Quotes of All Topics . Occasions . Authors
When I see someone who just follows their dream and succeeds, and just does basically what they want to do and doesn't have to answer to anyone, obviously not harming anyone, that's great.
I think kids, in general as an audience, are the way forward because they're not sort of sullied by intellectual expectation or this or that. It's a very pure kind of response to the work.
Throughout my lifetime I've left pieces of my heart here and there. And now, there's almost barely enough to stay alive. But I force a smile, knowing that my ambition far exceeded my talent.
I don't trust anyone who hasn't been self-destructiv e in some way, and who hasn't gone through some sort of bout of self-loathing. You've got to bang yourself around a bit to know yourself.
When I auditioned for '21 Jump Street,' it was a last minute thing. I had one of the worst flus that I've ever experienced in my life, and I was forced to go to the audition, the screen test.
There's always that moment on every movie where you just go, 'Okay, this is that moment. I'm about to potentially fall flat on my face, and I might as well just dive in and see what happens.'
This is a rumour-filled society and if people want to sit around and talk about whom I've dated, then I'd say they have a lot of spare time and should consider other topics... or masturbation.
I started pulling gags on Al [Pachino]. That was the moment I realized that he was absolutely out of his mind. I mean that he's certifiably insane. I wouldn't spend a night in a room where he's at.
They stick you with those names, those labels -- ‘rebel’ or whatever; whatever they like to use. Because they need a label; they need a name. They need something to put the price tag on the back of.
Music is still part of my life, but I hate the idea of people coming to see me play the guitar because they've seen me in movies. You want people who are listening to be only interested in the music.
I always figured that once I wrapped a film, then anything beyond that is none of my business. If I can avoid seeing the final product, then all I have in my head is feeling good about the experience.
When I played Tonto in 'The Lone Ranger' and was playing the older Tonto, I would just leave the makeup on and go to sleep because it was a four or five hour job; it was, from the waist up, all over me.
If someone is being bullied or feels like an outsider, and they relate to something that I've done, even if it's just igniting a spark, that's great. I had that feeling as a kid. I was messed with no end.
I'd just thank the people out there who have been with my up-and-down, weird-road, strange career and supported me and stuck with me all these years. I mean, they're my boss. That's what keeps me working.
I got to take my kids to the London eye with no one looking at me like I was Johnny Depp. They did look at me like I was some kind of sicko walking around with beautiful kids, but I had a perfect disguise.
Having been familiar with "drunk" once or twice myself, that lick just came to me - and yeah, it sounded very drunk, so I presented it to Alice [Cooper]. It felt like he wrote the lyrics in about a minute.
Growing old is unavoidable, but never growing up is possible. I believe you can retain certain things from your childhood if you protect them - certain traits, certain places where you don’t let the world go.
When you play a character that exists or existed, there's a stronger responsibility that you have. You owe that person and then you owe the family, you owe history, you owe the victims, the victims' families.
I was always a fan of the great old spaghetti Westerns, the Sergio Leone films. But the one that always sticks with me, that I just thought was brilliant and perfect is "Cat Ballou." Lee Marvin in "Cat Ballou."
While they'd be setting up shots, suddenly, there were 17 make-up chicks, just listening to Marlon telling these amazing stories that were probably lies. He was a fascinating individual. I learned a lot from him.
I've had the honor and the pleasure and gift of having known Elizabeth Taylor for a number of years. You know, you sit down with her, she slings hash, she sits there and cusses like a sailor, and she's hilarious.
I actually did do a musical many years ago with John Waters called Cry-Baby, but technically it was only half me - it wasn't me singing. Tim's [ Burton] the only person brave enough to actually let me try to sing.
I think when you are young, you are hoping that this person will be the right one. The one you are going to be in love with forever, but sometimes you want that so much, you create something that isn't really there.
Here I was going to work with Pacino thinking, "I'm not going to get lucky twice. There's no way. This guy is going to hand me my ass." He looks like the kind of guy who's going to hand you your ass. It's Al Pacino.
I've been lucky enough to work with a make-up artist, Joel Harlow, who you can throw anything at. I said, "Joel, I need to go to the London eye with my children and I want to look like a roadie from Lynyrd Skynyrd."
I'd never even sung in the shower, I'm too mortified. But once I got over the initial fear it was kind of enjoyable. Sondheim's melodies and lyrics are a real pleasure to tromp around in, it's really beautiful stuff.
