Quotes of All Topics . Occasions . Authors
I thought of myself as part of the general filmmaking effort. And as my scope broadened, I began to think about directing. I wanted to be the guy who got to say whether the dress is red or blue.
I sort of understood that when I first started: that you shouldn't repeat a success. Very often you're going to, and maybe the first time you do, it works. And you love it. But then you're trapped.
My whole career strategy has been to build a base so that I could take the roles I want to play. I'd hate to think that a shorter part might not be available because I was worried about my billing.
I'm fairly well off. I can't poor-mouth that away from people's sensibilities about me, which is something I worry about as an actor. But it would be real stupid of me to do something for the money.
I'm an actor who they said was wrinkled and balding and everything else when I was in my early 30's. Most of the people who wrote that who thought they were younger than me are now bald and wrinkled.
I know I can act. There aren't too many other jobs I know how to do. Financially, I've lost money and made money, but I know my way around financially. I've been too many places. I'm like the bad penny.
There's probably no one who understands Method acting better academically than I do, or actually uses it more in his work. But it's funny - nobody really sees that. It's perception versus reality, I suppose.
When I am cast in a movie where I feel that the woman's part is more interesting, I usually start thinking about Spencer Tracy and Fred Astaire. They seem to be the most clear actors when working with women.
There are short parts that I as an actor am very right for. Or I just like the part. Or you need someone like me for the movie. By that I don't mean at the box office, I mean in the execution of the material.
I want a big 25-foot pink statue that holds my grave. Or I also might like the way the Indians did it. They hang you up on the top of a tree and the birds eat you. No, really I would probably choose cremating.
I don't play golf competitively. I tell everybody that I cheat so they won't gamble with me. That's why you can't watch football. Everybody's gambling. They don't want to watch the game; they watch the spread.
I love women who have a strong sense of themselves because I know I have a pretty good idea of what I want out of life and I like to be around other people who are also pretty secure. It just makes things easier.
I love discourse. I'm dying to have my mind changed. I'm probably the only liberal who read Treason, by Ann Coulter. I want to know, you understand? I like listening to everybody. This to me is the elixir of life.
Many actors will try something different once, but if it isn't a box office success they'll never do it again. In my opinion, there's no point in going on with this job if you do the same thing over and over again.
There's a period just before you start a movie when you start thinking, I don't know what in the world I'm going to do. It's free-floating anxiety. In my case, though, this is over by lunch the first day of shooting.
I don't believe that relationships are fixed things. People are necessarily complex and confused beings. We don't always do the right thing, say the right, and behave the same way or the way we always want to behave.
I am a person who is trained to look other people in the eye. But I can't look into the eyes of everyone who wants to look into mine; I can't emotionally cope with that kind of volume. Sunglasses are part of my armor.
You can follow the action, which gets you good pictures. You can follow your instincts, which will probably get you in trouble. Or, you can follow the money, which nine times out of ten will get you closer to the truth.
I don't know if this is a true statistic, but I heard somewhere that there are three times as many single women over forty as single men. That's what we got from the women's movement. The chickens have come home to roost.
I'd prefer if people had no impressions of me. As a kid, I had to tell my own family, "Please, just don't talk about me!" Because they always got it wrong. Always. I just didn't want them to tell anyone anything about me.
I just know that sameness, repetition, and conceptualizing are the acting craft's adversaries, and it seems more intelligent to start off within a framework where those things are, to some degree, taken out of your hands.
A man needs a private life. With no ability to have a private life, one thing leads to another, and before you know it we have Bill and Monica. We need to get real about things. Humans are humans. Why should we expect more?
It's the post-literate generation that is most disturbing to a movie-maker. The explosions and the knifings. People like to go to what's hot and you can't get past a certain gross unless you involve children who go more than once.
I don't want to direct a movie as good as Antonioni, or Kubrick, or Polanski, or whoever. I want it to be my own. I think I've got the seed of it and, what's more, that I can make movies that are different and informed by my taste.
Comedy is more difficult. You can look at scenes when you're doing a drama like, “Maybe it works,” but in comedy, when you're doing it, either it works or it doesn't. You have to keep doing it until it does, and the requirement is more.
I used to be very quick, I would be able to leave the room and be back before you noticed. When you can't do that anymore you need to change the style of how you do things. But I'm very interested in life and you don't want to lose that.
I wasn't a babe in the woods. I'd watched a lot of stars, from James Dean to Brando, and I'd seen everybody alive work at MGM. I had a certain old-timer's quality, even though I was young and new, and drew on what I believed before I made it.
If it is difficult to know yourself as an individual, it seems to be more complex as a couple. So if you say, "Oh I like a person who is like this and that," you might take away the possibility of seeing the only one that might be right for you.
It always bothered me when people came off stage and were told how great they were. They weren't, really, in my opinion. It was then I started thinking that, contrary to conventional wisdom, film was the artful medium for the actor, not the stage.
