Quotes of All Topics . Occasions . Authors
Most of us who have healthy eyesight are extremely attached to our vision, often without being conscious that we are. We depend heavily on our eyes, and yet we rarely give them a second thought. I, at least, am this way. The physical world is almost hyper-vivid to me.
I was a tax attorney for something like seven years, so I was a tax geek. I was really into it. Tax is one of those things that people think is incredibly boring, but like any science about systems, once you get into it it, becomes incredibly intricate and interesting.
One of the many misconceptions about the blind is that they have greater hearing, sense of smell and sense of touch than sighted people. This is not strictly true. Their blindness simply forces them to recognize gifts they always had but had heretofore largely ignored.
There's always been something a little pathetic for me at the work parties I've attended, especially thinking back to the restaurants I worked in. I remember a Christmas party in which we all got free T-shirts with the restaurant on the front and our names on the back.
As of 2013, according to the World Health Organization, 35 million people were estimated to be living with HIV or AIDS globally, and 39 million have died from the disease. The epidemic of denial won, and now everyone knows there is money in the making of drugs for AIDS.
I figure this current era of history is the one with the best chance of quality of life for a black, female, disabled, middle-aged, queer person who's most comfortable not fitting in. The odds still aren't great, mind you. But I'll take my chances with the 21st century.
Haiti is unique - the first successful slave revolt in history, the first black republic etc., and then when you get into the culture, the voodoo, and that wonderful synchretization of Christian and African belief and symbology, it's like nothing the world has ever seen.
Words change over time. 'Condescending,' for instance, was once a good thing to be. It meant that a person was willing to interact politely with people of lower social ranks. In Jane Austen's world, a lady praised for her condescension was receiving a sincere compliment.
In the 19th century, smallpox was widely considered a disease of filth, which meant that it was largely understood to be a disease of the poor. According to filth theory, any number of contagious diseases were caused by bad air that had been made foul by excrement or rot.
Stasis is something that has marked my life since I was a boy growing up in Pittsburgh with my mother. It was the natural state that we existed in. For one thing, she suffered from a debilitating depression throughout my childhood, and depression is nothing if not static.
I thought, how would I feel if my son gave one of those [underprivileged] kids chicken pox? For him it's not a terrible thing. We have good insurance and easy access to health care. It's a different situation for another family. I didn't want to make the decision for them.
The Singaporean speculative tradition is different. Singapore doesn't conceive itself as the centre of the world or the one country that's going to save the world, so there's a different tone that comes out in the way speculative fiction is done. That's refreshing to read.
Moorcock's interlinked 'Eternal Champion' series is a constant source of enjoyment. Of its tragic hero incarnations, my favourite is 'Elric of Melnibone,' and the best book has to be 'Stormbringer.' And as for that other sword, Excalibur? Pah! Use it to spread your butter.
The Egyptian Nile, though it does have its own particular hazards, is subject to none of what I find in Rhode Island. Since the Aswan High Dam was built in 1973, the Nile has become something of a grand canal. It is wide, flat, slow, and so calm it verges on the geriatric.
I am like a security camera ever on the watch. The furtive quality of vision feels to me like an incredibly valuable weapon. Everything I see gets transformed into a private sketch or painting in my mind, stored away for future reference, future evidence, future ammunition.
Bianca Nazario stands at the end of the world. The firmament above is as blue as the summer skies of her childhood, mirrored in the waters of la caldera; but where the skies she remembers were bounded by mountains, here on Sky there is no horizon, only a line of white cloud.
I didn't know much about Texas when I moved there for graduate school. In my first or second semester, I took a class in life and literature of the Southwest, and that's where I first heard about these events along the border in 1915-1918, what Anglos called the Bandit Wars.
I was a bit of a delinquent growing up, a very poor student - I nearly failed several grades before dropping out of high school and getting a G.E.D. But I still read a lot. Thrillers and war novels, mostly, along with the occasional literary novel from my parents' bookshelf.
It's my experience that people don't think of fiction writing as being as intellectually serious as other kinds of writing in academia and so without a career as a critic or essayist you can be treated as something of a spiritual medium - a fraud - for "just" writing fiction.
There's inherent cultural imbalance whenever you're translating from Chinese to English. Educated Chinese readers are expected not only to know about all the Chinese references - history, language, culture, all this stuff - but to be well-versed in Western references as well.
Pace, like everything else in writing, involves a trade-off. If you're not offering the reader a lot of action to keep her interested, you must offer something else in its stead. Slow pace is ideal for complex character development, detailed description, and nuances of style.
Slipstream fiction is usually defined as fiction with a contemporary setting in which story elements are mimetic (that is, seem real) - except for one or two eerie strangenesses. Unlike outright fantasy, these are not explained or integrated into an alternate-reality setting.
If you consistently write 'The sun set' rather than 'The sun sank slowly in the bright western sky,' your story will move three times as fast. Of course, there are times you want the longer version for atmosphere - but not many. Wordiness not only kills pace; it bores readers.
China was not at all what I expected it to be. I had an image of China as a very quaint and mysterious and peaceful place. Well, it's quaint and mysterious in some respects, but not in the ways I had thought. The people are mysterious. They don't often tell you what they feel.
In the summer of 1866, as Leo Tolstoy prepared for his serialized novel 'War and Peace' to be published as a single volume, he wrote to illustrator Mikhail Bashilov, hoping to commission drawings for the new edition of the novel, which he referred to by its original title,1805.
