Back when I was growing up, getting caught with a copy of 'Creepy,' 'Eerie' or 'Vampirella' was almost as bad as your parents finding out you were reading 'Playboy.'

I think Melbourne is by far and away the most interesting place in Australia, and I thought if I ever wrote a novel or crime novel of any kind, I had to set it here.

At 16, I dropped out of school and spent five years working as a bicycle mechanic and volunteering in a Trauma Centre before ultimately deciding to go to university.

Learning essential stuff is as much a discipline as going to the gym or sticking to a diet, and an excellent antidote for the modern condition of being numb and dumb.

I'm rarely grabbed by anything the way I was when I was 10 years younger. About the only relatively new artists whose albums I own are Beck, and They Might Be Giants.

Whenever you talk about Chinese dragons, emperors, palaces, concubines - they conjure up a whole colonial argle-bargle that has nothing to do with historical reality.

I have learned that I am not built for conflict or controversy. I have also learned that, in all my life, I have never chosen a story. The story has always chosen me.

Sometimes I have problems where I get into a mode where even just looking at a page on a screen makes me panic. And getting past that is a really intense thing to do.

I quickly learned that as a fiction writer, you need the sort of details a historian or a biographer would find extraneous or useful to provide context via a footnote.

You know people. Most of them don’t hear anything. Those who hear - don’t listen. A few who listen - don’t understand. And those who could understand… they don’t care.

A Dark Age is not just a period in which people no longer know how to do things. The real key is that people no longer remember that certain things can be done at all.

Never buy an editor or publisher a lunch or a drink until he has bought an article, story or book from you. This rule is absolute and may be broken only at your peril.

What I found so captivating about the idea of being a writer was having the ability to write down all these things I made up in my head so other people could see them.

If I end up having a novel that sells really well and that allows me to pay for health insurance and mortgage without having to work at a day job, that would be great.

It frequently happens that when the dominant culture loses a vision or actively suppresses it, this lost knowledge arises again among those excluded from that culture.

As I began researching butterflies, however, the monarch stood out among all of them. It's the only butterfly - the only insect - that migrates like a bird or a whale!

Every story makes a promise to the reader. Actually, two promises, one emotional and one intellectual, since the function of stories is to make us both feel and think.

Unrestricted laissez faire capitalism allocates resources in a most efficient way to satisfy human wants without regard to the rationality or morality of those desires.

Somebody's always getting me to come lecture to their writing class, and I don't talk about writing at all, I talk about the business of making a living at this racket.

Like my old mentor would always say, Fool me once, shame on you, fool me twice and I'll be dead.'' Okay, she wasn't a good poet, but that lady could handle her whiskey.

When I was a kid, I watched a lot of 'Twilight Zone.' My mother was obsessed with the show, as it was a staple of her childhood - and thus she made it one of ours, too.

The Egyptians had the locusts and in the Middle Ages there was the Black Death with the rats, but tourists are the plague of our century and we'll not survive this one.

I started publishing stories in small magazines early on, but after seven or eight or nine years you feel like you need a little more than that to show for your efforts.

There are two wrong reactions to a rejection slip: deciding it's a final judgment on your story and/or talent, and deciding it's no judgment on your story and/or talent.

I really want readers to put themselves into the shoes of each character. So the opening lines are an orienting technique: this is where you are, this is who you are. Go.

Falling in love indicated that your genes were complementary to those of the loved one. It told you nothing about when your personalities and sexualities were compatible.

PhD, MFA, self-taught - the only things you must have to become a writer are the stamina to continue and a wily, cagey heart in the face of extremity, failure, and success.

I kept going back while I was writing the novel - which never sold, may it rest in peace - and by the time it was finished I had too many connections to Haiti to walk away.

But other vampire stories? Well, no, I really haven't read too many, and I can't say I'm crazy about romantic vampires anyway - to me the vampire is simply an evil monster.

I should think just about every young writer - which I was at the time - would be influenced by HPL. As an American writer of weird fiction, he was at the top of the class.

If we spend all our time gazing at the wonders ahead without remembering where we're standing right now, we're going to trip and fall flat on our face, over and over again.

Mathematics catalogues everything that is not self-contradictory; within that vast inventory, physics is an island of structures rich enough to contain their own beholders.

We do a hard fantasy as well as hard science fiction, and I think I probably single-handedly recreated military science fiction. It was dead before I started working in it.

My dear father always said that when everybody had a telephone nobody would have any manners, because there wouldn't be time for them. And of course he was perfectly right.

We're an amazingly adaptive and resilient species. Once we put our mind to global warming, I have no doubt we'll figure a way through here that won't lead to utter calamity.

One of the mysteries of hep B immunization is that vaccinating only 'high risk' groups, which was the original public health strategy, did not bring down rates of infection.

There's something interesting about being really intimate and familiar with Israel, but still being American - that really thin piece of glass between me and my experiences.

Characterization is not divorced from plot, not a coat of paint you slap on after the structure of events is already built. Rather characterization is inseparable from plot.

I wanted to do justice to texts that are in verse in their original, so I tried to invest my version with a comparable poetic power; hence even more literary fireworks there.

You can not make someone love you. You can not be thin enough or white enough or famous enough. The choice is entirely the other person's. Then again, you might try hypnosis.

Some of the most interesting research that I did was about risk assessment and how ordinary citizens like me handle risk assessment and how irregular our risk assessments are.

The Aztecs believe they started up in what's now New Mexico, and wandered for 10,000 years before they got down into where they are now, in Mexico City. That's a weird legend.

I'm not much of a Rick Moody fan, but I want to be a fan for the Rick Moody I thought might appear after his first two novels, 'Garden State' (1992) and 'The Ice Storm' (1994).

But there's a little guy who sits astride my brain with a whip, and if I'm away from the machine for more than a couple of hours during the day, this little guy's lashing away.

Yes, there's a higher rate of people living below the poverty line who aren't vaccinated. But it's much rarer for that to be a product of choice than a product of circumstance.

And meanwhile, the storytellers like me and Anderson, Silverberg... we tell stories. People like them. They want to know how it comes out, they want to know what the ending is.

Most of us came here in chains and most of you came here to escape your chains. Your freedom was our slavery, and therein lies the bitter difference in the way we look at life.

The end of the mid finger on my left hand is wider than normal, the nail distorted and a scar in the end. This was from when I managed to shove it in the path of a mower blade.

The do-not-call list puts the responsibility where it should be: on the telemarketers. If they want to make the calls, they should be the ones doing the work to ensure fairness.

The climax is the place where the opposing forces in your story finally clash. This is true whether those opposing forces are two armies or two values inside a character's soul.

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