Everything in my past, in my training, everything that has been most essential in my activity up to now has made me above all a man who writes, and it is too late for that to change.

To whomever gives a kiss or a blow Render a kiss or blow But to whomever gives when you are unable to return Offer all the hatred in your heart For you were slaves and he enslaves you

Words There is no good father, that's the rule. Don't lay the blame on men but on the bond of paternity, which is rotten. To beget children, nothing better; to have them, what iniquity!

The aim of language...is to communicate...to impart to others the results one has obtained...As I talk, I reveal the situation...I reveal it to myself and to others in order to change it.

I had dreamed my life for nearly fifty years (I am about to be fifty-nine). But, you see, there are two tones in Les Mats: the echo of this condemnation and a mitigation of that severity.

Through the lack of attaching myself to words, my thoughts remain nebulous most of the time. They sketch vague, pleasant shapes and then are swallowed up; I forget them almost immediately.

What I regretted in La Nausee was not to have put myself completely into the thing. I remained outside my hero's disease, protected by my neurosis which, through writing, gave me happiness.

Listen to me: a family man is never a real family man. An assassin is never entirely assassin. They play a role, you understand. While a dead man, he is really dead. To be or not to be, right?

It answers the question that was tormenting you: my love, you are not 'one thing in my life' - not even the most important - because my life no longer belongs to me because...you are always me.

The writer is committed when he plunges to the very depths of himself with the intent to disclose, not his individuality, but his person in the complex society that conditions and supports him.

I committed the first crime by creating men as mortals. After that, what more could you do, you the murderers? Come on; they already had death in them: at most you simply hastened things a little.

In any case, if you ever leave me with a handsome man, do not tell me that you trust me because, let me warn you: that is not what will prevent me from deceiving you, if I want to. On the contrary.

To choose this or that is to affirm at the same time the value of what we choose, because we can never choose evil. We always choose the good, and nothing can be good for us without being good for all.

I am. I am, I exist, I think, therefore I am; I am because I think, why do I think? I don't want to think any more, I am because I think that I don't want to be, I think that I . . . because . . . ugh!

Lord, you have cursed Cain and Cain’s children: thy will be done. You have allowed men’s hearts to be corrupted, that their intentions be rotten, that their actions putrefy and stink: thy will be done.

I have nothing but contempt for you idiotic chosen ones who have the heart to rejoice when there are the damned in Hell and the poor on earth; as for me, I am on the side of men and I will not leave it.

The public, too, has to make an effort in order to understand the writer who, though he renounce complacent obscurity, cannot always express his new-hidden thoughts lucidly and according to accepted models.

Naturally, in the course of my life I have made lots of mistakes, large and small, for one reason or another, but at the heart of it all, every time I made a mistake it was because I was not radical enough.

Every age has its own poetry; in every age the circumstances of history choose a nation, a race, a class to take up the torch by creating situations that can be expressed or transcended only through poetry.

Nothing happens while you live. The scenery changes, people come in and go out, that's all. There are no beginnings. Days are tacked on to days without rhyme or reason, an interminable, monotonous addition.

A man is always a teller of tales, he lives surrounded by his stories and the stories of others, he sees everything that happens to him through them; and he tries to live his life as if he were recounting it.

Existence is not something which lets itself be thought of form a distance; it must invade you suddenly, master you, weigh heavily on your heart like a great motionless beast - or else there is nothing at all.

Torture is senseless violence, born in fear... torture costs human lives but does not save them. We would almost be too lucky if these crimes were the work of savages: the truth is that torture makes torturers.

Ha! to forget. How childish! I feel you in my bones. Your silence screams in my ears. You may nail your mouth shut, you may cut out your tongue, can you keep yourself from existing? Will you stop your thoughts.

Abjection is a methodological conversion, like Cartesian doubt and Husserlian epoche: it establishes the world as a closed system which consciousness regards from without, in the manner of divine understanding.

Perception is naturally surpassed toward action; better yet, it can be revealed only in and through projects of action. The world is revealed as an "always future hollow", for we are always future to ourselves.

At times discreetly, at times disgustingly, I yielded to the most fatal temptation whenever I could no longer bear it: as a result of impatience, Orpheus lost Eurydice; as a result of impatience, I lost myself.

