Quotes of All Topics . Occasions . Authors
My nursery school did a production of 'The Three Little Pigs.' I played the third pig. When the wolf knocked on my door, I refused to get up and answer it because, to me, he was knocking the wrong way. I just lay there, snoring away on stage, fully immersed in my character. My dad turned to my mom and said: 'Dustin Hoffman.'
In a sense, I like to think of the live performance as something different than the record, not necessarily looking to exactly recreate the record. Sometimes Matt and I just do duets folk-style. Part of the fun of seeing a live show is having it be different from the way that you hear it in your bedroom or wherever you listen to music.
Yeah, well, we were looking for something sort of anonymous. It suggests what it is, but I like that it's modest. I feel like that's an underrated virtue. It's modest and it's kind of anonymous, which I liked, because it reminds me of my own ideas about why music should be played, which is not to be a star. That was never my intention.
What led me to be an actor is that I have a strange something in me that can drastically change the way I appear to the world. Growing up, I couldn't understand why people would always have different ideas of me - but because of that I became aware of how you can manipulate your own ability to change. And then I learned to make a career of it.
That people equate being girlie with being nonthreatening … I mean, I can't think of a more blatant example of playing into exactly the thing that we're trying to fight against. I can't be girlie? I think the fact that people are associating being girlie with weakness, that needs to be examined. I don't think that it undermines my power at all.
I was writing tons of music in my spare time. I might be on location somewhere, and I'd go home and I'd have my guitar and my little keyboard or something and write music. Or if I was at home, on my piano. I've always been a late bloomer with a lot of things, just in general, so I think this was something that needed to come to fruition in this particular way.
I love telling stories. I think of myself as a storyteller, and I don't feel bound by being just a singer or an actress. First, I'm a storyteller, and history is stories - the most compelling stories. There is a lot you can find out about yourself through knowing about history. I have always been attracted to things that are old. I have just always found such things interesting and compelling.
I brake for birds. I rock a lot of polka dots. I have touched glitter in the last 24 hours. I spend my entire day talking to children. And I find it fundamentally strange that you're not a dessert person. It freaks me out. I'm sorry that I don't talk like Murphy Brown. And I hate your pants suit. I wish it had ribbons on it or something just to make it slightly cuter but that doesn't mean I'm not smart and tough and strong.
I've been writing music since I was about eight. I would write sporadically. I wrote a lot of music in high school. I guess the oldest song on the record ("I Thought I Saw Your Face") is about eight years old. It's the old "I had my whole life to write my first album and six months to write the second one." I did, to some degree, but actually, a lot of the songs that ended up on the record, I wrote really recently. So it varies.
I'm not doing it to pander to people. I just always knew what I liked versus what I don't like. I never liked things with too many zippers or spikes and stuff. That weirds me out. I like things that are pretty. And I think it's great to be pretty. I like being feminine. I think it's good to be feminine. We don't need to look like men or dress like men or talk like men to be powerful. We can be powerful in our own way, our own feminine way.
I'm always interested in hearing how other people read and react to my songs. I hadn't thought of it in just that way. One of the things I love about doing things that are creative is that I feel like it's my right as an artist not to be affected by the reactions of those people that are going to hear my songs. But I also feel like it's the right of the people hearing them to have their own interpretations of what these songs mean. Sometimes people will see things that I don't see.
In making a movie, you're part of a big machine. Even in a small movie there are still so many people involved in the process, and it costs so much money to make. There is so much more invested in it for a lot of different people, so much money is sunk into it that they usually want some guarantee or promise that it's going to be able to do something on a financial level. There's just a lot more messing with you in film. I love movies and I love to watch movies and being a part of the whole film experience.