Quotes of All Topics . Occasions . Authors
Harshness vanished. A sudden softness has replaced the meadows' wintry grey. Little rivulets of water changed their singing accents. Tendernesses, hesitantly, reach toward the earth from space, and country lanes are showing these unexpected subtle risings that find expression in the empty trees.
For our part, when we feel, we evaporate; ah, we breathe ourselves out and away; with each new heartfire we give off a fainter scent. True, someone may tell us: you're in my blood, this room, Spring itself is filled with you . . . To what end? He can't hold us, we vanish within him and around him.
Who is there today who still cares about a well-finished death? No one. Even the rich, who could after all afford this luxury, are beginning to grow lazy and indifferent; the desire to have a death of one's own is becoming more and more rare. In a short time it will be as rare as a life of one's own.
Spring has again returned. The Earth is like a child that knows many poems. Many, O so many. For the hardship of such long learning she receives the prize. Strict was her teacher. The white in the old man's beard pleases us. Now, what to call green, to call blue, we dare to ask: She knows, She knows!
the longer I live, the more necessary it seems to me to endure, to copy the whole dictation of existence to the end, for it might be that only the last sentence contains that small, perhaps inconspicuous word through which all laboriously learned and not understood orients itself toward glorious sense.
If there is nothing you can share with other people, try to be close to Things, they will not abandon you; and the nights are still here and the winds that move through the trees and across many lands; everything in the world of Things and animals is still filled with happening, which you can take part in.
Things aren't all so tangible and sayable as people would usually have us believe; most experiences are unsayable, they happen in a space that no word has ever entered, and more unsayable than all other things are works of art, those mysterious existences, whose life endures beside our own small, transitory life
Why don't you conceive of God as an ally who is coming, who has been approaching since time began, the one who will someday arrive, the fruit of a tree whose leaves we are? Why not project his birth into the future, and live your life as an excruciating and lyrical moment in the history of a prodigious pregnancy?
The thought of being a creator, of engendering, of shaping is nothing without the continuous great confirmation and embodiment in the world, nothing without the thousandfold assent from Things and animals... beautiful and rich only because it is full of inherited memories of the engendering and birthing of millions.
But suppose the endlessly dead were to wake in us some emblem: they might point to the catkins hanging from the empty hazel trees, or direct us to the rain descending on black earth in early spring. --- And we, who always think of happiness rising, would feel the emotion that almost baffles us when a happy thing falls.
At the bottom no one in life can help anyone else in life; this one experiences over and over in every conflict and every perplexity: that one is alone. That isn't as bad as it may first appear; and again it is the best thing in life that each should have everything in himself; his fate, his future, his whole expanse and world.
There would have to be bread, some rich, whole-grain bread and zwieback, and perhaps on a long, narrow dish some pale Westphalian ham laced with strips of white fat like an evening sky with bands of clouds. There would be some tea ready to be drunk, yellowish golden tea in glasses with silver saucers, giving off a faint fragrance.
At no other time (than autumn) does the earth let itself be inhaled in one smell, the ripe earth; in a smell that is in no way inferior to the smell of the sea, bitter where it borders on taste, and more honeysweet where you feel it touching the first sounds. Containing depth within itself, darkness, something of the grave almost.
Only the individual who is solitary is like a thing placed under profound laws, and when he goes out into the morning that is just beginning, or looks out into the evening that is full of happening, and if he feels what is going on there, then all status drops from him as from a dead man, though he stands in the midst of sheer life.
It is always what I have already said: always the wish that you may find patience enough in yourself to endure, and simplicity enough to believe; that you may acquire more and more confidence in that which is difficult, and in your solitude among others. And for the rest, let life happen to you. Believe me: life is right, in any case.
If we surrendered to earth’s intelligence we could rise up rooted, like trees. Instead we entangle ourselves in knots of our own making and struggle, lonely and confused. So like children, we begin again... to fall, patiently to trust our heaviness. Even a bird has to do that before he can fly. (from the poem "How Sure Gravity's Law")
Fig tree, how long it's been full meaning for me, the way you almost entirely omit to flower and into the seasonably-resolute fruit uncelebratedly thrust your purest secret. Like the tube of a fountain, your bent bough drives the sap downwards and up: and it leaps from its sleep, scarce waking, into the joy of its sweetest achievement.
Everything is gestation and bringing forth. To let each impression and each germ of feeling come to completion wholly in itself, in the dark, in the inexpressible, the unconscious, beyond the reach of one's own intelligence, and await with deep humility and patience the birth-hour of a new clarity: that alone is living the artist's life.
You have had many sadnesses, large ones, which passed. ... But please, ask yourself whether these large sadnesses haven't rather gone right through you [that is, passed through you]. Perhaps many things inside you have been transformed; perhaps somewhere, someplace deep inside your being, you have undergone important changes while you were sad.
