Quotes of All Topics . Occasions . Authors
Where do I begin? I loved working with Kate Hepburn, which was one of the highlights of my life; Working with Richard Burton in Beckett was another great joy.
If you can't do something willingly and joyfully, then don't do it. If you give up drinking, don't go moaning about it; go back on the bottle. Do. As. Thou. Wilt.
Irish women are always carrying water on their heads, and always carrying their husbands home from pubs. Such things are the greatest posture-builders in the world.
Films were never in my budget. Didn't occur to me till much later. I hoped for a long, good life, which I've had and I'm having as an actor. I didn't expect the rest.
People're artists they're doing something, taking a hunk of chaps, giving it some order, some form, and presenting it saying here is my little song and dance, my chaos.
I woke up one morning to find I was famous. I bought a white Rolls-Royce and drove down Sunset Boulevard, wearing dark specs and a white suit, waving like the Queen Mum.
The moment you start dividing thought and feeling, the ratio of sinitive from the intuitive, you're dead. There is no difference between emotion and thought. You can be unreasonable.
Do you not know that King Kong the first was just three foot six inches tall? He only came up to Faye Wray's belly button! If God could do the tricks that we can do he'd be a happy man!
Writing is a kind of performing art, and I can't sit down to write unless I'm dressed. I don't mean dressed in a suit, but dressed well and comfortably and I have to be shaved and bathed.
It's very inconvenient because every time I finish, let's say, a chapter of a book, I think I'm going to ring Richard and then realize: Oh, Christ, I've buried him. I buried him last year.
I've stopped acting, but I don't think I've finished using my voice. I could, and probably will, record the whole of Shakespeare's sonnets. They live at the side of my bed and are my constant companions.
When my father would come home from the track after a good day, the whole room would light up; it was fairyland. But when he lost, it was black. In our house, it was always either a wake ... or a wedding.
It was a mistake and I made the mistake because I was conservative and played safe. And that way lies failure." "Must do it... constantly go to the well... constantly try, try, try. Dare. Dare, Dare. Who dares wins.
Actors have given up their clout. Now decision making is in the hands of lighting men, designers, bankers, special-effects people. We need to cut that out and just go with the most able trained actors in the business.
We were doing it under the most extraordinary circumstances, but the first out of the tent in the morning would be David Lean. He said to me on the very first day of shooting, Pete, this is the beginning of a great adventure.
I'm a very physical actor. I use everything - toes, teeth, ears, everything. I don't simply mean physical in the sense of movement and vigour. I find myself remembering the shape of a scene by how I'm standing, what I'm doing.
A few years back I was asked if I would go and meet a director and his various acolytes, and it occurred to me halfway through the meeting that what I was doing was auditioning. And I thought, 'Well, hang on buddy. I've done half a century of this.'
My professional acting life, stage and screen, has brought me public support, emotional fulfillment and material comfort. It has brought me together with fine people, good companions with whom I've shared the inevitable lot of all actors: flops and hits.
Everyone praises Sachin Tendulkar. He may be a genius in his own right but in my book, Rahul Dravid is the artist. Dravid's defence tactics, his strokes, his cuts, his grace are truly amazing. I'd like to meet the chap sometime and take my hat off to him.
I put steam on the table by being an actor. That is how I live. The longer I live, the more expensive it becomes. So I do my work. And I can't be immensely picky. How many beautiful scripts come in one's lifetime? I have had more than anybody, practically.
One time in the late '50s, when Peter Finch, Laurence Harvey, and I were all offered the same movie role - the assumption being that we weren't friends - we marched up to producer Dino De Laurentiis's door and declared in unison, 'We don't think we're suitable for the part.'
In the theater you can chain a blue-assed baboon in the stalls and with a good script, good actors, and a good set you'd have what is called a production. With the cinema someone has to know about lenses and fine things. I have no time for the "auteur de cinema." To me, it's meaningless.
There are only two things one has to bear in mind. One has to be credulous - able to believe - and skeptical - able to not believe, because if you are not skeptical, you will believe rubbish. If you are not credulous you will learn nothing and the only way to balance those two is to recognize the mystery of things.
I can't tell you about acting. You can develop all the skills, voice, gesture, movement, you can develop by exercise and practice but finally fundamentally it's mining from yourself, from your own personality, from what you know. If you can't know it you can have a good guess by people you know or books you've read.
I found him perhaps the least terrifying man I've ever met in the theater—because at first glance I could see through him and he could see through me, and he knew that I knew that he knew. Look, love, I've been bullied all my life by bigger experts than Larry Olivier, I can assure you, and he's just got to get in line.
I do not choose to be a common man…it is my right to be uncommon—if I can…I seek opportunity—not security…I want to take the calculated risk; to dream and to build, to fail and to succeed… to refuse to barter incentive for a dole… I prefer the challenges of life to the guaranteed existence, the thrill of fulfillment to the stale calm of utopias….
We all had such larks. Yes, it was hard work but the friendships and the genuine respect we had for one another, that side I shall miss greatly. I've stopped acting, but I don't think I've finished using my voice. I could, and probably will, record the whole of Shakespeare's sonnets. They live at the side of my bed and are my constant companions.
Many years ago I sent an old, beloved jacket to a cleaner, the Sycamore Cleaners. It was a leather jacket covered in Guinness and blood and marmalade, one of those jobs... and it came back with a little note pinned to it, and on the note it said, 'It distresses us to return work which is not perfect.' So that will do for me. That can go on my tombstone.
Anything an artist does is to show ourselves as we really are, which is a complex thing. I don't think that one work of Philosophy or Art, or Letters, or Acting, or Middle Playing, or Tightrope Walking, or Flea Circuses has made mankind better, if by better you mean kinder, wiser, more tolerant of each other. One thing self knowledge. Knoticayton: know thyself.
Most difficult thing in the world, to write a play. Do you know the story of Shaw at the Fabian society? H.G. Welles said "I'm terribly sorry I've missed the last five meetings, I've been terribly busy, I'm engaged in writing a scientific pamphlet on the effects of radioactivity in 1984 and I've produced a novel, and various pieces of science fiction to do, and I've had a bit of personal trouble, and I had my copy to bring out for the newspaper." Shaw leapt up and said, "I've not missed one meeting, and I have written a play!" hardest thing in the world. If it were easy they'd all be at it.