Quotes by Patricia Highsmith - Page 2

This is what I like, sitting at a table and watching people go by. It does something to your outlook on life. The Anglo-Saxons make a great mistake not staring at people from a sidewalk table.
Patricia Highsmith / Novelist
Mistake
Outlook On Life
People
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When I am thickening my plots, I like to think 'What if ... What if ... ' Thus my imagination can move from the likely, which everyone can think of, to the unlikely-but-possible, my preferred plot.
Patricia Highsmith / Novelist
Imagination
Moving
Thinking
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I don't think Ripley is gay. He appreciates good looks in other men, that's true. But he's married in later books. I'm not saying he's very strong in the sex department. But he makes it in bed with his wife.
Patricia Highsmith / Novelist
Bed
Department
Sex
Appreciates
Good Looks
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The first person you should think of pleasing, in writing a book, is yourself. If you can amuse yourself for the length of time it takes to write a book, the publisher and the readers can and will come later.
Patricia Highsmith / Novelist
Book
Thinking
Writing
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My New Year’s Eve Toast: to all the devils, lusts, passions, greeds, envies, loves, hates, strange desires, enemies ghostly and real, the army of memories, with which I do battle — may they never give me peace. (New Year's Eve, 1947)
Patricia Highsmith / Novelist
New Year
Hate
Memories
Real
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In view of the fact that I surround myself with numbskulls now, I shall die among numbskulls, and on my deathbed shall be surrounded by numbskulls who will not understand what I am saying ... Whom am I sleeping with these days ? Franz Kafka.
Patricia Highsmith / Novelist
Facts
Sleep
Views
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How was it possible to be afraid and in love... The two things did not go together. How was it possible to be afraid, when the two of them grew stronger together every day? And every night. Every night was different, and every morning. Together they possessed a miracle.
Patricia Highsmith / Novelist
Morning
Night
Two
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I should love to do a novel, about one abnormal character seeing present-day life, very ordinary life, yet arresting through it, abnormality, until at the end the reader sees, and with little reluctance, that he is not abnormal at all, and that the main character might as well be himself.
Patricia Highsmith / Novelist
Abnormal
Character
Ordinary
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He loved possessions, not masses of them, but a select few that he did not part with.They gave a man self-respect. Not ostentation but quality, and the love that cherished the quality. Possessions reminded him that he existed, and made him enjoy his existence. It was as simple as that. And wasn' t that worth something? He existed.
Patricia Highsmith / Novelist
Men
Self
Simple
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But there were too many points at which the other self could invade the self he wanted to preserve, and there were too many forms of invasion: certain words, sounds, lights, actions his hands or feet performed, and if he did nothing at all, heard and saw nothing, the shouting of some triumphant inner voice that shocked him and cowed him.
Patricia Highsmith / Novelist
Hands
Light
Self
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Then Carol slipped her arm under her neck, and all the length of their bodies touched fitting as if something had prearranged it. Happiness was like a green vine spreading through her, stretching fine tendrils, bearing flowers through her flesh. She had a vision of a pale white flower, shimmering as if seen in darkness, or through water. Why did people talk of heaven, she wondered
Patricia Highsmith / Novelist
Flower
People
White
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But there was not a moment when she did not see Carol in her mind, and all she saw, she seemed to see through Carol. That evening, the dark flat streets of New York, the tomorrow of work, the milk bottle dropped and broken in her sink, became unimportant. She flung herself on her bed and drew a line with a pencil on a piece of paper. And another line, carefully, and another. A world was born around her, like a bright forest with a million shimmering leaves.
Patricia Highsmith / Novelist
New York
Broken
Dark
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January. It was all things. And it was one thing, like a solid door. Its cold sealed the city in a gray capsule. January was moments, and January was a year. January rained the moments down, and froze them in her memory: [...]Every human action seemed to yield a magic. January was a two-faced month, jangling like jester's bells, crackling like snow crust, pure as any beginning, grim as an old man, mysteriously familiar yet unknown, like a word one can almost but not quite define.
Patricia Highsmith / Novelist
Men
Memories
Two
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They were not friends. They didn't know each other. It struck Tom like a horrible truth, true for all time, true for the people he had known in the past and for those he would know in the future: each had stood and would stand before him, and he would know time and time again that he would never know them, and the worst was that there would always be the illusion, for a time, that he did know them, and that he and they were completely in harmony and alike. For an instant the wordless shock of his realization seemed more than he could bear.
Patricia Highsmith / Novelist
Past
People
Realization
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