Quotes of All Topics . Occasions . Authors
The ‘friend zone’ is like the penalty box of dating, only you can never get out. Once a girl decides you’re her ‘friend,’ it’s game over. You’ve become a complete non-sexual entity in her eyes, like her brother, or a lamp.
A film has to be for commercial success as well as earn you respect as an artist. You don't want to do only things that are designed to run commercially, and neither do you want to do things that get acclaim but don't run.
Every movie is different. Sometimes with movies, there are roles you should just leave alone and relax with and keep it light. And there are other ones where you want to work with an acting coach and really delve in there.
I had a couple of experiences as a kid with animals where I hurt them, kind of unintentionally, and when I saw that a human being can hurt an animal it really affected me. And my kids...they became animal rights activists.
I am not insecure enough to count the bouquets I receive on my birthday, I don't assess my popularity by the number of magazine covers I am on, I don't get worried if my song is on the seventh position on countdown charts.
I've been... chased by paparazzi, and they run lights, and they chase you and harass you the whole time. It happens all over the world, and it has certainly gotten worse. You don't know what it's like being chased by them.
Joe: We can't just walk out on her without saying goodbye. Jerry: What? Since when? You usually walk out and leave 'em with nothing but a kick in the teeth. Joe: That's when I was a saxophone player. Now I'm a millionaire.
I'm so in love with the United States. Not as a patriot. I'm in love with America like it's my first girlfriend. The geography, the people, the smell, the touch, the taste, the gas stations. I'm madly in love with America.
Every single second of extra time to work with other actors has definitely always, for me, paid off for the film. For the project. Every single extra heartbeat you could get, mutually considering the scene, was of benefit.
Filmmaking is a creative process so there is a lot of collaboration that happens on set between an actor and director, but at the end of the day, we're there to actualize the director's vision and things happen organically.
If you are in Bangkok, you will find that people there will never speak to you without joining their hands. It's not that they are speaking to you like that because you are tourists. They even speak at their home like that.
I do believe, and I will always believe, that Shakespeare on film is really something that should be tried more often because it is an opportunity to take the humanity that Shakespeare writes into characters and express it.
(The) process of acting is no different to conventional screen acting, in that it's providing a perfect interface between the director and the performer. So there's no sort of long way around a viral committee of animators.
It is just a very freaky experience when you go to the movie theater and you see it for the first time. In close-up you see those eyes. There are little touches here and there that I recognize as myself. The process is fun.
Sometimes I feel very guilty, so I don't know if I am a clear example of a perfect father, because sometimes I also just punish myself, saying I'm not doing probably the right thing at this particular moment. It's a secret.
I certainly do believe in monogamy. I don't believe that it's for everyone. I don't believe that marriage is for everyone. So much of life is begging to be chosen how it wants to be lived. Much more than most of us realize.
If I ever saw magic on television I would say: 'I want that. That's what I want from Santa Claus'. So the cupboard in my bedroom was full of boxes of magic tricks, cups and balls, cards and foam rabbits, all sorts of stuff.
In 1969, at the age of 19, I was lucky enough to work with George C. Scott in the definitive portrayal of his career over a period of many months and several countries on the definitive film version of Patton's WWII career.
My intention is always to honor the character that Lev [Grossman] created in the books and my greatest concern, honestly, is that the fans of the books will embrace me as this character that they've imagined in their heads.
You know those award shows. The cliche is that it's an honor just to be nominated, but that happens to be true. Whoever wins it in the end, I don't know, sometimes it feels arbitrary. Sometimes it feels like it's deserving.
I grew up and I was weaned on the Marx Brothers. They were sort of my all-time favorite. My parents showed me their movies when I was very young. And as I got older, I became a Charlie Chaplin fan, and I love Buster Keaton.
When I'm watching television or a movie, I like to see stories that are extraordinary. I don't need it be something that is, 'Well this makes more sense to me because I can see this happening to me, or this happened to me.'
I've always believed in speaking my mind, and I think the technology has made it more prominent. Even a common man's voice is heard prominently now, much to the chagrin and surprise of politicians. They aren't used to that.
We always have the potential to rise. Rise out of our slump. Rise out of our negative thoughts. Rise out of our comfort zone. Rise out of our complaints. GET UP AND RISE. Rising is a choice that's one powerful thought away.
