Quotes of All Topics . Occasions . Authors
I'm an old-fashioned guy.
I believe in creative work.
I try to be as clear as I can be.
I don't hide or play stupid games.
Don’t complicate whatever is not complicated.
I open my eyes and my ears, and that’s why I work.
When you have great scripts, everything is very easy and fun.
I don't believe in bad and good, I believe we are all a mix of both.
Cinema serves as a constant reminder to us of who we are and what we are made of.
I believe in characters that can be tangible, and that you can actually relate to.
It would be sad if my best work had been 20 years ago and now I only had memories.
My two brothers and I grew up in the theater, going everywhere with my parents when they performed.
It's a really, really hard life when you don't have a document that actually gives you a name and a face.
I grew up in the theater. I began my career at 3. That was the first time I stepped onto a provisional stage.
Can you imagine saying ‘Hi’ to Sam Jackson and he goes and gives you a hug? It’s like being hugged by a lion.
I have been in the business long enough to know what an intense amount of work it takes to operate a theater company.
I left my parents' home when I was 22, I moved to New York with my ex-girlfriend. We did a film together with Raul Julia.
I was lucky that audiences in Mexico liked my work. I was even luckier when I got to do movies and plays with my brothers.
I hope people can stop believing everything politicians say about Mexico and the United States, and the problems that we share.
Lincoln' is a powerful film. It's one of those epic films that talk about this very specific issue in history of the United States.
We all have that capacity, to be two things. And after all I was named for both the devil and the angel. Demonio y angel. Dem-y-an.
You don't need tons of money to create art. You do need tons of money to be a part of show business. They are two different things.
'Lincoln' is a powerful film. It's one of those epic films that talk about this very specific issue in history of the United States.
When you shoot a film, you have very little time to waste, and I try to go into the character as soon as possible and stay there as much as I can.
When you do a film, all you want is to make the best film possible. You don't think about Oscars. But it's really flattering. Please, bring it on!
As a young actor, I booked a movie in the U.S. I didn't speak any English at the time, so I learned my lines phonetically when I auditioned for it.
The real secret to guacamole is that you use exactly the elements that you need, which is cilantro, onion, tomato, and jalapenos. And, of course, avocado.
There's good and bad everywhere in any aspect in life. The only people who we can't really trust are politicians. Because those guys lie to everybody and constantly.
Scarlett Johansson. I think people don't really realize how great of an actress that girl is. She's so beautiful and that distracts you from what she can do as an actor.
I wanted to give my actor a break. I wanted to live and to learn English. I wanted to be anything, a cabdriver, a busboy, anything to keep me away from acting for a while.
When I don't know what to do with a character, that's when I say yes to it. When it's far away from the way I am, the way I feel or the way I think, that's when it's more attractive.
One of my dreams is to become sufficiently famous that I can play this charity match that happens every year or two with celebrities at Old Trafford, at the house of Manchester United.
One wants to think that - and this is really a stupid thought - that through your art or whatever you do as an actor you can actually affect someone else's lives and thoughts or whatever.
There are some actors that are so gifted, that move you in such a way that every time you see their names again, you go and pay another ticket because you want to have that experience again.
There is a film called 'A Separation.' If you see it playing, go see it. It's beautiful. It's so well written and the acting is amazing. It's one of those films that you would love to be a part of.
The immigration issue is about the separation of families, and that is not human, in any country in the world, but especially in the United States. We should not root for a law that separates families.
We need to know the facts, in order to tell the politicians, "Excuse me, I don't want you to use my money on building a wall that is not going to solve any problems. We have to go this direction instead."
I think it's very interesting how an American network chooses to tell this story. We don't name one country the good guy and the other country the bad guy. We talk about this co-responsibility that we share, in everything.
I am defined also by Woody Allen’s films and Martin Scorsese and Jim Jarmusch and Julian Schnabel or Almodóvar, or by Guillermo del Toro, Iñárritu, Cuarón. Even if we haven’t worked with them, we are all defined by their filmography.
When I met Quentin [Tarantino], he told me what every actor wishes from any director. He said, "I've been through a Demián Bichir marathon. I've watched everything you've done." Most of the time, they don't even know what you've done.
I like playing human beings - I don't believe in good or bad. I don't believe in black and white. I believe in different tonalities. I believe in different layers of emotions and states of mind. I believe in characters that can be human.
We have a demon, we have an angel inside, within our souls, and you just play with it, and sometimes the evil part of you wins the battle, in a very important decision, or in a bedtime, with your lover. Sometimes you win, sometimes you lose.
So, whenever you hear or see violence, there is violence on both sides of the border, or it's both country's responsibility. When we talk about trafficking with weapons, with human beings or with drugs, we talk about it on both sides of the border.
I’m an actor who’s accustomed to bringing a lot of stuff to the table, and you have to be ready because some of them will be accepted and some of them will be rejected. Then you need a generous, free, fearless, loving director like Tarantino to allow you to take those risks.
As an actor, you know when you've got great material in front of you. When you're working, you think, 'Is this the one? The one that everyone will respond to and be moved by?' You pray that you have told the story well... that your peers will see it and audiences will love it.
A lot of the things that I’ve learned in the past have been from dear friends. Rodriguez’s favorite line is “Fácil!” Easy! He makes things easy. He doesn’t complicate his life. He’s obsessed with perfection, but he makes it easy, and that’s pretty much the way I work as an actor.
If you think about portraying Americans, for example, in a Russian film, it all depends on where the American is from, if they went to school or not, and if they're well-educated or not. Is it an American from Texas, or an American from Brooklyn? Things would change with the vocabulary and the accent.
One of the first things that my English teacher told when I began studying in New York was, "You're here because if you pick it up from the street, not everyone speaks good English." And it happens all the time, anywhere. If you pick up Spanish from the streets, you're not going to be able to speak it correctly.
I have tried to defend what is most precious to our American society, a society that is now at war against the forces of racial intolerance.A big part of me making the decision was how important the play is for the times that we live in. This is a classic. It's a masterpiece of American playwriting. It's about discrimination and it's about we Mexicans being a target for so many years.
A lot of people love Tarantino’s films because they’re spectacular, they’re beautiful, they’re wonderful. He hires the best group of artists - not only actors, but everyone around: best photographers, best set designers, best production designers, costume designers. A lot of people love his films because they’re bloody, they’re gory, they’re savage. But very few people see that he’s a very political director.