Quotes of All Topics . Occasions . Authors
I treasure my friends but not my possessions.
I'd rather be Welsh than English, that's for sure.
I'm not a star, I'm an actor - there's a difference!
I've never had therapy. Maybe the work is the therapy.
I have just enough public appreciation to make me happy.
The key to a great story is not who, or what, or when, but why.
When you play a character, you commit yourself to their beliefs.
When I left school, I wanted to be an artist, specifically a painter.
Even a good decision if made for the wrong reasons can be a wrong decision.
As a child, play, drawing, and painting were important to me - they still are.
I know writers, and they seem to be the most disgruntled part of the art world.
People sometimes ask me why I did this or that project. I say, 'Well, they asked me.'
One time, I had to do Edgar in 'King Lear' and Owl in 'Winnie the Pooh' on the same day.
What's great about being an actor is you meet people and form a relationship very quickly.
Hamlet' is a real ensemble piece: you have to realise that he's just one part of the story.
I'll read a book every now and then, but unlike most of my friends I don't always have one on the go.
Actors, when they're older, still get a chance to let off steam or something and work things off on stage.
When the arts are taken out of the syllabus, people are not going to know what it's like to value the theater.
I grew up in the 1950s at the beginning of rock n' roll, and would strum a tennis racket in front of the mirror.
The older you get, the more you find yourself looking for things you used to see and liked when you were younger.
It was easy for me to play someone with a massive ego. It's actually really fun to have the freedom to be that person.
When I was young, I used to be very frightened of getting older and of death. Now, I'm more resigned to the inevitability.
I can tell stories to other actors about the level of aggression on stage in the '70s between actors - it was unbelievable.
Oddly enough, I'm not religious but I'm also very fond of St Peter's in Rome. When I'm there, I always know there's a good meal not far away.
I made a sofa that is constantly being updated the more people sit on it, or sit through it, or don't sit on it because it's so uncomfortable.
You can't punish the middle classes for going to drama school - you need to punish the education system and the associative governments for devaluing the arts.
I know people whose entire lives are ruined by fame. If you make yourself exclusive, people want to break that down, but if you go about doing your shopping, no one bugs you.
'Macbeth' sags in act four - the England scene with Malcolm and Macduff just doesn't work theatrically. But with 'Hamlet,' although the play is so long, Shakespeare manages to sustain the arc.
I live a very ordinary life. The rare awards ceremonies I go to are quite fun, because I can enjoy the irony of one minute walking to the tube, and the next being driven along the same stretch of road in a limo.
It was very amusing to do 'GI Joe: Retaliation' scenes with Bruce Willis, who spends months rewriting his dialogue and then turns up and doesn't say it. Part of the time, he doesn't say anything, but mumbles and mutters.
I remember watching 'Fargo.' I thought that was cruel. 'GoodFellas,' lots of Scorsese stuff, I think is unnecessarily violent and almost a celebration of violence. I don't see 'Game of Thrones' as being a celebratory violence.
When you sing on stage, the songs are part of the narrative, but in 'Unconditional Love,' it was just singing for singing's sake. It was playing at being pop star. As a young boy growing up in North Wales, that was my fantasy.
Pryce, a veteran of Brazil and Baron Munchausen and a longtime Gilliam friend, bristles at the word chaos when applied to the Brothers Grimm set.] Terry knows what he wants, ... He's very demanding, but in a positive and generous way. And if you're up to it, it's very exciting. If you're not, you fall by the wayside.
It took a while to decide I wanted to do Hamlet. It wasn't that I was daunted - I'd been acting professionally since my mid-20s and had some pretty big Shakespearean roles under my belt by that stage, at 32: Petruchio in 'The Taming of the Shrew,' Edgar in 'King Lear,' Antony, Richard III. But when it came to Hamlet, I hesitated.