Quotes of All Topics . Occasions . Authors
I lived for music since I could think.
I got possessed by music as an infant.
I don't think I have the power to forgive.
In my view, Africa's real problems are cultural.
All my experiences removed geography from my world.
I have a major respect for nature. I'm an environmentalist.
I live a very enjoyable life. I understand what moderation is.
Once in a while, I treat myself to a cheesecake or carrot cake.
Apartheid didn't impinge on music. It impinged on people's freedoms.
When people campaign for positions, they promise people all kinds of things.
I am a forward-looking person and live in the moment to build for the future.
I think it is incumbent on all human beings to oppose injustice in every form.
My biggest obsession is to show Africans and the world who the people of Africa really are.
Watching a Kirk Douglas movie, 'Young Man With A Horn,' made me want to be a trumpet player.
It's obvious that the rest of the world loves high African culture - African culture, period.
Africa has been troubled for a long time - well, the world has been troubled ever since I was born.
I grew up with protests, marches, demonstrations, struggle. But I come from a clan of community workers.
I don't think any musician ever thinks about making a statement. I think everybody goes into music loving it.
I always make the joke that I go home, to one of my homes, to go and do laundry so I can go on the road again.
I don't think what I do is influenced by suffering. I come from a talented people who are prolific in music and dance.
I'm travelling more than ever. I don't have the answer as to why, but the demand seems to have grown as I've got older.
I want to see Nelson walking down the streets of South Africa; I want to see him walking hand-in-hand with Winnie Mandela.
I've got to where am in life not because of something I brought to the world but through something I found - the wealth of African culture.
I've got to where I am in life not because of something I brought to the world but through something I found - the wealth of African culture.
The apartheid people were actors, and they had to act out their part in their beliefs every day. That's why we always saw them as being comedic.
Mandela was chosen as a symbol of the South African struggle, and he did that great. But I wasn't just happy for him. I was happy for the people.
When I left South Africa in 1960 I was 20 years old. I wanted to try to get an education, and music education was not available for me in South Africa.
The Afro-American experience is the only real culture that America has. Basically, every American tries to walk, talk, dress and behave like African Americans.
Not only in Africa but in much of the world, most leaders' pockets are lined by industrial business. And industrial business is never going to stop aiming at profit.
To tell you the truth, man, we spend most of the time travelling in hotels, in festivals, in concert halls, clubs, airports. The most unenjoyable part is all the security at airports.
For me to want to play the trumpet was a very, very odd thing for my clan as a whole. One of my uncles was a high school principal, and he referred to my trumpet as a bugle, which really hurt me.
When I left South Africa there were 10 million people - when I came back there were more than 40 million. I had to learn how to get to the highways because when I left where there were no highways.
I'm not a Christian. My participation in music is so full blast, 24 hours a day. And that's my religion. I think I'm as spiritual as the pope, because I spend as much time in my spirituality as he does.
I don't criticise anybody, but I just don't understand religion. Like I don't understand nationalism. These are the two things that cause wars. I don't understand why they are supposed to be good things.
In some townships, political parties are run by thugs financed from Cape Town. If we don't have support of the police, we can not have the ability to organize and to gain even a slight semblance of power.
I'm very interested in heritage restoration, and I'm working with a group of people to create a number of academies and performance spaces to encourage native arts and crafts and to explore African history.
I just came from South Africa, a place that had been in a perpetual uprising since 1653, so the uprising had become a way of life in our culture and we grew up with rallies and strikes and marches and boycotts.
One of the greatest things that could really happen to Africa is for us to get rid of the borders and for the leadership not to think that the countries belong to them... We didn't create the borders to start with.
I couldn't get away from the gramophone. It was the only thing that I ever really liked, and I was singing along by the time I was five years old - to the Modernaires and Billie Holiday and Frank Sinatra and Nat King Cole.
What people don't know about oppression is that the oppressor works much harder. You always grew up being told you were not smart enough or not fast enough, but we all lived from the time we were children to beat the system.
Just because Nelson has been released doesn't mean the government has done us any favors. We have nothing to be grateful for. The government destroyed our country, destroyed our people. If anybody needs amnesty, it is the government.
I don't think anybody has ever been able to live up to what they promised. I don't know a government that has ever been successful at that because once they get into power, things change and the world is controlled also by business now.
The thing that is being lost is heritage. In Africa, religion and advertisement and television and media hype have gotten Africans to where they are convinced psychologically that their own heritage is heathen, pagan, barbaric, savage, primitive.
Whatever you go into, you have to go in there to be the best. There's no formulas. It's all about passion and honesty and hard work. It might look glamorous, but it takes a lot of hard work. The blessing with the arts is that you can do it forever.
If I don't make heritage visible and the strength of mother tongue important for my grandchildren, it scares me that they might say in 20 years from now, 'Well, it is rumoured that we used to be Africans long ago.' And in many urban areas, it's already happening.
I started playing the piano when I was 6 years old 'cause my folks tried to get me away from the gramophone. And I just - I lived for music since I could think. And they got me piano lessons. So by the time I was 13, I was quite an accomplished piano player and musician.
I've always stood on one fact - that all over the world, there are only two things, the Establishment and the poor people. The poor people are a massive majority and across the world they are exploited in different kinds of ways. The Establishment depends on exploiting raw materials and the poor.
I think the most difficult thing that has had to happen in South Africa for the previously disadvantaged communities is they had to reconcile that the oppressor has been enriched and the establishment is now making five or 10 times more profit than they were during the time the economic embargo was on them.
Twenty years ago, I was part of a movement of millions of people who were going after freedom. But today, they look and they say, 'What are the advantages of freedom?' So far, it's the vote and maybe, in certain places, lack of police harassment. You can live anywhere you want and do anything you want - if you have the means.
I had to run away from home in order to be a musician. Because I came from a family of... my father was a health inspector; my mother was a social worker. And I was pretty smart in school. So they expected me to be some kind of academic - schoolteacher, or doctor, lawyer - and they were very disappointed when I told them I wanted to be a musician.