Quotes of All Topics . Occasions . Authors
The one that came really easy was the Japanese lover, because he's like a ghost in the book. He's always in the background like a spirit, like a shadow, almost. There's a very delicate line there.
I'm not above anybody. I'm, I'm not better than anybody. I am made of the same material that everybody else is and if somebody can be a saint, so can I and if somebody can be a torturer, so can I.
Just as when we come into the world, when we die we are afraid of the unknown. But the fear is something from within us that has nothing to do with reality. Dying is like being born: just a change.
I am happier when I love than when I am loved. I adore my husband, my son, my grandchildren, my mother, my dog, and frankly, I don't know if they even like me. But who cares? Loving them is my joy.
When you tell a story in the kitchen to a friend, it's full of mistakes and repetitions. It's good to avoid that in literature, but still, a story should feel like a conversation. It's not a lecture.
Only that, nothing more - a tiny beam of light to show some hidden aspect of reality, to help decipher and understand it and thus to initiate, if possible, a change in the conscience of some readers.
I am an American citizen and it is my home now. I like the U.S.A., which is not a place too many people have liked since Bush. The U.S. has a young population, and everything can change within a year.
No complaining about how hard it is to write, we are all so, so lucky to write, to sit down, inside, and write words on paper. There is no greater freedom, no greater good, nothing that brings more joy.
Friendship is all about trust and sharing. Passionate and romantic love is all about sex and emotions. You have to try to combine those, I think. The great marriages, the great couples I know, have both.
I should say that I'm not conscious of any particular style or any particular literary device when I am writing. I have written 22 books, and they are all very different. I have tried all kinds of genres.
Perhaps we are in this world to search for love, find it and lose it, again and again. With each love, we are born anew, and with each love that ends we collect a new wound. I am covered with proud scars.
I have more freedom when I write fiction, but my memoirs have had a much stronger impact on my readers. Somehow the 'message,' even if I am not even aware that there is one, is conveyed better in this form.
I think that my life changed at 50. Many things happened. Menopause, the end of youth and my daughter died that year after being a whole year in a coma. So I think that I changed and I became an elder at 50.
I do not put myself in a box and say, for instance, I'm writing post-colonial literature. I don't know what I'm writing. That's the business of professors and critics. My job is to tell a story, and that's it.
The most poor and backward areas in the world are those in which women are subjugated and exploited. Improving the situation of the woman improves the family, the community, and by extension the whole country.
Every life of a character is within a context. If I write detached from a social and political background, my story looks like a soap opera where everybody is indoors, not working and living off their emotions.
I don't think that we have to look like the models in the magazines because they are 19 year olds and they have been photo shopped extensively, not but given what I, we have as the raw material, take care of it.
At my age, people prefer to stay in a relationship that is not working. I do not understand that. I think it takes a lot of courage to separate. But it takes more energy to stay in something that is not working.
You write a book and it's like putting a message in a bottle and throwing it in the ocean. You don't know if it will ever reach any shores. And there, you see, sometimes it falls in the hands of the right person.
On a Tuesday, September 11th, 1973, we had the military coup in Chile that forced me to leave my country eventually. And then, on a Tuesday, September 11th, 2001, we had the terrorist attack in the United States.
Life is very mysterious and there are many things we don't know. And there are elements of magic realism in every culture, everywhere. It's just accepting that we don't know everything and everything is possible.
The first two, three, four weeks are wasted. I just show up in front of the computer. Show up, show up, show up, and after a while the muse shows up, too. If she doesn't show up invited, eventually she just shows up.
It's such an intimate and profound relationship that it cannot be unconditional. I can only compare the intimacy of sex with the intimacy of the mother with a newborn baby. But with a newborn baby, it is unconditional.
My father left when I was three, and I have no memory of him. The most significant male figures in my life were my grandfather, in whose house I lived during the first 10 years of my childhood, and later my stepfather.
I was such a sullen, angry, sad kid. I'm sure there are writers who have had happy childhoods, but what are you going to write about? No ghosts, no fear. I'm very happy that I had an unhappy and uncomfortable childhood.
The longest, most solid and complex relationship in my life is with my mother. It started before I was born, and now, when I am 71 and living in California and she is 92 and living in Chile, we are still in touch daily.