What I saw when I was doing research is that in pursuit of a middle ground, people will kind of split the difference between the two extremes that they're hearing. And I think what's problematic is that people are seeing vaccinating on schedule, on time, as an extreme position.
The captain, thinking over this event afterward, realized that by his own lifelong standards he had a crew composed entirely of lunatics, with himself well to the front in degree of aberration; but he was fairly sure that this particular form of insanity was going to be useful.
In any bureaucracy, the people devoted to the benefit of the bureaucracy itself always get in control, and those dedicated to the goals the bureaucracy is supposed to accomplish have less and less influence, and sometimes are eliminated entirely.[Pournelle's law of Bureaucracy]
My wife, Lisa, and I both grew up on wuxia - Chinese historical romances. They're kind of analogous to Western epics. They're based on history, just like 'the Iliad' and 'the Odyssey' are based on history, but they're romanticized, and a lot of fantasy elements have been added.
It was this feeling for a lot of my characters, who are dissidents or banned artists and writers, that they had had to fight living under so much surveillance, and then suddenly they come to America and they're like, I'm not being surveilled - I'm not even being noticed at all.
Researching real history has taught me to be bolder and more imaginative in building fantasy worlds and writing fantasy characters, to seek out the margins of history and the forgotten tales that illuminate the whole, complex truth of our flawed yet wondrous nature as a species.
Gemmell's name guarantees a satisfying story and a thumping good read. I recommend all his heroic creations - 'Druss the axeman,' 'the Jerusalem man,' among others - but my favourite has to be 'Waylander': Clint Eastwood with a crossbow and the same 'Make my day, punk' attitude.
On the night of the winter solstice, when the dead get their annual reprieve, they go up to the 24-hour donut shop and wedding chapel to get hitched. Marriage is a good and proper pursuit for dead people. For a while, it relieves the dark, shuddering loneliness of the afterlife.
The difference between our family and other poor families was that my mother actively chose to be poor. She was highly literate, and she had a college degree, but after my father left, she took the first secretarial job she could find and never looked for other employment again.
Fears that formaldehyde from vaccines may cause cancer are similar to fears of mercury and aluminum, in that they coalesce around miniscule amounts of the substance in question, amounts considerably smaller than amounts from other common sources of exposure to the same substance.
In The Jack Daniels Sessions, folktales and modern landscapes collide, exploding and reforming in the form of an intriguing and intelligent collection. Cotman seizes the stories of tired tradition and galvanizes them, setting them to dance for us in wonderful, new interpretations.
The difference between Libertarian and Conservative is that Conservatives understand this, and know that unregulated capitalism will eventually end with human meat sold in market places, and slavery. Alas, many Conservatives think that everything has to be regulated and controlled.
The trouble with today is, things are a little easy. Teens don't feel as if anyone needs them or their talent, and that's wrong. We need them. They are the future. And if I can encourage them to think about the sciences as something they could do, then I think I've done a good job.
When a story is flying along, and I'm so into it that my 'real' world goes away, it can feel magical. I cease to be, my desk and computer ceases to be, and I am my character in his world. Psychologists call this a 'flow state,' and it's better than publication, money, awards, fame.
I don't think you can be taught how to make art. You can be coached, but on a fundamental level you have to figure it out for yourself. You have to learn how your own mind works, figure out your own relationship to the art; you essentially have to invent it completely for yourself.
It's very difficult for me to look at politics with clear eyes. I'll read a story in the paper and the first thing that pops into my head is, what would my dad say about that? Then I try to break out of that and think, 'What would Said say about that,' and then it gets complicated.
We've been using vaccination in some form for hundreds of years now. We have almost nothing in our modern medicine that we've been using that long, and it's been consistently productive even though, you know, the older vaccines were much more dangerous than vaccines we're using now.
There are so many different narrative traditions across the world, and each of those traditions has evolved dramatically over time. Once I understood that, I felt truly free; I could write and invent the way I wanted to because there never has been only one way to tell a good story.
I throw everything I have into whatever story I'm writing - and so there's something immensely gratifying about finishing one piece and then starting fresh with a new setting, time period and cast of characters, getting to see the world through a completely different lens each time.
A brief short story may require only a few paragraphs after the climax. On the other hand, in his massive novel 'The World According to Garp,' John Irving's denouement consisted of 10 separate sections, each devoted to an individual character's fate and each almost a story in itself.
In fiction, a reaction shot is a brief portrayal of how your character reacts to something that someone else has done. In contrast to more direct character building, your guy doesn't initiate the sequence; he completes it. Exactly how he completes it can tell readers a lot about him.
I talked to lots of people who are vaccine-hesitant, and I actually was one myself until I got further into this project, and most of them actually are in my demographic: so well-educated people with advanced degrees who are upper middle-class and have read quite a bit on the subject.
In high school, I stole a six-foot submarine sandwich from a banquet room in front of several hundred people. I did it because I was in marching band, and we were promised food if we played, and they broke their promise. It was my first and only heist, motivated by justice and hunger.
All nonmimetic fiction is a balancing act between 'reality' and the obviously unreal, with no attempt by the author to make the latter seem like the former. Sometimes it's not an easy tightrope to walk. But when it succeeds, such fiction can brilliantly illuminate the human condition.
The Israel stories were really hard for me to write, because I think that my book is very much about politics, but it isn't political. It really was important for me to not have a political agenda at all, because I have a hard time stomaching any political fiction that feels message-y.