To do science today is to experience a dimension unique in contemporary working lives; the work promises something incomparable: the sense of living both personally and historically. That is why science now draws to itself all kinds of people - charlatans, mediocrities, geniuses - everyone who wants to touch the flame, feel alive to the time.

Tony Awards boost Broadway attendance and sell the shows on the road. They're the sugar to swat the fly. If you needed more explanation for the yearly ballyhoo, in the metropolitan areas where a Broadway show plays, the local economy is boosted by three and a half times the gross ticket sales. So when we're talking Tonys, we're talking moolah.

We are not called on to believe this or that doctrine which may be proposed to us till we can do so from honest conviction. But we are called on to trust--to trust ourselves to God, being sure that He will lead us right--to keep close to Him--and to trust the promises which He whispers through our conscience; this we can do, and we ought to do.

I think all of us begin as writers. I wanted to be a writer from the time I as eight, long before I heard of jazz. The question is, once you have that obsession, what is your subject going to be and you often don't know for some time. It might become fiction, it might be non-fiction, and if it's non-fiction it can go in any number of directions.

We are born into a vast room whose walls consist of a thousand doors of possibility. Each door is flung open to the world outside, and the room is filled with light and noise. We close some of the doors deliberately, sometimes with fear, sometimes with calm certainty. Others seem to close by themselves, some so quietly that we do not even notice.

There are still Negro elites. Many of them are obviously much richer, and perhaps a little more integrated into what remains a white power structure. But those old rituals from the social clubs, to the broadly segregated white and black schools, to an obsessive interest in ancestry, all of that does still exist. Look: we are a class-bound society.

I would certainly say that my life, and perhaps human life in general, follows an intricate pattern of defining, declaring, struggling for, fighting for what we think of and treasure as the self. The inviolate self. This begins with our families: your parents are part of your cultural landscape, and they are also shaped by larger forces than them.

In many ways, everything about my upbringing decreed that I wouldn't write a memoir because in the world where I grew up, in Chicago in the Fifties and Sixties, one key way of protesting ourselves - 'we' meaning black people - against racism, against its stereotypes and its insults, was to curate and narrate very carefully the story of the people.

If you call yourself an American that means that you have embraced the constitution, because that is what an American is. A citizen of the United States of America is someone who has sworn an oath of allegiance to that document, to the words, to the ideals of that document. Right now we have citizens who don't even understand what that document is.

It seems to me that the thing that makes the theater worthwhile is the fact that it attracts so many people with ideas who are constantly trying to share them with the public. Real art is illumination. It gives a man an idea he never had before or lights up ideas that were formless or only lurking in the shadows of his mind. It adds stature to life.

More than any other contemporary British playwright, Tom Stoppard populates his plays -- from Rosencrantz and Guildenstern Are Dead to The Invention of Love (his portrait of the poet and scholar A. E. Housman) -- with characters from life and literature. But one cannot always tell the difference between those who are real and those who are imaginary.

The Hours is in fact a lovely triumph. Cunningham honors both Mrs. Dalloway and its creator with unerring sensitivity, thanks to his modesty of intention and his sovereignly affecting prose.... With his elliptical evocation of Mrs. Dalloway, he has managed to pay great but quiet tribute -- reminding us of the gorgeous, ferocious beauty of what endures.

In the later nineteenth century, the tops of skyscrapers often took the shape of domes, surmounted by jaunty gilded lanterns; later came ziggurats, mausoleums, Alexandrian lighthouses, miniature Parthenons. These charming follies contained neither royal corpses nor effigies of gods and goddesses; rather they contained large wooden tanks filled with water.

If, of course, one builds into the concept of an 'individual' all that Professor Hayek does in his Road To Serfdom, Individualism and Economic Order and many other works, which is, to put it briefly, the whole of laisser-faire economic theory, then plainly man as such a programmed predator has very little interest in being fraternal, or very little chance.

It is quite certain that, if from childhood men were to begin to follow the first intimations of conscience, honestly to obey them and carry them out into act, the power of conscience would be so strengthened and improved within them, that it would soon become, what it evidently is intended to be, "a connecting principle between the creature and the Creator."

I am familiar with what goes on in the Arab countries, and I'm sad to say that most of us want to annihilate Israel. We want to kill all the Israelis... Do you know what they used to say in the mosques in Egypt? "We want to go to the White House and turn it into the Islamic House..." We call upon the Arab countries to stop teaching hatred to the Arab children.

The sense that a man is serving a Higher than himself, with a service which will become ever more and more perfect freedom, evokes more profound, more humbling, more exalted emotions than any thing else in the world can do. The spirit of man is an instrument which cannot give out its deepest, finest tones, except under the immediate hand of the Divine Harmonist.

To me, poetry is a recreation, a renewal of language... The subtlety of what words mean and the fact that you write something and all of a sudden you'll realize that "yes, it reaches out. It meant that, too." Then all of a sudden you'll get a rhyme and the rhyme will throw up a whole new way of looking at things. It's this relationship that you never dreamed of.