If you die, I will lie down beside you and I will stay there until the end, without eating or drinking, you will rot in my arms and I will love you as carcass: for you love nothing if you do not love everything.

In order to make myself recognized by the Other, I must risk my own life. To risk one's life, in fact, is to reveal oneself as not-bound to the objective form or to any determined existence — as not-bound to life.

I felt myself in a solitude so frightful that I contemplated suicide. What held me back was the idea that no one, absolutely no one, would be moved by my death, that I would be even more alone in death than in life.

Therefore, in the nature of this will for freedom, which freedom itself implies, I may pass judgement on those who seek to hide from themselves the complete arbitrariness and the complete freedom of their existence.

I enjoy feeling fastidious and aloof. I enjoy saying no, always no, and I should be afraid of any attempt to construct a finally habitable world, because I should merely have to say - Yes; and act like other people.

What do you want to do with the [Communist] Party? A racing stable? What good is it to sharpen a knife every day if you never useit for slicing? A party is never more than a means. There is only one objective: power.

Generosity is nothing else than a craze to possess. All which I abandon, all which I give, I enjoy in a higher manner through the fact that I give it away. To give is to enjoy possessively the object which one gives.

With despair, true optimism begins: the optimism of the man who expects nothing, who knows he has no rights and nothing coming to him, who rejoices in counting on himself alone and in acting alone for the good of all.

What I ask of [the writer] is not to ignore the reality and the fundamental problems that exist. The world's hunger, the atomic threat, the alienation of man, I am astonished that they do not color all our literature.

For the artist, the color, the bouquet, the tinkling of the spoon on the saucer, are things in the highest degree. He stops at the quality of the sound or the form. He returns to it constantly and is enchanted with it.

I maintain that inversion is the effect of neither a prenatal choice nor an endocrinal malformation nor even the passive and determined result of complexes. It is an outlet that a child discovers when he is suffocating.

It's quite an undertaking to start loving somebody. You have to have energy, generosity, blindness. There is even a moment right at the start where you have to jump across an abyss: if you think about it you don't do it.

It’s the well-behaved children that make the most formidable revolutionaries. They don’t say a word, they don’t hide under the table, they eat only one piece of chocolate at a time. But later on, they make society pay dearly.

We will not go to Heaven,Goetz, and even if we both entered it, we would not have eyes to see each other, nor hands to touch each other. Up there, God gets all the attention.... We can only love on this earth and against God.

Your scare me rather. My reflection in the glass never did that; of course, I knew it so well. Like something I had tamed...I'm going to smile, and my smile will sink down into your pupils, and heaven knows what it will become.

Man is always separated from what he is by all the breadth of the being which he is not. He makes himself known to himself from the other side of the world and he looks from the horizon toward himself to recover his inner being.

Either the USSR was not the country of socialism, in which case socialism didn't exist anywhere and doubtless, wasn't possible: or else, socialism was that, this abominable monster, this police state, the power of beasts of prey.

Love or hatred calls for self-surrender. He cuts a fine figure, the warm-blooded, prosperous man, solidly entrenched in his well-being, who one fine day surrenders all to love—or to hatred; himself, his house, his land, his memories.

I do not feel that I am the product of chance, a speck of dust in the universe, but someone who was expected, prepared, prefigured. In short, a being whom only a Creator could put here; and this idea of a creating hand refers to God.

I clung to nothing, in a way I was calm. But it was a horrible calm—because of my body; my body, I saw with its eyes, I heard with its ears, but it was no longer me; it sweated and trembled by itself and I didn’t recognize it any more.

I was not the one to invent lies: they were created in a society divided by class and each of us inherited lies when we were born. It is not by refusing to lie that we will abolish lies: it is by eradicating class by any means necessary.

I am alone in the midst of these happy, reasonable voices. All these creatures spend their time explaining, realizing happily that they agree with each other. In Heaven's name, why is it so important to think the same things all together.

Let it crumble! Let the rocks revile me and flowers wilt at my coming. Your whole universe is not enough to prove me wrong. You are the king of gods, king of stones and stars, king of the waves of the sea. But you are not the king of man.

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