Quotes of All Topics . Occasions . Authors
Nothing exists until or unless it is observed. An artist is making something exist by observing it. And his hope for other people is that they will also make it exist by observing it. I call it 'creative observation.' Creative viewing.
I'm against Capitol Punishment in all forms, and I have written many pamphlets on this subject in the manner of Swift's Modest Proposal pamphlet incorporated into Naked Lunch; these pamphlets have marked Naked Lunch as an obscene book.
He was bookish, she was not; he was theoretical, she political. She called a rose a rose. He called it an accumulation of cultural and biological constructions circulating around the mutually attracting binary poles of nature/artifice.
What interests me in [Lincoln in the Bardo] is a slight perverse balance between the sublime and the grotesque. Like you could have landed only on the sublime. But my argument is that the sublime couldn't exist without this other half.
In my mind's eye, Shakespeare is a huge, hot sea-beast, with fire in his veins and ice on his claws and inscrutable eyes, who looks like an inchoate hump under the encrustations of live barnacle-commentaries, limpets and trailing weeds.
When I kicked in the first TV a nineteen-inch Magnavox with wicker speaker panels it felt like the most perfect thing I had done in a long time. And there's nothing like the feeling of perfection that will inspire repeated behavior.
Now I am old-fashioned. A woman, I consider, should be womanly. I have no patience with the modern neurotic girl who jazzes from morning to night, smokes like a chimney, and uses language which would make a billingsgate fishwoman blush!
The thrill of creation which we experience which we experience when we see a masterpiece is not unlike the feeling of the artist who created it; such a work is a fragment of the world which he has annexed and which belongs to him alone.
I am, as are most writers, just hugely obsessive, and so are many of my closest friends, who tend to be writers or scientists. It's a trait of human nature that I'm particularly in touch with. So I tend to project it onto my characters.
I think what shaped me was I had two parents who were scientists, and especially, they were great readers. They had both grown up in sort of rural parts of the South and were oddballs where they grew up. They were budding intellectuals.
I write so that people will read what I write. I don't want to write a book that a thousand people read, or just privileged people read. I want to write a book whose emotional truth people can understand. For me, that's what it's about.
I thought he'd pick me, I know he has kids, but when it came down to it, I really thought he'd pick me." Tears rolled down her face and her nose ran. She sniffed. "I know I'm selfish" "You're human" "I wanted him to abandon his children
We write to expose the unexposed. If there is one door in the castle you have been told not to go through, you must. The writer's job is to turn the unspeakable into words - not just into any words, but if we can, into rhythm and blues.
A whole lot of us believers, of all different religions, are ready to turn back the tide of madness by walking together, in both the dark and the light - in other words, through life - registering voters as we go, and keeping the faith.
Plot springs from character... I've always sort of believed that these people inside me- these characters- know who they are and what they're about and what happens, and they need me to help get it down on paper because they don't type.
Productive work is the central purpose of a rational man's life, the central value that integrates and determines the hierarchy of all his other values. Reason is the source, the precondition of his productive work, pride is the result.
That was when we smelled the rain. It was so strong it seemed like more than just a smell. When we stretched out our hands we could practically feel it rising up from the ground. I don’t know how a person could ever describe that scent.
It would be awesome to be so impressive that we could sway people to our way of thinking just by declaiming our thoughts, but probably most of us lack such gravitas. Luckily, there's something even better: evidence, logic, and argument.
Let me be accurate in everything, for though you and I have seen some strange things together, you may at the first think that I, Van Helsing, am mad. That the many horrors and the so long strain on nerves has at the last turn my brain.
Women should not be suppressed because they are women, because they have children and because of men. Then I am a feminist. But when it comes to the African concept, for the moment, I say 'feminist plus'. We have so many other problems.
Thus we have now for many centuries triumphed over nature to the extent of making certain secondary characteristics of the male (such as the beard) disagreeable to nearly all the females—and there is more in that than you might suppose.
There is hope for a man who has never read Malory or Boswell or Tristam Shandy or Shakespeare's Sonnets: but what can you do with a man who says he "has read" them, meaning he has read them once, and thinks that this settles the matter?
To love at all is to be vulnerable. Love anything, and your heart will most certainly be wrung and possibly broken ... The only place outside Heaven where you can be perfectly safe from all the dangers and perturbations of love is Hell.
Remember, we Christians think man lives for ever. Therefore, what really matters is those little marks or twists on the central, inside part of the soul which are going to turn it, in the long run, into a heavenly or a hellish creature.
With women, the best part is the discovery. There's nothing like the first time, nothing. You don't know what life is until you undress a woman for the first time. A button at a time, like peeling a hot sweet potato on a winter's night.
