Producing a film is not an easy job at all.

I have always loved cricket since childhood.

Many Tamil heroes have a good market in Telugu.

I do films that amuse me and I can enjoy watching.

I usually don't let any kind of pressure bother me.

When people are successful, they usually become lazy.

I'm glad that so many directors are keen to work with me.

I usually surface on social media only when there's a film.

I don't want to regret doing something that I don't believe in.

I did get to work as a technician with Bapu in 'Radha Gopalam.'

All these years, when someone praised my work, I would feel lucky.

With one film after another becoming a hit, nervousness only grows.

I'd dream of assisting Gautham Menon after watching 'Kaakha Kaakha.'

Trash my acting and my films. But don't gossip about my personal life.

I personally like melodies. And Mani Sharma garu is the Melody Brahma.

I'd rather fail doing what I believe in and feel satisfied that I tried.

With good content, a solid director can make a film without a superstar.

Gossips are fine if they are within limits. But they shouldn't be obnoxious.

Keerthy Suresh knows how to improvise and reworks her expression on the spot.

Nobody has tried anything like this in Telugu cinema. 'Eega' is a landmark film.

I used to play cricket every day till Class X but lost touch with it ever since.

A director is a director. We shouldn't categorize one into a this or that director.

B.A. Raju garu is very knowledgeable when it comes to cinema. He has sound analysis.

There are two categories of actresses: performance-oriented ones and glamourous ones.

Even in the wildest of my dreams, I didn't expect this love and affection as an actor.

Since I am an outsider, I never knew how it feels to have a superstar in one's family.

I respect Srikanth garu, I worked as an assistant director for his film 'Radha Gopalam.'

'Jolly LLB' is one of my favorite movies. Courtroom films are rare to come by in Telugu.

When things get heated, you are pulled in different directions, and you've to stand firm.

I still belong to a middle class family; middle class is a mindset than your financial status.

I never saw myself as an actor. I neither had the looks nor the backing required to be an actor.

Script wise, the story of 'Eega' is universal. It's a simple story which everyone can understand.

My biggest fear is that I might end up doing a film which I might regret at a later point of time.

I got a lot of exposure because of 'Eega,' as the film was released in Tamil, Hindi, and Malayalam.

Usually, I get the jitters before a release, and my whole system crashes. I can barely eat or sleep.

'Bigg Boss' is the biggest show in the world, and I'm sure anyone would want to host it, but not me.

Take me to any other film industry, and they will be wondering why Telugu audiences love me so much.

I believe the audience likes to see well-defined characters on screen than just larger-than-life heroes.

Once the scene is over, I come out of it. I don't carry the character with me for long as many actors do.

Anjana knew me inside out even before we got hitched, and now married life is blissful. We are very happy.

I feel bad to keep someone hanging. So if I'm not inclined to do a film, I am forthright about my decision.

I have been to Tirupathi more than I have ever been to my grandpa's place. Every Telugu is a Tirupathi guy!

If someone comes with an interesting script where the negative role suits me, I will definitely take it up.

My career wasn't planned, never had any targets. I just go by my instincts, and I think I am doing good work.

Whenever I bump into Rajamouli sir, I jokingly ask him about 'Eega 2.' As a fan of 'Eega,' I want the sequel.

It's not sinking in, as I still believe I am a kid! And now I am going to have a kid. I'm slowly digesting it.

'Ninnu Kori' urges us to take a broader view of life, look past stumbling blocks, and rise above self sympathy.

I love Krishna Vamsi very much as a director, and after working with him, I also started to like him personally.

When it comes to 'Ala Modalaindi,' I was impressed with the storyline narrated by Nandini, the director of the film.

I always think of myself as an audience first. If I like something, my assumption is that others, too, will like it.

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