Who knows whether there may not be a moment in childhood when the world changes forever, like making a face when the clock strikes?

I had very good dentures once. Some magnificent gold work. It's the only form of jewelry a man can wear that women fully appreciate.

The moment comes when a character does or says something you hadn't thought about. At that moment he's alive and you leave it to him.

Have you seen a room from which faith has gone? Like a marriage from which love has gone. And patience, patience everywhere like a fog.

A story has no beginning or end: arbitrarily one chooses that moment of experience from which to look back or from which to look ahead.

With Your great schemes, You ruin our happiness like a harvester ruins a mouse's nest: I hate You, God, I hate You as though You existed.

A movie is not a book. If the source material is a book, you cannot be too respectful of the book. All you owe to the book is the spirit.

It is the storytellers task to elicit sympathy and a measure of understanding for those who lie outside the boundaries of State approval.

All good novelists have bad memories. What you remember comes out as journalism; what you forget goes into the compost of the imagination.

Self-expression is a hard and selfish thing. It eats everything, even the self. At the end you find you haven't even got a self to express.

One's life is more formed, I sometimes think, by books than by human beings: it is out of books one learns about love and pain at second hand.

There was a tacit understanding between them that 'liquor helped'; growing more miserable with every glass one hoped for the moment of relief.

Its typical of Mexico, of the whole human race perhaps — violence in favour of an ideal and then the ideal lost but the violence just going on.

Unhappiness in a child accumulates because he sees no end to the dark tunnel. The thirteen weeks of a term might just as well be thirteen years.

The economy of a novelist is a little like that of a careful housewife who is unwilling to throw away anything that might perhaps serve its turn.

You cannot control what you love--you watch it driving recklessly towards the broken bridge, the torn-up track, the horror of seventy years ahead.

Sometimes I see myself reflected too closely in other men for comfort, and then I have an enormous wish to believe in the saints, in heroic virtue.

Men have prayed in prison, men have prayed in slums and concentration camps. It's only the middle class who demand to pray in suitable surroundings.

Childhood was the germ of all mistrust. You were cruelly joked upon and then you cruelly joked. You lost the remembrance of pain through inflicting it.

In our hearts there is a ruthless dictator, ready to contemplate the misery of a thousand strangers if it will ensure the happiness of the few we love.

Of two hearts one is always warm and one is always cold: the cold heart is more precious than diamonds: the warm heart has no value and is thrown away.

It's a strange thing to discover and to believe that you are loved when you know that there is nothing in you for anybody but a parent or a God to love.

They haven't left us much to believe, have they? — even disbelief. I can't believe in anything bigger than a home, or anything vaguer than a human being.

Insecurity is the worst sense that lovers feel; sometimes the most humdrum desireless marriage seems better. Insecurity twists meanings and poisons trust.

If you have abandoned one faith, do not abandon all faith. There is always an alternative to the faith we lose. Or is it the same faith under another mask?

I get fed up with all this nonsense of ringing people up and lighting cigarettes and answering the doorbell that passes for action in so many modern plays.

The hands of the guilty don't necessarily tremble; only in stories does a dropped glass betray agitation. Tension is more often shown in the studied action.

Had Shakespeare listened to the news of Duncans death in a tavern or heard the knocking on his own bedroom door after he had finished the writing of Macbeth?

Against the beautiful and the clever and the successful, one can wage a pitiless war, but not against the unattractive: then the millstone weighs on the breast.

All the emotions have something in common. People are quite aware of the sorrow there always is in lust, but they are not so aware of the lust there is in sorrow.

Lust is not the worst thing. It is because any day, any time, lust may turn into love that we have to avoid it. And when we love our sin then we are damned indeed.

My fellow journalists called themselves correspondents; I preferred the title of reporter. I wrote what I saw. I took no action -- even an opinion is a kind of action.

I aim to be content with what I produce. It's an aim I never achieve, but I go over my work word by word, time and again, so as to be as little dissatisfied as possible.

This (Vietnam) was a land of rebellious barons. It was like Europe in the Middle Ages. But what were the Americans doing here? Columbus had not yet discovered their country.

American bankers believe in the personal touch; the teller conveys a sense that he happens to be there accidentally and he is overjoyed at the lucky chance of the encounter.

I refused to believe that love could take any other form than mine: I measured love by the extent of my jealousy, and by that standard of course she could not love me at all.

Nobody thinks in terms of human beings. Governments don't, why should we? They talk about people and the proletariat; I talk about the suckers and the mugs. It's the same thing.

Christmas it seems to me is a necessary festival; we require a season when we can regret all the flaws in our human relationships: it is the feast of failure, sad but consoling.

How strange too and unfamiliar to think that one had been loved, that one's presence had once had the power to make a difference between happiness and dullness in another's day.

My two fingers on a typewriter have never connected with my brain. My hand on a pen does. A fountain pen, of course. Ball-point pens are only good for filling out forms on a plane.

An autobiography is only 'a sort of life' - it may contain less errors of fact than a biography, but it is of necessity even more selective: it begins later and it ends prematurely.

People change,' she said 'Oh, no they don't. Look at me. I've never changed. It's like those sticks of rock: bite it all the way down, you'll still read Brighton. That's human nature.

A petty reason perhaps why novelists more and more try to keep a distance from journalists is that novelists are trying to write the truth and journalists are trying to write fiction.

You must promise me. You can't desire the end without desiring the means.' Ah, but one can, he thought, one can: one can desire the peace of victory without desiring the ravaged towns.

When I replied that I loved her too in that way, I was the liar, not she, for I never lose the consciousness of time: to me the present is never here: it is always last year or next week.

The truth has never been of any real value to any human being - it is a symbol for mathematicians and philosophers to pursue. In human relations kindness and lies are worth a thousand truths.

Champagne, if you are seeking the truth, is better than a lie detector. It encourages a man to be expansive, even reckless, while lie detectors are only a challenge to tell lies successfully.

People talk about the courage of condemned men walking to the place of execution: sometimes it needs as much courage to walk with any kind of bearing towards another person's habitual misery.

For God's sake stop making people in your image. Harry was real. He wasn't just your hero and my lover. He was Harry. He was in a racket. He did bad things. What about it? He was the man we knew.

Innocence always calls mutely for protection when we would be so much wiser to guard ourselves against it: innocence is like a dumb leper who has lost his bell, wandering the world, meaning no harm.

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