Quotes of All Topics . Occasions . Authors
There's this really good line in 'Women in Love' where Ursula says, 'I always thought it was a sin to be unhappy.' And actually I think that's very common, it's what a lot of people feel - that you have an obligation to life to be happy if you can.
The bigger the issue, the smaller you write. Remember that. You don't write about the horrors of war. No. You write about a kid's burnt socks lying on the road. You pick the smallest manageable part of the big thing, and you work off the resonance.
But even if we take matrimony at its lowest, even if we regard it as no more than a sort of friendship recognised by the police, there must be degrees in the freedom and sympathy realised, and some principle to guide simple folk in their selection.
But even if we take matrimony at its lowest, even if we regard it as no more than a sort of friendship recognized by the police, there must be degrees in the freedom and sympathy realized, and some principle to guide simple folk in their selection.
We all start out knowing magic. We are born with whirlwinds, forest fires, and comets inside us. We are born able to sing to birds and read the clouds and see our destiny in grains of sand. But then we get the magic educated right out of our souls.
Stop thinking of what you intend to do. Stop thinking of what you have just done. Then, stop thinking that you have stopped thinking of those things. Then you will find the Now, the time that stretches eternal, and is really the only time there is.
I do not read the works of Salman Rushdie, I write them. By the time I have finished writing them all I can think of is never reading them again. It's so deep, your involvement with a book, that once it's finished, then you are really done with it.
Life is hard and astonishingly complicated.... No one great reform will make it easy. Most of us who work -- or want to work -- will always have trouble or discontent. So we must learn to be calm, and train all our faculties, and make others happy.
Show me a god that does not demand mortal suffering. Show me a god that celebrates diversity, a celebration that embraces even non-believers, and is not threatened by them. Show me a god that understands the meaning of peace. In life, not in death.
Power is violence, its promise, its deed. Power cares nothing for reason, nothing for justice, nothing for compassion. It is, in fact, the singular abnegation of these things - once the cloak of deceits is stripped away, this one truth is revealed.
I believe there are no random meetings in our lives – that everyone we touch, who touches us, has been put in our path for a reason. The briefest encounter can open a door, or heal a wound, or close a circle that was started long before your birth.
How much of our lives is consumed with meeting people, attracting people, keeping people and missing people? Usually, when everything is resolved romantically in one of my books, the characters stop talking in my head, and I stop telling the story.
You don't write the kitchen scene just because you're eager to do it that day and you're avoiding something else. I think it has to move slowly, step by step. I pride myself on the construction of my stories but it's not something I impose on them.
For me, a relationship with a place is very fundamental. When you're moving - when you're leaving your life and the place where you've lived on a semi-regular basis - you tend to connect the sense of your entire life to that place that you've left.
I’m so sorry to disappoint you,” she said, breathing hard. “But it would take far more than that to scare me.” A quick flex of his arms, and their bodies collided. And he whispered, just as his mouth fell on hers, “God, I was hoping you’d say that.
You need to be passionate about the creative work that you're doing, but you need to be kind of emotionally separated from how people react to it or how it does. Those things should be secondary, and primary should be your love of the creative act.
My Carmen," I said (I used to call her that sometimes) "we shall leave this raw sore town as soon as you get out of bed." "... Because, really," I continued, "there is no point in staying here." "There is no point in staying anywhere," said Lolita.
I would have been completely brainwashed by this lopsided and racist view of the world if it weren't for my father. He was a deep thinker and an irrepressible problem solver. He was a Black Socrates, asking why and then spoiling ready-made replies.
When the possessions and households of citizens are no longer honored by the acts, as well as the principles, of their government, then the concentration camp ceases to be one of the possibilities of human nature and becomes one of its likelihoods.
To endure is greater than to dare; to tire out hostile fortune; to be daunted my no difficulty; to keep heart when all have lost it; to go through intrigue spotless; to forgo even ambition when the end is gained - who can say this is not greatness?
Let life unfold, say what you mean. You can’t always think about what you’ve lost, or what you don’t have, or what you didn’t get. Because when you do that, you’re missing out on the now. You can’t know if you’ll be here tomorrow or a year from now.
That's how the Germans are.... The aristocrats at the top hard as glass, cold as ice, servants of the King, the working masses willing, pliable, sentimental, susceptible to brutality, the middle class educated and cowardly to the point of servility.
Collections collect collectors. It doesn't work the other way around. A certain object misses its own kind and communicates that to some person who surrounds it with rhyming items; these become at first a quorum, then a selective, addictive madness.
Chinese people are indignant. Indignant! For decades, despite everything, they tried to make peace with the West. They are in fact the most peaceful big nation on Earth and what do they get in return? They get insults, provocations and intimidation.
Encircled and provoked, Russia is once again turning into a mighty monolithic defense wall. Its people are ready! They want peace, above anything else. But if they'd have to fight for their own survival, and for the survival of the world, they will.
