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I'm very ambivalent in my feelings about marriage. I think it promises a lot to people... sort of like saying, once you get married you are on the highway to heaven, and quite often it isn't that. I think marriage has always been based on a combination of religious and legal reasons.
First and foremost, I want people on concerts to have a really great experience away from the negative press and negative stuff that you see on the news and Facebook. I don't even like seeing people's cell phones. Let's have a human experience and rub up against each other, you know.
I used to go to my local pub and it was like a sanctuary, nobody dared ask for an autograph. You went in there for a ploughman's and a pint, and you went home and watched TV. Believe me, there's more to watch on British TV than American, except for CNN right now. But yeah, I miss it.
I'm singing the way that I love to sing, which is like old soul, like old Al Green. I grew up about an hour from Memphis. So all that music that I grew up with - the Stax music and early rhythm n' blues - I'm doing that. I'm actually getting out from behind my guitar and I'm singing.
Playing guitar as a young teen, I didn't really have the little light bulb in my head that said you're committed until when I was about 16. By the time I was 16, I was like, I'm guna do this. I don't care what happens. I'd play whatever other instruments fell into my hands along way.
First of all, just because the Tea Party people appear to be generally uneducated, ignorant about the political process, ignorant about economics, confused about their own platform from the beginning, and indelicate when it comes to the craft of diplomacy, doesn't mean they're wrong.
There is an established tradition of actors directing films that have a particular, personal meaning for them - Warren Beatty, Clint Eastwood, Kevin Costner, and most recently George Clooney to name a few. Remarkably, their films share an unusually high percentage of being very good.
We make sure we have total artistic control with our albums. We were working with Interscope Records, and they had a hard time with us having all the control. So when we signed with Warner Bros., we told them we would be working hands-on with our producer, and they were cool with it.
When we learn from our cause and effect we increase our positives, we chip away and hopefully eliminate our negatives, so we can be beneficial to everyone else. It's not about being good for me, it's about being the best that I can be so I can be a good husband, father, and neighbor.
I used to listen to my dad a lot as a way of trying to be close to him, as well, because my parents were divorced and I didn't spend that much time with him. And I used to put headphones on and listen to my dad talk and sing and I found that quite... bonding with him, in a weird way.
Chicago's known for the drill. Keefs, Lil Durks, and whatnot. My music, on the other hand, it has a message to it. I think that's what sets me apart. I think it gets deeper than saying anything on a trap beat. I'm putting stories together, and people are relating to what I am saying.
If I sit down with an electric guitar, what's going to come out are Sabbath/Zeppelin type riffs, but if I'm sitting behind a piano late at night, I might write something like 'Desperado.' You're not going to write 'Desperado' between a wall of Marshalls and thumping, crushing volume.
Linkin Park has been a band for such a long time, for me, in my eyes. I was 16 years old when I first heard them. I heard 'Hybrid Theory,' and I was floored at what I was listening to. It was angry yet melodic, it had hip-hop and it had - it was just different, good. Good songwriting.
We're a little bit competitive and we want to make sure we're on the top. We're all working for the same goal as all these bands, we want to come out on top and I think we have accomplished that in a lot of ways. You want to keep improving yourselves and getting better at what you do.
I think the working-class part of me comes out. Sometimes the people who have the loudest mouths are upper-class, upper-middle-class. The quietest are often working-class people, people who are broke. There is a fear of losing whatever it is that you have. I come from that background.
I just don't want to live in the past. I'm really disappointed by so many people of my generation who - in order to promote their new work, they have to constantly lean on their past. I don't want to be that type of artist... I see a lot of people out here doing really marginal music.
I've actually thought very little about solo work up until just very recently. Most of it is because in my band, Incubus, it is very much a collaborative effort. I do what I do in the band, and everyone plays their respective parts, but in the end, we are sort of a democratic process.
In my naïvety, I thought people who were in rock 'n' roll bands were great artists, and it was a huge shock to the system to realise that they weren't, that they didn't even aspire to be, really. Some of them did, maybe, but some of them, like Samson, were very frightened of the idea.
I can get onstage and cut that off and be superinstinctive. To be a good live performer, you have to be instinctive. It's like, to walk in the jungle, or to do anything where there's a certain tightrope wire aspect you need to be instinctive. And you have to be comfortable at it also.
My grandmother is a huge Hawkeyes fan, so I, by proxy, have to be one. I'm more of a professional sports fan, and I've never been a huge college fan, but because of my grandmother, I've gotten into a lot of really good Hawkeye games. So, because I'm a good grandson, I'm a Hawkeye fan.
Back in the day, prior to rock and roll, music halls, concert venues were segregated if they allowed black people in at all. You know, there were ropes that went around the sitting sections with signs hanging that would say, 'Sitting for white patrons only,' or 'Colored sitting only.'
It's important to me that people feel connected to the band through the music, you know? I don't want it to be wallpaper. I don't want it to be background music. I want it to be clear: This is the song. These are the words. If you feel the same way as I do, sing it as loud as you can.
There are a lot of people that don't scour websites regularly or read music reviews. They need whatever, the other kinds of stuff, whether it's an appearance on Lettterman or posters or ads. They need to kind of be hit more in the face and be told that there's something new out there.
I still think that with any candidate, whoever gets elected, there are going to be certain issues or platforms that those who feel strongly can work with him on. You can't be perfect. You can't be the perfect father. You can't be the perfect singer. You can't be the perfect president.
I think everybody has their own way of looking at their lives as some kind of pilgrimage. Some people will see their role as a pilgrim in terms of setting up a fine family, or establishing a business inheritance. Everyone's got their own definition. Mine, I suppose, is to know myself.