Not being well-versed in that arena myself, it's a little bit frightening because I'm not very good in those situations with lots of people and lots of famous people and cameras and all of that. It's not my specialty.
Here's the thing - if Donald Trump is elected president of the United States, in a kind of historical way, it's exciting because we will see the actual last president of the United States. It just won't work after that.
As a teenager I was so insecure. I was the type of guy that never fitted in because he never dared to choose. I was convinced I had absolutely no talent at all. For nothing. And that thought took away all my ambition too.
Somehow you've been voted something for a magazine, and it's a complete mystery to me. I wake up and I have to look at that head when I brush my teeth every morning, you know. And it's weird. And it's unpleasant at times.
As a teenager I was so insecure. I was the type of guy that never fitted in because he never dared to choose. I was convinced I had absolutely no talent at all. For nothing. And that thought took away all my ambition, too.
There are necessary evils. Money is an important thing in terms of representing freedom in our world. And now I have a daughter to think about. It's really the first time I've thought about the future and what it could be.
If you really take a step back and observe people who are considered super-normal and watch them a bit, you'll realize that they're actually completely out of their minds! Most people are really nuts, and that's fascinating.
When you had the fangs in, you wanted to be a little bit careful that you didn't actually pierce the jugular, kind of like my experience shaving Alan Rickman, which by the way neither of us want to do again, especially Alan.
Ironically, it was only maybe a year prior to Tim calling I had re-read Alice in Wonderland and Through the Looking Glass, and what I took away from it was these very strange, little cryptic nuggets that he'd thrown in there.
I've had some rank auditions where I embarrassed myself to new heights, which is hard for me to do. I was never good at auditioning. There are a number of actors over the years come up the ranks who are horrific at auditioning.
I certainly had this fascination with monsters and vampires as did Tim and whatever this darkness, this mystery, this intrigue. And then, as you get older, you recognize the erotic nature of the vampire and the idea of the undead.
I had just had a daughter, who was three or three-and-half years old, and I had been watching nothing but cartoons. That's really it. There was no YouTube. You're in France and you're raising a kid, so you break out the Tex Avery.
Out on the street, you never know what you're getting, and suddenly two days later you're beating yourself in the head with a tennis racket, wearing a towel, quoting Poe. You don't want that for your kid. You really don't want that.
There were so many great teachers that had so much to offer. The idea of being rigid, why would you do that? People have their things, but why be rigid with any education when you can take things from here and take things from there?
Even when you're down and blue, just remember that someone out there loves you, even if you don't know it and even if you haven't yet met them. There's someone out there waiting for you, remember that and keep faith. You'll get there.
Obviously, technology is moving and reshaping itself, radically, every day. We're all capable of answering that question within ourselves. Would you do it for the person that you love? Would you be married to a hard drive, essentially?
I do believe that you have to bring some degree of truth from yourself to the role [Sweeney Todd: The Demon Barber of Fleet Street ]in and I'll admit it here, I have shaved a grown man before. I have done it. And it wasn't Tim [Burton].
After having been confined to a television series - and it's a luxury job - where you can't play anything but one particular character for nine months out of the year, it will make you insane. It didn't affect me. I got out quick enough.
Prior to 'Pirates of the Caribbean' - the first one in 2003 - I had been essentially known within the confines of Hollywood as box office poison, you know what I'm saying? You know, I basically had built a career on 20 years of failures.
France, and the whole of Europe have a great culture and an amazing history. Most important thing though is that people there know how to live! In America they've forgotten all about it. I'm afraid that the American culture is a disaster.
France and the whole of Europe have a great culture and an amazing history. Most important thing, though, is that people there know how to live! In America they've forgotten all about it. I'm afraid that the American culture is a disaster.
As soon as we fall in love and we realise we've met the one the rest of our lives can't come soon enough. It's not like you're in a rush to get to the finish line, you're in a rush to feel and experience everything and then do it all again.
The funny thing is you oddly don't really say goodbye to all the characters you've played. There's like a chest of drawers in your head that you can always access. They're always around. I'm not sure if that's healthy. But they're all there.
You never think you're on the verge of disaster while you're looking over the edge yourself. It's your friends and family who are trying to get you to stop destroying yourself and after a while it kind of sank in and I just cleaned up my act.