So I can say I used to have a waist.

I wasn't born an actress, but I was certainly born dramatic!

I'm a very ambitious girl. I'll go wherever there is a good part.

I get sent lots of jewellery by fans, and that's absolutely lovely.

One day I'd love a house in the country, with some chickens, dogs and kids.

The first thing I ever wanted to be was a backup singer for Guns 'n' Roses.

I don't like pink and I am not into girlie stuff, bows and frills, sugary looking things.

My mum's amazing - every time I achieve something in my career, she buys me a diamond earring.

I don't get recognized in England. Not at all. Every so often, I get recognized in other countries.

Without Merlin, there would be no Gandalf, so I see them as the same thing, one a continuation of the other.

I spend a lot of time on eBay buying vintage. I also really like Alexander Wang, Miu Miu, Vivienne Westwood, McQueen and Balmain.

I want to have a little toy version of Morgana. I can then show it to my grandchildren one day. So I can say I used to have a waist.

Maybe people don't see me as believable playing a person of today. I guess I'm just more realistic in a corset and funny hairstyles.

I am really terrible when it comes to guys. Inside, I just see myself as this overweight tomboy with funny-coloured hair and bad skin.

No actor can play a villain if they don't sympathise with him or her - otherwise the character just becomes a two-dimensional caricature.

I love being as bad as possible! You've got to love a bad girl. Look at 'Gone With the Wind,' Scarlett O'Hara - total bad girl, but you love her.

I do keep getting these bad girl roles. The funny thing is that, honestly, I don't think I'm believable as these aristocratic mean girls. But I do love playing them.

I loved every minute of working in wardrobe. But I love being an actress so much more. I don't think I was very good in costume, so it's better that I prefer being an actress.

I had this vague notion that one day I might be editor of 'Vogue China.' It was a bizarre ambition, as I didn't speak a word of Chinese. There were flaws in my plan, admittedly.

I grew up in a small town in Ireland and didn't know any actors. I never thought it was a viable job. It wasn't until I was on 'The Tudors' that I realised it was a possibility.

One thing I've always thought about Morgana is that she's sort of a modern mind in a period body. She's not your usual warm princess, which is what drew me to her in the first place.

It's like running away to join the circus, everyone wants to do it when they're young but then you grow up and get a proper job. But somebody's got to do it or you wouldn't have the circus.

I was looking at these actresses sort of sitting around under umbrellas, people bringing them cold drinks and I was like, 'That looks so much easier than what I'm doing' and I was so wrong.

I go for really smart guys, ones who are well-read and can banter and argue. Men need to be able to take me out and have a few drinks, but by the end of the night we'll be talking about Nietzsche.

I wear a lot of black, knitwear, skinny jeans and very high heels. My mum used to work for a fashion designer making knitwear, so she knits me lots of chunky scarves, hats and gloves, which I love.

My friend once sculpted me a bust of Admiral Ackbar from 'Star Wars.' He's my favourite character in the films after Han Solo. He's that goldfish-type alien in the white costume. 'It's a trap!' I'm a big geek.

I can't watch most of my work. Once I come on screen, all I can think of is 'What am I doing with my hands?' or 'Why did I lean that way?' or 'What's that look on my face?' It's too difficult to not focus on evaluating my acting.

If I could have picked an era to have lived, I think I would've loved to have been one of Louis XIV's mistresses. They were so fantastic and aristocratic, and they had so much power. And he was such a renaissance man. I think I would've fit into that nicely.

Working crew made me realise that the actors are a very small part of a very big machine, with each part being vital to make the show work. It so important to remember that it's not about you, it's about the show, and working crew hammered that point home to me.

I went through a real punk stage-I had braids, red hair, pink hair, green hair, I cut it into a Mohawk, the lot. Then about five years ago, I dyed it dark and stayed out of the sun to get pale, because I hated looking like everyone else, all blonde hair and tanned skin.

It's not an understatement to say that I owe everything as an actor to 'Merlin.' It was pretty much my first job, and I didn't know what I was doing for many years on it. It wasn't until the third and fourth series - the fourth series especially - that I really found my feet with the character, and as an actress.

I was a strange child. I was the kid with funny hair listening to dodgy music [...] I'd come in with my hoodie and skate-shoes, with purple hair under the hood. I got away with it because I spent all my time in the art room, so they figured I was 'artistic'. I was that kind of kid, listening to Green Day and the Deftones and all that kind of thing.

I have always said the success of the show has stemmed from our audience being able to relate to the characters on different levels - being based on the universally loved Arthurian legend is only a tiny part of its success - it's a story about acceptance and growing up. The breathtaking finale of this series leaves you with no doubt that characters have been on their journeys and had their stories told - it's completely the right time to draw our telling of the story to a close.

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