We're all gonna land, we don't have rocket packs that last forever. But these things that we love, these things that give us purpose, these moments along the way are our parachutes. So I feel very fortunate to have all of these. Art and my family are pretty much my biggest parachutes.
I've played Frankie Cosmos shows where the promoter or whoever sees that I'm the lead singer, and then they go up to David, the bassist, and are like, 'So, do we pay you?' And he's like, 'No, you pay her; she's the boss.' Those are moments where I'm just like, 'I'm clearly in charge.'
Jimi Hendrix is very important. He's my idol. He sort of epitomizes, from his presentation on stage, the whole works of a rock star. There's no way you can compare him. You either have the magic or you don't. There's no way you can work up to it. There's nobody who can take his place.
We worked the medley on side two of "Abbey Road" out carefully in advance. All of those mini songs were partly completed tunes; some were written while we were in India a year before. So there was just a bit of chorus here and a verse there. We welded them all together into a routine.
If I go to someplace like Switzerland, I find a lot of uptight people because they're living amongst so much beauty; there's no urgency in trying to find the beauty within themselves. If you're stuck in New York, you have to somehow look within yourself - otherwise, you'd go crackers.
There, gleaming in the glow, was that ten-horsepower rotary engine under a seat. A key glistening in the ignition. I imagine the top speed for that old mower was five miles per hour. It might have taken an hour and a half or more for me to get to the liquor store, but get there I did.
It's quite simple: I managed it by doing away with Wham!'s duo image. Obviously, the way I looked changed and that helped a little, but I still have a very pop image. It's a very video-friendly image. I find it a lot more real. It's a lot closer to who I am than the whole Wham! thing.
The only time Valentine's Day has any bearing on my life is when I'm dating someone, or if I'm in a relationship. I would call Valentine's Day the path of least resistance. If I buy you gifts, take you out to dinner, then you won't bust my balls. That is Valentine's Day in a nutshell.
While I have no empirical evidence to back this up, I bet that the number of homosexual people per thousand has not fluctuated all that much over the centuries. I do not believe the dented wisdom my father used to extol, that homosexuality was a sure sign of a civilization in decline.
When I was 9, I was into T. Rex, Gary Glitter, and Alice Cooper. I knew The Beatles because my nan introduced me to them, but T. Rex was the first band I got into myself. I got 'Metal Guru' a few months after hearing 'Children of the Revolution' in Pwllheli in North Wales at a market.
I went to a Catholic all-girls school, and we would play cassettes of music we liked, and when it was my turn, they would laugh at my choices. I would play Billie Holliday, Elmore James and Howlin' Wolf, but it was fine; if I had to listen to their choices, they had to listen to mine.
I go into the crowd almost everyday and I really really really despise it when people try to steal my shoes. That is a thing where they're proabably like 'oh, you can just go out and buy a new pair'. Like yeah, but those are my shoes. How would you feel if I tried to steal your shoes?
You listen to a politician making a speech, and it is like hearing nothing. Whereas, music is unmistakably music. The thing about music is that nobody listens to it unless it's real. I don't think that you can fool anybody for too long in music. And you certainly can't fool everybody.
In the two books I wrote, even though they were written in a sort of Joycean gobbledegook, there's many knocks at religion and there is a play about a worker and a capitalist. I've been satirising the system since my childhood. I used to write magazines in school and hand them around.
The fear of rejection really kind of stunts your growth as a person. I mean, it's like a friend of mine says, who cares if you fail? Who cares if you fail? It's like babies try to get up and walk all the time and they keep falling down. If we just gave up, we'd all be crawling around.
I believe that that's why you see all these Pew studies that come out that a lot of people are walking away from the faith. A lot of people are changing what they believe because they really feel lied to. I think that it's very important for people to know what they're signing up for.
Probably every band - you get back to like, The Stones are kind of the tough guys, Beatles are kind of psychedelic, Led Zeppelin was kinda mystical, The Who are kind of mods. You know, you just go right through. Everyone's kind of adopted their so-called persona or flavor if you will.
We're not playing your typical guitar tuning, so there is no normal chords for us to get our footing with. We're pretty much making it up as we go as far as the sounds we're creating. Oftentimes, the song will be inspired by just a certain kind of block of sound that somebody creates.
It became kind of a fad in the late '70s to try to help people wake up out of comas by hearing things that they liked. I remember we sent out about six tapes. We heard that we were this one kid's favorite band so we sent a tape that said, "Hey this is Motörhead. It's time to wake up."
Back in 1985, I was working on my third solo album when the band came to me and asked me to produce the next Fleetwood Mac project. At that point, I put aside my solo work - which was half finished - and committed myself for the next seventeen months to producing 'Tango in the Night.'
Creating a set list is like making a running order for an album. Certain things get pitted against one another that make more sense. One song sets another one off, or it might diminish it. You're just constantly looking for the next thing that's gonna make sense in a particular place.
I am bigger and stronger than ever. My Chen Taiji and health regimen has served me well all of these years, thanks to Master Ren Guang-yi. I look forward to being on stage performing, and writing more songs to connect with your hearts and spirits and the universe well into the future.
You should have to pass an IQ test before you breed. You have to take a driving test to operate vehicles and an SAT test to get into college. So why don’t you have to take some sort of test before you give birth to children? When I am President, that’s the first rule I will institute.
Marilyn Manson has always been intended to confuse some, anger some and make some people feel at home. There's no way to misunderstand what I do - but everyone can understand it differently. That's the only way I've learned to embrace art - it has to be a question mark, not an answer.
I think coming from the Northwest is something that's born in your blood. On my mom's side, I'm, like, a sixth-generation Oregonian. My family came over in the covered wagons, 'Oregon Trail'-video-game style. Maybe the pioneer mentality runs in my blood because they were all pioneers.