We don't even know how strong we are until we are forced to bring that hidden strength forward. In times of tragedy, of war, of necessity, people do amazing things. The human capacity for survival and renewal is awesome.
Everyone has a story, the air is full of stories. The creative process is mysterious, I don't know why it is that suddenly a theme will take hold of me and refuse to leave me in peace until I investigate it and write it.
I went to a mystery writers conference ... and I learned a lot not only from the faculty - and in the faculty we had forensic doctors, detectives, policemen, experts in guns, etc. - but from the questions of the students.
His lifetime was less than a fraction of a second in infinity. Or maybe he did not even exist; maybe human beings, the planets, everything in Creation were a dream...an illusion. He smiled with humility when he remembered.
Twittering and blogging and all that is fine, but there is no idea of how to phrase something beautifully; how to use language to create an emotion. It's just passing information and sometimes very superficial information.
I'm a writer. In Latin America, they say I'm a Latin-American writer because I also write in Spanish and my books are translated, but I am an American citizen and my books are published here, so I'm also an American writer.
I'm surrounded by the scene of aging. I myself am in my 70s and not getting any younger. Although I'm very healthy, and I have a lot of energy, and I still feel 50, I'm over 70 and I understand that I am preparing for later.
I met a guy, very exotic to me - he was blonde with blue eyes - and I just had a fling that turned out to be love. I moved to San Francisco to spend a week with him and get him out of my system; I'm still here 26 years later.
I seek truth and beauty in the transparency of an autumn leaf, in the perfect form of a seashell on the beach, in the curve of a woman's back, in the texture of an ancient tree trunk, but also in the elusive forms of reality.
I get thousands of letters, and they give me a feeling of how each book is perceived. Often I think I have written about a certain theme, but by reading the letters or reviews, I realise that everybody sees the book differently.
She sowed in my mind the idea that reality is not only what we see on the surface; it has a magical dimension as well and, if we so desire, it is legitimate to enhance it and color it to make our journey through life less trying.
I learned very quickly that when you emigrate, you lose the crutches that have been your support; you must begin from zero, because the past is erased with a single stroke and no one cares where you’re from or what you did before.
I have not changed; I am still the same girl I was fifty years ago and the same young woman I was in the seventies. I still lust for life, I am still ferociously independent, I still crave justice, and I fall madly in love easily.
I'm very optimistic because I think that the real strength of a nation like the United States comes from blending cultures. There's no way that you can close the frontiers anywhere. The borders are there to be violated permanently.
The pain of losing my child was a cleansing experience. I had to throw overboard all excess baggage and keep only what is essential. Because of Paula, I don't cling to anything anymore. Now I like to give much more than to receive.
At the most difficult moments of my life, when it seemed that every door was closed to me, the taste of those apricots comes back to comfort me with the notion that abundance is always within reach, if only one knows how to find it.
I write until the first draft is finished, and then I feel that I can get out. But, during the time of the writing of the first draft, I don't go out. I'm just locked away, writing. It's a time of meditation, of going into the story.
Humanity has this need to hear stories because they connect us with other people, they teach us about our own feelings. We feel less lonely when we see other people going through the same things, even if they're fictional characters.
The world starts to exist, for Americans, when we are in conflict with a place. And then all of a sudden, Afghanistan pops up on the TV screen and it becomes a place. And it exists for three weeks and then it disappears into thin air.
Heart is what drives us and determines our fate. That is what I need for my characters in my books: a passionate heart. I need mavericks, dissidents, adventurers, outsiders and rebels, who ask questions, bend the rules and take risks.
Catholics form a majority in Chile, although there are more and more Evangelicals and Pentacostals who irritate everyone because they have a direct understanding with God while everyone else must pass through the priestly bureaucracy.
When I started working in a feminist feminine magazine all my life was about rebelling against male authority, which is authority in general is male, so it was rebelling against everything. Everything that was around me made me angry.
In my book tours I get to meet an audience every night. And I see that there are mostly young people, and there are a lot of more men than before, but always young, I don't get older men. As I'm getting older, my audience gets younger!
The world starts to exist, for Americans, when we are in conflict with a place. And then all of a sudden, Afghanistan pops up on the TV screen and it becomes a place. And it exists for three weeks, and then it disappears into thin air.