Sometimes a scene may be about one thing, and it may end up still being about that, but the emotionality of it comes from somewhere else, or the humor of it comes from somewhere else, and it gives it that real-life quality.
I'm obsessed with the power of music and image together. There's also something about music videos that are incredibly glamorous - there's a fetishistic aesthetic to them that you don't really see in movies in the same way.
Andy [Hertzfeld], just by nature, is one of these straight shooters. A very moral guy, kind of an open book. Along with being brilliant and one of the original members of the Macintosh team, he has a really generous spirit.
I like being New Orleans. Different aspects. You have the lake house. You have a huge, almost plantation-style house, so I like the different elements of the city and what the city has to offer and putting it on the screen.
Love is a strange emotion. It is ever evolving. Lust is transient. With time, one realizes that love and togetherness are two different things. Very few people are lucky enough to experience the two emotions simultaneously.
I would like to be known as one of the best actors in the world because that is something that I would have earned. And being sexiest would come from my genes... it is something I was born with and not earned it for myself.
I would love to play a normal human being with a little bit of a comedic bend that had a love interest. I would love to explore comedy, like a half-hour kind of single-camera comedy. I think that would kind of suit me best.
What's gratifying about West Wing is that everybody told us that it couldn't be done - that the man or woman on the street didn't care about politics. But if you set things up correctly, people don't have a problem with it.
I'd watched every episode of 'True Blood' from the very beginning. The show's characters were in my blood, so when I started, I was really prepared. I made sure I wasn't the new guy asking stupid questions on his first day.
This is a slow business to have success in. There are exceptions, but for the most part it's kind of like the last writer standing.... I've got gray. I've got plenty of gray. I'm creating a career slowly, like a coral reef.
I would say that being open to new things is kind of vital in this line of work, if not all lines of work, and being prepared to embrace the challenge of the new thing is something I want in my life until the day it's over.
It's interesting when you're in your thirties and you're not the same pretty boy that you were when you were 21. I think people's anger at themselves getting older is projected on to you because you become a symbol of that.
I think by take eight you're kind of going, "Oh, wow, I don't know if I want to fall entirely off the roof again." That stuff is tough, and I'm also not 21 anymore. I just don't like cement. Cement isn't hilarious any more.
I just always knew that I lived in two worlds. There was the world of my house and community, but to make my way in that white world I had to modify the way I spoke and acted. I had to sometimes not make direct eye contact.
A paparazzo once jumped out of a car and started running backward with me. I slowed down out of courtesy because she started drifting into the street. I reached out my hand and moved her back so she didn't get hit by a bus.
I feel very blessed to have had the opportunities that have already come. I want to pursue it as long as I can find characters that resonate with me and projects that resonate with me. I feel very comfortable in that world.
I have a little piece of advice for all the single guys out there, this is a piece of gold so please write this down. If you have the opportunity to star in a movie, do it. Seriously, I find it's a lot easier to meet girls.
I can think of films that I'm producing right now that are extremely hard-hitting, graphic films, that nobody necessarily wants to see, graphic in terms of violence, of adult content and racial and historical subject matter.
I guess I've been extremely keen on theatre, on getting on to the stage, taking on different roles, enacting vocations, personalities, people, situations, and I guess that's the interest that has driven me to work in movies.
I understand why people went nuts for 'The Artist.' We use words so much, it's nice to be able to explore a different way of communication, to be able to express silently what someone - or something - is thinking or feeling.
The reason that some motion-capture films don't work is if the scripts are not good, and the characters aren't engaging, then you don't believe in the journey, and you're not connected to it. It's not the technology's fault.
Sometimes I have wrinkles, in the morning. It depends on what kind of night that I had. I accept myself and the way that I am growing older. I have eye bags and some people have proposed to me to take them out but I said no.
It is precisely as though I were possessed by some other spirit when I enter on a new task of acting, as though something within me presses a switch and my own consciousness merges into some other, greater, more vital being.
I tried to become a family man. I got married, but it didn't work out. After 22 months we got an annulment. Then I married an Italian girl, which resulted in an immediate annulment. I had two annulments by the time I was 23.
The first Halloween was very well made. The second one was also well made, though I didn't like it as well as the first one. The third one had nothing to do with the series at all and perhaps shouldn't have been made at all.
I met my wife and, for the next ten years, we did no films at all. She did the first movie and then I did several after. My first movie was written by Tennessee Williams and directed by [Elia] Kazan and was called Baby Doll.