And now let us believe in a long year that is given to us, new, untouched, full of things that have never been, full of work that has never been done, full of tasks, claims, and demands; and let us see that we learn to take it without letting fall too much of what it has to bestow upon those who demand of it necessary, serious, and great things.
Who, if I cried out, would hear me among the angels'hierarchies? and even if one of thempressed me against his heart: I would be consumedin that overwhelming existence. For beauty is nothingbut the beginning of terror, which we still are just able to endure,and we are so awed because it serenely disdainsto annihilate us. Every angel is terrifying.
O trees of life, O when are you wintering?We are not unified. We have no instinctslike those of migratory birds. Useless, and late,we force ourselves, suddenly, onto the wind,and fall down to an indifferent lake.We realise flowering and fading together.And somewhere lions still roam. Never knowing,as long as they have their splendour, of any weakness.
My eyes already touch the sunny hill. Going far ahead of the road I have begun. So we are grasped by what we cannot grasp; it has inner light, even from a distance- and charges us, even if we do not reach it, into something else, which, hardly sensing it, we already are; a gesture waves us on answering our own wave... but what we feel is the wind in our faces.
Read as little as possible of literary criticism - such things are either partisan opinions, which have become petrified and meaningless, hardened and empty of life, or else they are just clever word-games, in which one view wins today, and tomorrow the opposite view. Works of art are of an infinite solitude, and no means of approach is so useless as criticism.
So you mustn't be frightened, dear Mr. Kappus, if a sadness rises in front of you, larger than any you have ever seen; if an anxiety - like light and cloud-shadows, moves over your hands and everything you do. You must realize that something is happening to you, that life has not forgotten you, that it holds you in the palm of its hand and will not let you fall.
Extinguish my eyes, I'll go on seeing you. Seal my ears, I'll go on hearing you. And without feet I can make my way to you, without a mouth I can swear your name. Break off my arms, I'll take hold of you with my heart as with a hand. Stop my heart, and my brain will start to beat. And if you consume my brain with fire, I'll feel you burn in every drop of my blood.
I would like to beg of you, dear friend, as well as I can, to have patience with everything that remains unsolved in your heart. Try to love the questions themselves, like locked rooms and like books written in a foreign language. Do not now look for the answers. They cannot now be given to you because you could not live them. It is a question of experiencing everything.
Painting is something that takes place among the colors, and one has to leave them alone completely, so that they can settle the matter among themselves. Their intercourse: this is the whole of painting. Whoever meddles, arranges, injects his human deliberation, his wit, his advocacy, his intellectual agility in any way, is already disturbing and clouding their activity.
I am learning to see. I don't know why it is, but everything enters me more deeply and doesn't stop where it once used to. I have an interior that I never knew of... What's the use of telling someone that I am changing? If I'm changing, I am no longer who I was; and if I am something else, it's obvious that I have no acquaintances. And I can't possibly write to strangers.
You have had many and great sadnesses, which passed. And you say that even this passing was hard for you and put you out of sorts. But, please, consider whether these great sadnesses have not rather gone right through the center of yourself? Whether much in you has not altered, whether you have not somewhere, at some point of your being, undergone a change when you were sad?
Perhaps the great renewal of the world will consist of this, that man and woman, freed of all confused feelings and desires, shall no longer seek each other as opposites, but simply as members of a family and neighbors, and will unite as human beings, in order to simply, earnestly, patiently, and jointly bear the heavy responsibility of sexuality that has been entrusted to them.
People have (with the help of conventions) oriented all their solutions toward the easy and toward the easiest side of the easy; but it is clear that we must hold to what is difficult; everything alive holds to it, everything in Nature grows and defends itself in its own way and is characteristically and spontaneously itself, seeks at all costs to be so and against all opposition.
You darkness, that I come from, I love you more than all the fires that fence in the world, for the fire makes a circle of light for everyone, and then no one outside learns of you. But the darkness pulls in everything: shapes and fires, animals and myself, how easily it gathers them! - powers and people - and it is possible a great energy is moving near me. I have faith in nights.
They all have tired mouths and bright seamless souls. And a longing (as for sin) sometimes haunts their dreams. They are almost all alike; in God's gardens they keep still, like many, many intervals in his might and melody. Only when they spread their wings are they wakers of a wind: as if God with his broad sculptor- hands leafed through the pages in the dark book of the beginning.
The only sadnesses that are dangerous and unhealthy are the ones that we carry around in public in order to drown them out with the noise; like diseases that are treated superficially and foolishly, they just withdraw and after a short interval break out again all the more terribly; and gather inside us and are life, are life that is unlived, rejected, lost, life that we can die of.