For a long time, I was afraid to be alone. I had to learn how to be alone. And there are still times when I think, Uh-oh! I gotta talk to somebody here or I'm gonna go crazy! But I like to be alone. Now I do. I really do. There's a big luxury in solitude.
You are more thoughtful because you don't act as quickly anymore. When I turned 70 it was the first time I felt young for my age. Fifty dropped on me like a ton of bricks - there is something about that number - but when 70 came along I felt good about it.
I think the Greeks invented sports as an antidote to philosophy. In sports there are absolute rules. It's not, What about this? What about that? Either you're safe or you're out. It's ten yards or it's not. It's in the hoop or out of the hoop. It's certain.
I love the company of people. I always have and always will, it comes with my family. But earlier in life I might have got a little nervous if I was alone for a day or two in a row. I might think, "Where are they?" Now, I just go on doing naturally what I do.
I think that's what distinguishes Schmidt, really. In the movies now, so much of what is appealing to an audience is the dramatic or has to do with science fiction, and Schmidt is simply human. There's no melodrama; there's no device, It's just about a human being.
There are many directors in the middle range who've made mostly successful pictures, and then there are a few great directors who've had some successes and some failures. I suppose my life would be smoother if I wasn't almost totally enamored of the latter category.
Once you've started a film you don't become a wet noodle. You must have that conflictual interface because you don't know, and they don't know. It's through conflict that you come out with something that might be different, better than either of you thought to begin with.
I've never lost a friend over work. I come from a small-town environment and I remember my childhood impressions that, if you were a conniver or a fink or whatever, everybody knew about it and you were a louse for the rest of your life. So I never lost those values in some way.
Believe it or not, I supported Richard Nixon on the issue of presidential privilege. How could anyone conceive of being the president of the United States and think that every single thing that you say or do can become a part of the public record? It just seems so stupid to me.
And this, incidentally, is my thumbnail sketch of American marriage: A woman sees a man; she likes him. Now she jumps on this thing and rides it to some kind of standstill. Then she changes it and trains it, and to the exact degree that she's able to do this, she disrespects him.
I worry from the moment I take a job. I worry about how I'm going to do it, if I can do it... Then I walk on set and the director says, 'Roll', and all of a sudden, all of it disappears and it's all happening, and I relax, and I'm doing what I do, and I'm not even thinking about it.
The first role I ever played I had the lead and it's pretty much stayed that way, though people take great relish in calling me a character actor, which I am. There are a lot of short parts I could play, but I only do them when they are like this ("A Few Good Men"), central to the idea of the movie.
I think human beings have a basic instinct to be free and explore their world in their own way. I've always been driven to look at life as something which we should try to plunge into rather than sit back. You have to be able to have fun and keep creating a sense of excitement to how you approach the world.
A lot of people manage to find common ground and not let disagreements or tensions build up and destroy them, and other people break up or get divorced. I don't think anything is ever going to change that situation. You simply try to find an accommodation and an understanding with another person and work from there.
I have to keep myself in check when I go to the kids' sports events. I sit waaay in the back. I make sure I don't do too much cheering, you know what I mean? I'm still not quite adjusted to this modern school of thought: Oh, it doesn't matter who wins. I'm not all the way there yet, but I accept it from the back row.
I began to think that the finest modern writer was the screen actor. This was in the spirit of the Fifties where a very antiliterary literature was emerging - Kenneth Patchen and others. I kind of believed what Nietzsche said, that nothing not written in your blood is worth reading; it's just more pollution of the airwaves.
When I come up against a director who has a concept that I don't agree with, or maybe I just haven't thought of it or whatever, I'd be more prone to go with them than my own because I want to be out of control as an actor, I want them to have the control, otherwise it's going to become predictably my work, and that's not fun.
The way I reacted to 9/11 was I decided I didn't want to do any movies that are sad or critical. I decided I didn't want to make my living depressing people or making them go home sick, so I just decided I wanted to do comedy for a while and study it for a while. It doesn't mean everybody should do that, but that was my reaction.
There has long been a bemoaning of the lack of opportunity to make films that are anything but explosions or the ladling on the pea soup or whatever you want to call it. You can hardly make a movie today where somebody isn't a murderer or a rapist or, if it's a "Fried Green Tomatoes" that isn't some wistful thing on this, that or the other thing.
Freedom in every sense but primarily political sense, a rise in repression that stems from a repression of sexuality. It's AIDS, it's herpes, it's this, it's that. Ask any saloon owner what's happened to social life in America in the past 12 years and they'll tell you it's a different world and these people are strongly misinformed by the media, peer pressure.
I think it's good if a man gives a woman some time to herself because I think we all need that and we can all benefit from that. It doesn't imply a rejection of the other person, just a sense that because we do have our separate identities, sometimes you have to be less involved in another person's life or need to have that other person be less involved in your life.