I have a big mouth.

I'm not a trained musician.

I am no one to be a purist.

Conducting is way over my head.

I grew up in a really small town.

I don't like to use toilets - ever.

A lot of concerts are just too safe.

Forgive me, but Wolfmother, you suck!

I got a PS3 and a PSP. The Wii looks fun.

I'm surprised that anyone cares about what I do.

My tools are musicians, effects, things like that.

I like the cut of my gib. I dislike the way I move.

Acting is even stranger than I thought it would be.

My wife is Italian, and I lived there for six years.

Most film scores have one vibe, and they stick with it.

We just wanna be the happy bums that we are. That's all.

I am perfectly aware of my position in commercial music.

Being able to have a home studio is the greatest thing ever.

My fear is getting stuck doing the same thing over and over.

I'm not some young tough guy trying to prove a point anymore.

I like to have a few things going on at once. It feels natural.

I think you create your own boundaries, and you work within them.

Part of what Faith No More shows are is chaos and unpredictability.

You don't want to eat haute cuisine all the time; it's not healthy.

I'm a little tired of travelling the world, jaded as that may sound.

When you have to put on shades in the studio, you know you have to stop.

That's what my music is good for - clearing out the house and being alone.

When you do live abroad, you're basically searching for some kind of peace.

Legacy is something you talk about when you're dead - and I'm not dead yet.

If a person wants to be atheistic it's his God-given right to be an atheist.

Touring is a weird thing. It's like getting married to four different people.

There's a danger in anything that is unfamiliar. That's the world we live in.

In a way, sometimes collaborating is more difficult because you have to listen.

It feels really good to be the bad guy, and 'The Darkness' is as bad as it gets.

If they're acting like a dog, sometimes you're forced to treat people like dogs.

Having my own label, I have to look at things in a realistic, bottom-line manner.

I write lyrics based on music, on a musical flow, and what sounds good at the time.

You don't have to release everything you do. Some ideas need to just stay on the shelf.

All time faves would be 'Smash TV,' 'NHL Hockey,' 'Grand Theft Autos,' 'NBA Lives,' 'Sonic.'

I know where my bread is buttered, and for the most part, I'm better off doing my own thing.

The career high would be putting out a Kids of Widney High CD on my label, Ipecac Recordings.

Golf is the only sport I've encountered where you can really suck but still have a good time.

A lot of people assume that musicians are comrades by nature. It's cutthroat like anything else.

Not all ideas are like a twinkling star in the sky, and you get inspired to make a record the next day.

There has to be an element of danger, or at least an element of intrigue, for a band to be interesting.

I consciously did not want to put a sub-Mr. Bungle band on the map. I don't think the world needs that.

Everything with Peeping Tom is kind of a guessing game. It's constantly exhilarating but also exhausting.

To me, finding sounds, or even recording, is a compositional process. The studio is kind of an instrument.

More traditional guitar, bass, drums - it's not something completely natural to me. It's, in a way, exotic.

Stan Slaughter is the thoroughbred of the environmental educators I've hired. Second place is not even close.

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