays. But basically all the artifice is to disguise itself so you don't feel it's there. You're attempting to make the artifice like a pane of glass that simply leads you through to the subject - not to decorate the bloody glass.
David Hare / Playwright
Crafts
Glasses
Play
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If you do the things that Britain needs to do - namely, withdraw from NATO, get rid of the bomb, and stop being aligned with one side of the Cold War - then presumably the run on the pound, the result in the stock exchanges of the world, will be fairly catastrophic for the economy. But some sort of political realignment is plainly what this country needs.
David Hare / Playwright
Running
War
Country
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. . . it is true that language and forward movement in the cinema are jolly hard to reconcile. It's a very, very, difficult thing to do. . . . There is still a place in the cinema for movies that are driven by the human face, and not by explosions and cars and guns and action sequences . . . there's such a thing as action and speed within thought rather than within a ceaseless milkshake of images.
David Hare / Playwright
Car
Faces
Gun
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[VIA DOLOROSA]'s pushing Broadway as far as it can be pushed. I stand before you as a reporter, and you have to decide whether I'm an honest reporter or not. And if you're convinced that I am honest, then I think that you will listen to me in a way that you wouldn't have listened to a fiction where scenes are made. . . . I've thought quite long and hard about what I want to say in this play. And if it means that every single sentiment that I produce is put minutely under an ideological microscope, that's fine.
David Hare / Playwright
Mean
Play
Thinking
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David Hare Quotes - Page 2

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