With the possible exception of steampunk aficionados, many reasonable people must view my fascination with Victorian and Edwardian popular fiction - mysteries, fantasy, and adventure - as eccentric or merely antiquarian.

You go back to T. H. Huxley, who coined the term, what he said - and I came to believe he is right - is that agnosticism asserts not only that he himself didn't know if there was a God or not, but that nobody could know.

From a producer's point of view, of course, 'Law & Order' presents an ideal - a show that is almost entirely actor-proof, that can keep going and going no matter what happens to the cast or how many actors demand raises.

For the first time in human evolution, the individual life is long enough, and the cultural transformation swift enough, that the individual mind is now a constituent player in the global transformation of human culture.

Maybe today we aren't being told that our brains are not capable of such things [like programming], but we [as a women] are being told that we are not good enough or smart enough or that our successes do not belong to us.

One does not go to the theater to see life and nature; one goes to see the particular way in which life and nature happen to look to a cultivated, imaginative and entertaining man who happens, in turn, to be a playwright.

In the history of thought and culture the dark nights have perhaps in some ways cost mankind less grief than the false dawns, the prison houses in which hope persists less grief than the promised lands where hope expires.

Several elementary school teachers had described me as a 'future authoress or poetess.' Mother took me to meet Chicago's leading black librarian, who published a poem of mine in the magazine she edited for Negro children.

Few of us boggle - though we should - at the fact that Louis Armstrong sang and played trumpet with similar panache, or that Leonard Bernstein and Benjamin Britten were equally adept as composers, conductors and pianists.

I once wrote a book on women in science. I realized when I was interviewing them that they were the equivalent of writers, or anyone else who tries to make art out of life. Through science they had reached the expressive.

But the time has come; the revelation has already occurred, and the guardian seers have seen the lightning strike the darkness we call reality. And now we sleep in the brief interval between the lightning and the thunder.

It was Mrs. Campbell, for instance, who, on a celebrated occasion, threw her companion into a flurry by describing her recent marriage as "the deep, deep peace of the double-bed after the hurly-burly of the chaise-longue."

The moral of the story of the Pilgrims is that if you work hard all your life and behave yourself every minute and take no time out for fun you will break practically even, if you can borrow enough money to pay your taxes.

I hear so many things about who I am supposed to be I hardly know what to believe. I am willing to tell all, but what Is it? Doubtless all these myths and legends will be straightened out eventually, but It may take years.

If humans died in a healthy culture, they would not lock out the earth in metal coffins and carve their names on stone monuments, but would instead place the naked body in the earth and plant a tree above the silent heart.

In a time when my entire family had already tapped into their retirement savings and taken out second mortgages, we were grateful when any supporters, including Trump, donated to my defense and spoke out about my innocence.

The humorous man recognizes that absolute purity, absolute justice, absolute logic and perfection are beyond human achievement and that men have been able to live happily for thousands of years in a state of genial frailty.

I don't think of myself as a critic at all. I'm a reviewer and essayist. I mainly hope to share with others my pleasure in the books and authors I write about, though sometimes I do need to cavil and point out shortcomings.

Sometimes the very best of all summer books is a blank notebook. Get one big enough, and you can practice sketching the lemon slice in your drink or the hot lifeguard on the beach or the vista down the hill from your cabin.

Every summer, I regret that I didn't become a college teacher. Such a sweet life! With all that vacation time! You'll never get me to believe that being a tenured professor at a good college is anything but Heaven on earth.

Reading student papers, blue books, etc., a form of torture ... a matter of rubbing an iron file over one's teeth, or holding urine in one's mouth, or having the racket of a bulldozer in one's ear for an hour or two on end.

a scientist or a writer is one who ruminates continuously on the nature of physical or imaginative life, experiences repeated relief and excitement when the insight comes, and is endlessly attracted to working out the idea.

I find crowdfunding to be one of the most ethical ways to continue doing the work that we do because the idea is that I want my videos to be free and available to everybody, and that's why I use YouTube and online platforms.

I was born in 1947, and my generation, like its predecessors, was taught that since our achievements received little notice or credit from white America, we were not to discuss our faults, lapses, or uncertainties in public.

Century-old records are the closest thing we have to a time machine. To listen to the voice of Theodore Roosevelt or the piano playing of Claude Debussy is to feel the years falling away like autumn leaves from a maple tree.