You only had to choose which me to talk to, for, you know, we all change our manners, depending on who has come to chat. One doesn’t behave at all the same way to a grandfather as to a bosom friend, to a professor as to a curious niece.
This is a terrible hour, but it is often that darkest point which precedes the rise of day; that turn of the year when the icy January wind carries over the waste at once the dirge of departing winter, and the prophecy of coming spring.
Great. First the anonymous call. Now letters. Body parts all over town. It was like a scavenger hunt for psychos. Running after clues with a half-deranged, serial-killer-obsessed, recovering-addict cop was not a good idea. Then again...
I think fondly of the rabbit holes I disappeared down when I researched papers for history and English because I couldn't find quite what I was looking for, or because I had to go through so much material to find examples for my thesis.
I try to forget about the expectation that's out there and the audience listening for the next thing so that I'm not trying to please them. I've spent a huge amount of time not communicating with those folks and denying that they exist.
I love everything about Tyler Durden, his courage and his smarts. His nerve. Tyler is funny and charming and forceful and independent, and men look up to him and expect him to change their world. Tyler is capable and free, and I am not.
Of the big horror movies of the '70s, you have 'The Omen,' 'The Sentinel,' 'Rosemary's Baby,' 'The Stepford Wives,' 'Burnt Offerings' - these are all romantic fatalist movies where there's a sort of glimmer of hope... but darkness wins.
And Derek was... what? A pair of dark eyes that hid more than they revealed and some broad shoulders and a mouth that could be cold and thin and then suddenly widen into a generous grin just when you thought such a thing was impossible.
And perhaps beyond those shrouded swells another man did walk with another child on the dead gray sands. Slept but a sea apart on another beach among the bitter ashes of the world or stood in their rags lost to the same indifferent sun.
You need to understand that truth is stranger than fiction. Listen: people are willing to swallow any old tripe as long as you say it without flinching. They want to be told stuff. And they don't want to doubt you either. It's too hard.
Only at his maximum does an individual surpass all his derivative elements, and become purely himself. And most people never get there. In his own pure individuality a man surpasses his father and mother, and is utterly unknown to them.
Gods should be iridescent, like the rainbow in the storm. Man creates a God in his own image, and the gods grow old along with the men that made them... But the god-stuff roars eternally, like the sea, with too vast a sound to be heard.
The really important kind of freedom involves attention, and awareness, and discipline, and effort, and being able truly to care about other people and to sacrifice for them, over and over, in myriad petty little unsexy ways, every day.
I think I became a writer because I used to write letters to my friends, and I used to love writing them. I loved the idea that you can put marks on a page and send it off, and two days later, someone laughs somewhere else in the world.
Life was a swarm of accidents waiting in the treetops, descending upon any living thing that passed, ready to eat them alive. You swam in a river of chance and coincidence. You clung to the happiest accidents- the rest you let float by.
It's hard sometimes to remember why we do anything in the first place. It's nice to think there's a purpose, or even a real decision that turns everything in one direction, but that's not always true, is it? We just fall into our lives.
History does influence our lives - every moment. We never sort of live our lives in a linear fashion. We always have these memories and these images from our past that sometimes were not even aware of, and they sort of shape who we are.
As a writer, it's a great narrative tool to have that character who is slightly detached but at the same time observant of his reality, because I think that's pretty much what being a writer is - being there, watching and internalizing.
We were restless for ages...After a while I heard an owl hooting and calmed myself by thinking of it flying over the dark fields – and then I remembered it would be pouncing on mice. I love owls, but I wish God had made them vegetarian.
Set wide the window. Let me drink the day. I loved light ever, light in eye and brain No tapers mirrored in long palace floors, Nor dedicated depths of silent aisles, But just the common dusty wind-blown day That roofs earth's millions.
Texas history is a varied, tempestuous, and vast as the state itself. Texas yesterday is unbelievable, but no more incredible than Texas today. Today's Texas is exhilarating, exasperating, violent, charming, horrible, delightful, alive.
A sense of contentment makes us kindly and benevolent to others; we are not chafed and galled by cares which are tyrannical because original. We are fulfilling our proper destiny, and those around us feel the sunshine of our own hearts.
My father died shortly after I was twenty-one; and being left well off, and having a taste for travel and adventure, I resigned, for a time, all pursuit of the almighty dollar, and became a desultory wanderer over the face of the earth.
To be agreeable, all that is necessary is to take an interest in other persons and in other things, to recognize that other people as a rule are much like one's self, and thankfully to admit that diversity is a glorious feature of life.
At some thoughts one stands perplexed, especially at the sight of men's sin, and wonders whether one should use force or humble love. Always decide to use humble love. If you resolve on that once for all, you may subdue the whole world.