Irvine is such a safe, stable, planned community, and I'm a person who has a lot of inner longing for drama and romance. So I think in some way the structure of Irvine made me more creative because I had these boundaries, and I thought outside them.
My fifth-grade teacher, Mrs. Poppy, had us each write a 'novel,' whatever that meant to us. It must have been 10 pages long, and we bound it and colored the front. And she wrote on mine, 'I can't wait till your real novel comes out. Give me a call.'
Cats of all kinds weave in and out of the text; Burroughs has clearly taken to them in a big way in his old age and seems torn between a fear they will betray him into sentimentality and a resigned acceptance that a man can't be ironic all the time.
Why don't they cut their own children's ears into points to make them look sharp? Why don't they cut off their noses to make them look plucky? One would be just as sensible as the other. What right have they to torment and disfigure God's creatures?
I thought Mr. Millward never would cease telling us that he was no tea-drinker, and that it was highly injurious to keep loading the stomach with slops to the exclusion of more wholesome sustenance, and so give himself time to finish his fourth cup.
Creative expression, whether that means writing, dancing, bird-watching, or cooking, can give a person almost everything that he or she has been searching for: enlivenment, peace, meaning, and the incalculable wealth of time spent quietly in beauty.
It is hard to conceive that the old, whose thoughts have been all thought out, should ever love to live alone. Solitude is surely for the young, who have time before them for the execution of schemes, and who can, therefore, take delight in thinking
Let me claim that Africa and I kept company for a while and then parted ways as if we were both party to relations with a failed outcome. Or say I was afflicted with Africa like a bout of a rare disease from which I have not managed a full recovery.
Every time I write a new novel about something sombre and sobering and terrible I think, 'oh Lord, they're not going to want to go here'. But they do. Readers of fiction read, I think, for a deeper embrace of the world, of reality. And that's brave.
I found out about reviews early on. They're mostly written by sad men on bad afternoons. That's probably why I'm less angry than some writers, who are so narcissistic they consider every line of every review, even a thoughtful one, as major treason.
You'll see, you'll come to understand. These big things, these terrible things, are not the important ones. If they were, how could one go on living? No, it is the small, little things that make up a day, that bring fullness and happiness to a life.
My time at Wofford was very dear to me. I chose to go there because the academics were so strong. I could have gone somewhere a little more local, but I wanted the academic challenges Wofford had to offer. It worked out pretty well for me obviously.
Growing maturity is marked by the increasing liberties we take with our travelling... we made the discovery (some people never make it) that real books can be taken on a journey and that hours of golden reading can so be added to its other delights.
If I had really cared as I thought I did about the sorrows of the world I should not have been so overwhelmed when my own sorrow came- I thought I trusted the rope until it mattered to me whether it would bear me, now it matters and I find I didn't.
The purpose of all opprobrious language is, not to describe, but to hurt - even when, like Hamlet, we make only the shadow-passes of a soliloquised combat. We call the enemy not what we think he is but what we think he would least like to be called.
'The Lion' all began with a picture of a faun carrying an umbrella and parcels in a snowy wood. This picture had been in my mind since I was about sixteen. Then one day, when I was about forty, I said to myself, 'Let's try to make a story about it.'
Every work of art is aggressive, Isabella. And every artist's life is a small war or a large one, beginning with oneself and one's limitations. To achieve anything you must first have ambition and then talent, knowledge, and finally the opportunity.
A writer often wants to change a reader’s perception about the world, which is a political act. But we have to work through character, so helping the reader to feel close to fictional characters is the gate through which we have to usher the reader.
September knew a number of curse words, most of which she heard the girls at school saying in the bathrooms, in hushed voices, as if the words could make things happen just by being spoken, as if they were fairy words, and had to be handled just so.
...she knew in her heart that nature has a preference for a particular order: parents die, then children die. But it was a harsh design, offering little relief from pain, for being in accord with it means that the fortunate find themselves orphaned.
The past is a stronger influence in the South. But I think everywhere you have this sense that the world changes faster than you can accommodate yourself to. Looking back and seeing how you got where you are is a useful way to combat disorientation.
I used to write travel essays, and I was struck by how the fact of writing about a place would change my relationship with it. I would make completely different choices, do things I wouldn't have normally, because I had to fill this narrative shape.
When the British came to Ibo land, for instance, at the beginning of the 20th century, and defeated the men in pitched battles in different places, and set up their administrations, the men surrendered. And it was the women who led the first revolt.
Most writers who are beginners, if they are honest with themselves, will admit that they are praying for a readership as they begin to write. But it should be the quality of the craft, not the audience, that should be the greatest motivating factor.
I am alive, he says to himself, I am alive! And life energy surges hotly through him, and delight, and appetite. How good to be in a body - even this old beat-up carcass - that still has warm blood and live semen and rich marrow and wholesome flesh!