Philip Levine Quotes

Grid View List View
Quote of the Day Picture Quotes Top 100 Inspirational Quotes Top 100 Love Quotes Top 100 Happiness Quotes
Mother Teresa Billy Graham Ruth Bader Ginsburg Friedrich Nietzsche Saint Augustine John C. Maxwell Stephen Hawking Joe Biden Vince Lombardi Abraham Lincoln
Xbox Parenting Travel Valentine Old School Journey Zebras Cool Family New Year's
  • Poet
  • 1928 - 2015
  • 36 quotes

Philip Levine, a poet (1928 - 2015), is quoted 36 times on QuoteForever. The subjects that come up most often are Writing, Poem, Poet and Ordinary.

Quotes with a ready-made image come first, then the rest in order of how often they are read and shared. Open any quote to copy it, share it, or turn it into a picture quote.

I write what's given me to write.

How weightless/ words are when nothing will do.

You have begun to separate the dark from the dark.

My temperament is not geared to that of a novelist.

But I'm too old to be written about as a young poet.

I'm seventy-one now, so it's hard to imagine a dramatic change.

I listen to jazz about three hours a day. I love Louis Armstrong.

My father died when I was five, but I grew up in a strong family.

Back then, I couldn't have left a poem a year and gone back to it.

I was very lucky to have a mother who encouraged me to become a poet.

But most commonly, it's one poem that I work on with a lot of intensity.

I started listening to music when I wrote when I had three sons at home.

My earliest poems were a way of talking to somebody. I suppose to myself.

I find you in these tears, few, useless and here at last. Don't come back.

The irony is, going to work every day became the subject of probably my best poetry.

My mother carried on and supported us; her ambition had been to write poetry and songs.

For sure I once thought of myself as the poet who would save the ordinary from oblivion.

No one can write like Vallejo and not sound like a fraud. He's just too much himself and not you.

There'll always be working people in my poems because I grew up with them, and I am a poet of memory.

I realized poetry's the thing that I can do 'cause I can stick at it and work with tremendous intensity.

I say, Father, the years have brought me here, still your son, they have brought me to a life I cannot understand.

I'm afraid we live at the mercy of a power, maybe a God, without mercy. And yet we find it, as I have, from others.

Now I must wait and be still and say nothing I don't know, nothing I haven't lived over and over, and that's everything.

I still believe in this country, that it can fulfill the destiny Blake and Whitman envisioned. I still believe in American poetry.

Listen to these young poets and you'll discover the voice of the present and hear the voice of the future before the future is even here.

Now I think poetry will save nothing from oblivion, but I keep writing about the ordinary because for me it's the home of the extraordinary, the only home.

I have a sense that many Americans, especially those like me with European or foreign parents, feel they have to invent their families just as they have to invent themselves.

I'm saying look, here they come, pay attention. Let your eyes transform what appears ordinary, commonplace, into what it is, a moment in time, an observed fragment of eternity.

Some things you know all your life. They are so simple and true they must be said without elegance, meter and rhyme...they must be naked and alone, they must stand for themselves.

Meet some people who care about poetry the way you do. You'll have that readership. Keep going until you know you're doing work that's worthy. And then see what happens. That's my advice.

My sense of a poem - my notion of how you revise - is: you get yourself into a state where what you are intensely conscious of is not why you wrote it or how you wrote it, but what you wrote.

It's ironic that while I was a worker in Detroit, which I left when I was twenty six, my sense was that the thing that's going to stop me from being a poet is the fact that I'm doing this crummy work.

You have to follow where the poem leads. And it will surprise you. It will say things you didn't expect to say. And you look at the poem and you realize, 'That is truly what I felt.' That is truly what I saw.

If that voice that you created that is most alive in the poem isn't carried throughout the whole poem, then I destroy where it's not there, and I reconstruct it so that that voice is the dominant voice in the poem.

I believed even then that if I could transform my experience into poetry I would give it the value and dignity it did not begin to possess on its own. I thought too that if I could write about it I could come to understand it; I believed that if I could understand my life—or at least the part my work played in it—I could embrace it with some degree of joy, an element conspicuously missing from my life.

Corruption is subtle, just like the Bible said. Many young poets have come to me and asked, How am I gonna make it? They feel, and often with considerable justice, that they are being overlooked while others with less talent are out there making careers for themselves. I always give the same advice. I say, Do it the hard way, and you’ll always feel good about yourself. You write because you have to, and you get this unbelievable satisfaction from doing it well. Try to live on that as long as you’re able.

Philip Levine is quoted on

Share This Page