I'm a poetry-skipper myself. I don't like to boast, but I have probably skipped more poetry than any other person of my age and weight in this country - make it any other two persons. This doesn't mean that I hate poetry. I don't feel that strongly about it. It only means that those who wish to communicate with me by means of the written word must do so in prose.

As Darwin puts it in The Descent of Man, 'Male snakes, though appearing so sluggish, are amorous.' Isn't that just like Darwin? It was one of his main ideas, you know, that the males of almost all animals have stronger passions than the females. Since then we've learned a thing or two. At any rate, the female snake is right there when spring arrives in the woods.

It is a commonplace observation that liberals believe in the perfectibility of man while conservatives believe in the endurance of original sin. Superficially, that would suggest that conservatives take a more understanding and indulgent view of individual lapses, while liberals take a more harshly judgmental one. In fact, we know, quite the opposite is the case.

Here are examples of real women who have done real things: good, bad, and in between. We're expanding not just the definition of the female or feminine hero, but also villains and more complex, nuanced female characters. Too often I hear men say, "I don't know how to write women." Here you go, here are five incredible women you can use to inspire your own stories.

No man worth his salt does not wish to be a husband and father; yet no man is raised to be a husband and father and no man would ever conceive of those relationships as instruments of his prime function in life. Yet every woman is raised, still, to believe that the fulfillment of these relationships is her prime function in life and, what's more, her instinctive choice.

When things aren't going well, I complain a lot and get depressed. I whine and I eat and I go to sleep. I do all kinds of things. And if I'm smart, I'll go and clean out a drawer or a closet or go and pay my bills. I do get myself into situations where I'm not happy with what's going on. But you just have to wait it out and have faith that that dry well will fill up again.

The UN stopped using Chalabi's information as a basis for conducting inspections once the tenuous nature of his sources and his dubious motivations became clear. Unfortunately, the same cannot be said for the mainstream US media, which give prominent coverage to sources of information that, had they not been related to Hussein's Iraq, would normally be immediately dismissed.

I have now and again tried to imagine the perfect environment, the ideal conditions for reading: A worn leather armchair on a rainy night? A hammock in a freshly mown backyard? A verandah overlooking the summer sea? Good choices, every one. But I have no doubt that they are all merely displacements, sentimental attempts to replicate the warmth and snugness of my mother's lap.

The atheist, agnostic, or secularist ... should insist on the need to engage in a meaningful debate on the entire issue of the truth or falsity (or probability or improbability) of religious tenets, without being subject to accusations of impiety, immorality, impoliteness, or any of the other smokescreens used by the pious to deflect attention from the central issues at hand.

Other countries may boast of this and that, but nobody can touch the United States for poisonous snakes. We have about twenty species, most of them deadly, and Europe has only five or six, none of them much good. We have fifteen kinds of Rattlesnakes alone and nobody else has even one. [Footnote: There is a species in Central and South America, but it probably came from here.]

The BBC is very much in thrall to all this techno cross-fertilisation, in much the same way that print journalists are now encouraged to blog. To the point where there is an emerging breed of sub-editors who take perfectly well-written and punctuated original copy and rewrite it so that it resembles a text message written by a 14-year-old under the influence of Bacardi Breezers.

It has long been a source of wonder to me why the leading criminological writers--men like Edmund Lester Pearson, H. B. Irving, Filson Young, Canon Brookes, William Bolitho, and Harold Eaton--have not devoted more space to the Greene tragedy; for here, surely, is one of the outstanding murder mysteries of modern times--a case practically unique in the annals of latter-day crime.

The main condition is that the spiritual ear should be open to overhear and patiently take in, and the will ready to obey that testimony which, I believe, God bears in every human heart, however dull, to those great truths which the Bible reveals. This, and not logic, is the way to grow in religious knowledge, to know that the truths of religion are not shadows, but deep realities.

In the unexamined American Dream rhetoric promoting mass higher education in the nation of my youth, the implicit vision was that one day everyone, or at least practically everyone, would be a manager or a professional. We would use the most elitist of all means, scholarship, toward the most egalitarian of ends. We would all become chiefs; hardly anyone would be left a mere Indian.

When I teach criticism, the first thing I say, and this sometimes pisses off younger - I mean, students, is that, opinions are the least part of criticism. We've all had the experience of going with a friend to a movie or a concert and you leave the theater and one of you loved it and one of you hated it, and that doesn't mean that one of you is an idiot. That's the way things work.

The world I grew up in had both a literal and mythological quality. We were on the borders of several worlds - the larger black world bordered us on one side. More distantly, there was the larger white world. We interacted with some, but not others. If you think of it as an internal geography, it is a land, a contested space with these very charged historical, cultural, and emotional borders.

Often what is nearest is hardest of all to see - try asking a fish to define water. Distance opens a door to revelation. When the first great distances of space were conquered by technology, a camera altered the human perspective on the Earth as radically as Galileo did when he proved the sun was the center of the universe. The ecology movement was born from a photographically altered consciousness.

