Quotes of All Topics . Occasions . Authors
Wonder Woman is a lot of fun to draw.
A-list stars go to Comic-Con to woo the nerd demographic.
Wonder Woman isn't even American; she's an Amazon princess.
I don't think you can be a comic book fan and not hate change.
I don't buy comics anymore, for the most part. I eat my lunch off of them.
Creating and producing creative work, to me those are all happy accidents.
Creating and producing creative work, to me, those are all happy accidents.
People who liked the 'Arkham Asylum' video game can Google comics to download.
Outside of my work as a comic book creator and co-publisher, I'm an avid gamer.
From an artist's point of view, I always want to work with the writers I admire.
'Watchmen' is a cornerstone of both DC Comics' publishing history and its future.
[Superman and Lois are] kindred spirits, and they always choose to do the right thing.
I have to say, self-servingly, I downloaded my own comics. I downloaded 'Batman: Hush.'
I don't think you can measure your love or your passion for whatever you're working on.
I love the fact that I get something new to do almost every day and have new challenges.
As a gamer, I like to go up and look at people's faces and see how good of a job they did.
Alasdair Fraser's Culburnie Records has quietly become one of the best Celtic music labels today.
I think the very simplest way to show Superman's power is to have him punch someone that's powerful.
I always figured Metropolis was north of New York, actually. Between New York and Boston, in my mind.
No true fan wants to go to Comic-Con and get assaulted with a marketing blitz about just any old show.
At DC Comics, it has been a top priority that DC forges a meaningful, forward-looking digital strategy.
Any time you change something classic or iconic, you're going to have some part of the fan base up in arms.
One of DC's strengths is our archive of storylines ranging from 'Watchmen' to 'Arkham Asylum' to 'Sandman.'
One of the key characteristics of the comic book medium is that it is not brought to life by just one voice.
When I was a kid, I never felt that what I was drawing really represented me; it was just something I enjoyed.
I really want to try to explore the characters from angles you've never seen and keep them classic and iconic.
I paint in acrylic and sometimes in oil. Sometimes I'll paint my kids. And I'll occasionally do some photography.
'The Authority,' by Warren Ellis and Bryan Hitch, really pioneered the widescreen, action-packed style of storytelling.
There was something special and unique about the love triangle that existed between Clark Kent, Superman and Lois Lane.
Not everyone reads comics, although most people know the major superheroes, but the majority of people play video games.
I want all my stuff to be converted into digital format so I can have my reference library to carry with me wherever I go.
I rarely draw myself, in general, and if I do, I tend to do little cute manga-esque, almost bite-sized drawings of myself.
I've been trying to make this argument that digital comics and print comics are both art, but there are subtle differences.
I'm really trying to focus on the storytelling, more so than ever before I think, partly because it makes for easier pages.
I like a lot of modern art. I like Chuck Close a lot. It doesn't necessarily directly influence the work I draw on the page.
I think when you're knee-deep in coming up with editorial plans, the desire to sit down and pencil something is pretty strong.
One of the most difficult things for any artist to do is create a world that looks both completely alien yet real and possible.
I certainly wouldn't buy a DVD series of a hit show and start at Season 7. I would want to go back and start from the beginning.
Superman tends to stand very upright, and he's very symmetrical, and those are actually the most difficult poses for me to draw.
The thing that weighs the most on how your final artwork turns out is the amount of time you have and the speed at which you can move.
When you have a Green Lantern mixing with a foil like Batman, you get scenes that are comic-book history. There's the epicness of it all.
What I love about WonderCon is that, while the focus is on the comics, it's also a celebration of games and movies and all the ancillary media.
Even today, a lot of the CGI you see in movies is so clean and crisp that it just looks fake. It's weird: the more advanced they get, the faker it looks.
Most video games, you build up toward the big, bad boss. And it's just a bigger, more powerful version of what you've been fighting all along in the game.
Lois pursues the truth no matter what sort of adversity faces her. I think Superman sees that, and it's the same moral compass that he has from the Kents.
Many in the creative professions were nerds in their pasts because they spent so long reading comics and using their imaginations when they were growing up.
Whether it be in comics, games or film, you can trace the art direction and influences back to some earlier, real-life historic period or artistic movement.
So much of comics are dictated by characters talking to one another - or in focused spaces where 'the camera' has to stay in pretty close on what's going on.
One of the strengths of the DC Universe has been the strength of the rogues' gallery. Often times they're as famous - if not more infamous - than our heroes.
I think there's a responsibility of the publisher, of the company, to make sure the staple books that have been around for decades come out in a timely manner.