The leaves are falling, falling as if from far up,as if orchards were dying high in space.Each leaf falls as if it were motioning "no."And tonight the heavy earth is fallingaway from all other stars in the loneliness.We're all falling. This hand here is falling.And look at the other one. It's in them all.And yet there is Someone, whose handsinfinitely calm, holding up all this falling.
Think... of the world you carry within you, and call this thinking whatever you want to: a remembering of your own childhood or a yearning toward a future of your own - only be attentive to what is arising within you, and place that above everything you perceive around you. What is happening in your innermost self is worthy of your entire love; somehow you must find a way to work at it.
I want to unfold. I don't want to stay folded anywhere, because where I am folded, there I am a lie, and I want my grasp of things to be true. I want to describe myself like a painting that I looked at closely for a long time, like a saying that I finally understood, like the pitcher I use every day, like the face of my mother, like a ship that carried me through the wildest storm of all.
I don’t want to stand before you like a thing, shrewd, secretive. I want my own will, and I want simply to be with my will, as it goes toward action. And in the silent, sometimes hardly moving times, when something is coming near, I want to be with those who know secret things or else alone. I want to unfold. I don’t want to be folded anywhere, because where I am folded, there I am a lie.
sometimes a man stands up during supper and walks outdoors, and keeps on walking, because of a church that stands somewhere in the East. And his children say blessings on him as if he were dead. And another man, who remains inside his own house, stays there, inside the dishes and in the glasses, so that his children have to go far out into the world toward that same church, which he forgot.
Interior of the hand. Sole that has come to walk only on feelings. That faces upward and in its mirror receives heavenly roads, which travel along themselves. That has learned to walk upon water when it scoops, that walks upon wells, transfiguring every path. That steps into other hands, changes those that are like it into a landscape: wanders and arrives within them, fills them with arrival.
We discover that we do not know our role; we look for a mirror; we want to remove our make-up and take off what is false and real. But somewhere a piece of disguise that we forgot still sticks to us. A trace of exaggeration remains in our eyebrows; we do not notice that the corners of our mouth are bent. And so we walk around, a mockery and a mere half: neither having achieved being nor actors.
What else can I tell you? It seems to me that everything has its proper emphasis; and finally I want to add just one more bit of advice: to keep growing, silently and earnestly, through your whole development; you couldn't disturb it any more violently than by looking outside and waiting for outside answers to questions that only your innermost feeling, in your quietest hour, can perhaps answer.
Go into yourself and test the deeps in which your life takes rise; at its source you will find the answer to the question whether you must create. Accept it, just as it sounds, without inquiring into it. Perhaps it will turn out that you are called to be an artist. Then take that destiny upon yourself and bear it, its burden and its greatness, without ever asking what reward might come from outside
We have no reason to mistrust our world, for it is not against us. Has it terrors, they are our terrors; has it abysses, those abysses belong to us; are dangers at hand, we must try to love them.... Perhaps all the dragons of our lives are princesses who are only waiting to see us once beautiful and brave. Perhaps everything terrible is in its deepest being something helpless that wants help from us.
May I strike my heart's keys clearly, and may none fail because of slack, uncertain, or fraying strings. May the tears that stream down my face make me more radiant: may my hidden weeping bloom.... How we waste our afflictions!... [T]hey're really our wintering foliage, our dark greens of meaning, one of the seasons of the clandestine year—; not only a season—: they're site, settlement, shelter, soil, abode.
I hold this to be the highest task of a bond between two people: that each shall stand guard over the solitude of the other. For, if it lies in the nature of indifference and of the crowd to recognize no solitude, then love and friendship are there for the purpose of continually providing the opportunity for solitude. And only those are the true sharings which rhythmically interrupt periods of deep isolation.
It is not inertia alone that is responsible for human relationships repeating themselves from case to case, indescribably monotonous and unrenewed: it is shyness before any sort of new, unforeseeable experience with which one does not think oneself able to cope. But only someone who is ready for everything, who excludes nothing, not even the most enigmatical will live the relation to another as something alive.
And one of the things I find most moving is the way people with infirmities manage to embrace Life, and from the cool flowers by the wayside reach conclusions about the vast splendour of its great gardens. They can, if their souls' strings are finely tuned, arrive with much less effort at the feeling of eternity; for everything we do, they may dream. And precisely where our deeds end, theirs begin to bear fruit.
Sex is difficult, yes. But they are difficult things with which we have been charged...If you only recognize this and manage out of yourself, out of your own nature and ways, out of your own experience and childhood and strength to achieve a relation to sex wholly your own (not influenced by convention and custom) then you need no longer be afraid of losing yourself and becoming unworthy of your best possession.