I came back to this idea of telling the stories of women who aren't in all of the history books. Their names are not up there next to male names that we've know since we were little kids. Ching Shih, for example, was a pirate commander from the late 1800s to the early 1900s. She was one of the most fearsome pirates, why is her name not included when we list the names of great pirates like Blackbeard?

There will be this mix of people like me who write for major national newspapers and amateur critics, practitioner critics, whose primary way of distributing what they talk about is through blogs and on the web. The line between professional and amateur criticism will become increasingly blurred. The problem here is that if you want to do this for a living, you have to be able to earn a living doing it.

[Footnote:] Pliny the Elder described a Whale called "Balaena or Whirlpool, which is so long and broad as to take up more in length and breadth than two acres of ground." This brings up again the old question: Are the classics doomed? Our ancestors believed that four years of this sort of information would inevitably produce a President, or at least a Cabinet Member. It didn't seem to work out that way.

No one expects a Broadway musical comedy to be in the vanguard of what is bohemian, raunchy, folkloric, academic or aggressively experimental. That is not its job. Its job is to synthesize musical and social traditions with high-styled vivacity, especially those that dwell on different sides of the tracks in real life. The highbrow meets the lowbrow; sweet meets hot; uptown, downtown, all around the town.

In America every woman has her set of girl-friends; some are cousins, the rest are gained at school. These form a permanent committee who sit on each other's affairs, who come out together, marry and divorce together, and who end as those groups of bustling, heartless well-informed club-women who govern society. Against them the Couple of Ehepaar is helpless and Man in their eyes but a biological interlude.

Judge and prosecutor had hammered it home that Lady Chatterly was an immoral woman, that she had had sexual relations before marriage, that she had committed adultery under her husband's roof; as if these charges somehow disqualified her from participation in serious literature. Indeed, there were long periods of the trial during which an outsider might well have assumed that a divorce case was being heard.

What is at the higher levels of meaning consciousness is like a hyperspace in which each point is equidistant from the other and where 'the center is everywhere and the circumference is nowhere'? The mythologies of the occult seem like baroque music: there is an overall similar quality of sound and movement, but, upon examination, each piece of music is unique; Vivaldi and Scarlatti are similar and different.

When we look at these historical women and what they've gone through, it's shocking to recognize some of our own experiences in theirs. When you look at someone like Ada Lovelace who is the first computer programmer, during her lifetime doctors said that was really sick because she was trying to use a masculine kind of brain that she didn't have. Today, her legacy of being the first programmer is stil disputed.

Widowhood provided Mama with a higher form of being. In refusing to recover from my father's death she had discovered that her life was endowed with a seriousness her years in the kitchen had denied her. She remained devoted to this seriousness for thirty years. She never tired of it, never grew bored or restless in its company, found new ways to keep alive the interest it deserved and had so undeniably earned.

To burn always with this hard, gemlike flame, to maintain this ecstasy, is success in life. ... While all melts under our feet, we may well grasp at any exquisite passion, or any contribution to knowledge that seems by a lifted horizon to set the spirit free for a moment, or any stirring of the senses, strange dyes, strange colours, and curious odours, or work of the artist's hands, or the face of one's friend.

We talk about how we think, believe, suspect Michael Jackson treats children. We don't talk about how WE treat child stars. Child stars are abused by the culture. And what's more treacherous than when the rewards of child stardom issue from the abuse? Child stars are performers above all else. Whenever their triumps, they are going to make sure we see everyone of their scars. That's the final price of admission.

So exiled have even basic questions of freedom become from the political vocabulary that they sound musty and ridiculous, and vulnerable to the ultimate badge of shame-'That's so 60's!'-the entire decade having been mocked so effectively that social protest seems outlandish and 'so last century,' just another style excess like love beads and Nehru jackets. No, rebellion won't pose a problem for this social order.

I'm a critic. That means you are a writer. So, yes, you have to make yourself an authority on whatever subject it's going to be. Music, movies, literature, whatever it's going to be, but what you really want to do is learn your trade by reading other writers. I think you have to read veraciously, especially people who have done what you have done to see how it's been done in the past; what works, what doesn't work.

While we were never able to provide 100 percent certainty regarding the disposition of Iraq's proscribed weaponry, we did ascertain a 90-95 percent level of verified disarmament. This figure takes into account the destruction or dismantling of every major factory associated with prohibited weapons manufacture, all significant items of production equipment, and the majority of the weapons and agent produced by Iraq.

Fashion is primitive in its insistence on exhibitionism, which withers in isolation. The catwalk fashion show with its incandescent hype is its apotheosis. A ritualized gathering of connoiseurs and the spoilt at a spotlit parade of snazzy pulchritude, it is an industrialized version of the pagan festivals of renewal. At the end of each seasonal display, a priesthood is enjoined to carry news of the omens to the masses.

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