As a singer, you have to bring the soul to the song.

I wish I had given more time to learning classical singing.

I have decided that I won't take up assignments that don't interest me.

One has to be fully committed to one's career. Otherwise, there's no point.

I believe in one power, and that is the hand of God. I respect all religions.

I really liked Kishore Kumar. He had a virile man's voice, and he was truly versatile.

I've always loved life, irrespective of all the ups and downs that have filled my journey.

I missed out on my childhood. I had to work hard, but I was immediately given a place in playback.

It was not really the external influences that made me a singer. Music was within me. I was full of it.

I have a fierce temper. I've mastered it over the years, but when I'm angry, no one can force me to do anything I don't want to.

For me, awards are a token of respect that people are giving me. So no matter how many awards I am receiving, I always feel emotional.

I feel God has sent me to Earth to sing. I started singing when I was five, but I don't think I've worked as hard as many other people.

In my opinion, the biggest achievement was by Shankar-Jaikishan. With Raj Kapoor's 'Barsaat,' they changed the way we looked at playback singing.

I have been singing for the last 50 years, you know, so I deserve a break. Besides, there are talented singers around who can do justice to their work.

Today, the scope for variety has shrunk drastically. There are only a handful of topnotch composers like A. R. Rahman, Anu Malik, Jatin-Lalit... that's it.

Sourav's calm and assured presence sets him apart. His captaincy is of a high order but he bats sensibly and reads situations well. I hope Sourav too becomes a World Cup wining captain.

People, who accused me of practising a monopoly were wrong. The media fuelled rumours about my 'monopoly.' The first question I was always asked during interviews was about my supposed monopoly.

From my experience and understanding, I believe money follows name and fame, while recognition calls for a huge amount of sacrifice. To get something, you have to lose something. That's the rule of life.

Nowadays, there are seven music directors in one film. I had never heard of such a thing before. If one of our old music directors was told to share a score with others, he would have left the assignment.

The privileged classes today are bothered about petrol and diesel prices while the poor can't afford two meals a day. I am a very small person, but I want us to think beyond personal and regional interests.

My father passed away in 1942, and three-four months after his death, I had to start working. There was a responsibility on my shoulders to run the household. It was my duty as the eldest child in the house.

When I started out, there was so much work that I couldn't think of doing anything else. I would go for recordings by 8.30 A.M., that, too, in trains. I used to come home at night. I was travelling alone everywhere.

I feel I am a little unfit for the kind of music that is being made today. There is a big difference between what I sang earlier and what is being made now. I am not saying this music is bad, but there are too many beats.

I appreciate the change associated with people's growth, but I don't like the changes in our lives. I came to Mumbai in 1945, so imagine my acceptance of the massive changes around. I have witnessed every kind of revolution.

I think playback singing has a lot to do with voice acting. I would suggest to all the youngsters to understand the character, situation, and the story behind the songs. That is when you can add soul to the rendition which, I think, is missing in today's music.

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