Questions about political theatre always overlook America's most powerful and effective political theatre, which is always thriving: the American musical. The politics is conservative but, to my mind, effective and insidious.

I was nearing the end of childhood when I started to pay real attention to jazz singers. Women excelled as jazz singers; they surpassed most of the men. Black women excelled as jazz singers; they surpassed most of the whites.

In 1911, Edgar Rice Burroughs, having failed at everything else, decided to write a novel. He was then in his mid-thirties, married with two children, barely supporting his family as the agent for a pencil-sharpener business.

The point of women's liberation is not to stand at the door of the male world, beating our fists, and crying, 'Let me in, damn you, let me in!' The point is to walk away from the world and concentrate on creating a new woman.

The tragedy of life is often not in our failure, but rather in our complacency; not in our doing too much, but rather in our doing too little; not in our living above our ability, but rather in our living below our capacities.

We live in a time of terror, and contrary to what we see on television and allow ourselves to believe, the real goal of terror is not to kill people but to kill thought; to so demoralize a society that it implodes from within.

Lehman uses many conveyances—including the prose poem, the sestina, and curt rhymes—to travel across the writing life of a poet whose instinctive romanticism is always bracing and tough-minded, brimming with a rare generosity.

The buttocks are the most aesthetically pleasing part of the body because they are non-functional. Although they conceal an essential orifice, these pointless globes are as near as the human form can ever come to abstract art.

It so happens that the work which is likely to be our most durable monument, and to convey some knowledge of us to the most remote posterity, is a work of bare utility; not a shrine, not a fortress, not a palace, but a bridge.

Most of us remember Nat King Cole as a vocalist. His warm, grainy baritone is still so closely identified with such familiar ballads as 'Stardust' and 'The Christmas Song' that it's hard to imagine anyone else performing them.

Television's escapist programming naturally continues to endorse living beyond one's means as the time-tested American Way and rarely depicts families or individuals wracked by the pressures and miseries that come with excess.

What is important, then, is not that the critic should possess a correct abstract definition of beauty for the intellect, but a certain kind of temperament, the power of being deeply moved by the presence of beautiful objects.

There's a toxicity within gaming culture, and also in tech culture, that drives this misogynist hatred, this reactionary backlash against women who have anything to say, especially those who have critiques or who are feminists.

New Yorkers know how to borrow wildly. You know, Louis Armstrong was not a New York musician. He went from New Orleans to Chicago to New York, and when he arrived here, he taught those New Yorkers. New York needs that infusion.

To my mind, 'Dear Brutus' stands halfway between Shakespeare's 'A Midsummer Night's Dream' and Stephen Sondheim and James Lapine's 'Into the Woods'. Like them, it is a play about enchantment and disillusion, dreams and reality.

What happens is that the people who are leaders in any field are copied. I mean, there's a reason why every wine newsletter tends to look like mine. They see someone who's been successful, so they sort of copy these same ideas.

Unlike film and TV, theater is a luxury object, but one that ordinary middle-class people can still afford. Above all, it isn't a mass medium: Live theater is a small-scale, handmade art form. Intimacy is what makes it special.

The New Yorker's' drama critics have always had a comparable authority because, for the most part, the magazine made it a practice to employ critics who moonlighted in the arts. They worked both sides of the street, so to speak.

Writers don't always know what they mean - that's why they write. Their work stands in for them. On the page, the reader meets the authoritative, perfected self; in life, the writer is lumbered with the uncertain, imperfect one.

The fascinating necessarily tends to call a certain attention to itself; the interesting need not. An evening spent with a fascinating person leaves vivid memories; one spent with interesting people has merely a sort of bouquet.

A play is not a play until it's performed, and unless it's a one-person play that is acted, directed and designed by the author, many other people will be deeply involved in the complicated process that leads to its performance.

'The New Yorker's' drama critics have always had a comparable authority because, for the most part, the magazine made it a practice to employ critics who moonlighted in the arts. They worked both sides of the street, so to speak.

The difference between me in my work and the me who is here in front of you is that on the page I create a consistency, a voice that must sound really reliable; whereas in person I am free - obviously! - to sound every which way.

When the whole world is writing letters, it's easy to lap into the quiet within, tell the story of an hour, keep alive the narrating inner life. To be alone in the presence of one's thought is not a value, only a common practice.

Product of a myriad various minds and contending tongues, compact of obscure and minute association, a language has its own abundant and often recondite laws, in the habitual and summary recognition of which scholarship consists.

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