Quotes of All Topics . Occasions . Authors
No one tells you that your life is effectively over when you have a child: that you're never going to draw another complacent breath again... or that whatever level of hypochondria and rage you'd learned to repress and live with is going to seem like the good old days.
She tilted her head to one side, considering him. "Do you love me?" "Love is a trick and a sham. A foolish plague and a lie and a torment." "Do you love me?" she repeated, quite calmly. Knowing the answer. "Yes, may it curse my soul." "May it save your soul," she said.
I fear dying in the middle of a book. It would be so annoying to write 80,000 words and not get to the end. I'm phobic about it. So when I'm writing a book I leave messages all over the house for people to know how the story ends, and then someone can finish it for me.
If you cross the Atlantic with an American lady you invariably fall in love with her before the journey is over. Travel with the same woman in a railway car for twelve hours, and you will have written her down in your own mind in quite other language than that of love.
I had a second trimester abortion. I was pregnant with a much-wanted child who was diagnosed with a genetic abnormality. I made a choice to terminate the pregnancy. It was my third pregnancy, and I was very obviously showing. More important, I could feel the baby move.
I used to refer to myself as a 'theoretical anorexic,' just as crazy when it came to body image, but saved by a lack of self-discipline. My daughters do everything better than I do - they're smarter, more beautiful, happier. What if they end up better at anorexia, too?
There were two things about Mama. One is she always expected the best out of me. And the other is that then no matter what I did, whatever I came home with, she acted like it was the moon I had just hung up in the sky and plugged in all the stars. Like I was that good.
I pulled myself up and told myself to stop these ridiculous thoughts, wondering why it is that we can never stop trying to analyse the motives of people who have no personal interest in us, in the vain hope of finding that perhaps they may have just a little after all.
I love investigating the natural world, and I find a lot of truths there, truths about survival and beauty - nature continually surprises me (amazing how clever a woodchuck is, amazing how plants roots can break up concrete, amazing how delicious the thimbleberry is!).
Let me make this very clear: 24 hours a day, 7 days a week, our digital exhaust is being sucked up by the government. It is being compiled on big server farms and it's being analyzed by different computer programs, looking for any hint that you and I are up to no good.
Not that I am (I think) in much danger of ceasing to believe in God. The real danger is of coming to believe such dreadful things about Him. The conclusion I dread is not 'So there's no God after all,' but 'So this is what God's really like. Deceive yourself no longer.
Why love, if losing hurts so much? I have no answers anymore: only the life I have lived. Twice in that life I've been given the choice: as a boy and as a man. The boy chose safety, the man chooses suffering. The pain now is part of the happiness then. That's the deal.
The thing is to rely on God. The time will come when you will regard all this misery as a small price to pay for having been brought to that dependence. Meanwhile, the trouble is that relying on God has to begin all over again every day as if nothing has yet been done.
Fools!" said the man, stamping his foot with rage. "That is the sort of talk that brought me here, and I'd better have been drowned or never born. Do you hear what I say? This is where dreams — dreams, do you understand — come to life, come real. Not daydreams: dreams.
But how can the characters in a play guess the plot? We are not the playwright, we are not the producer, we are not even the audience. We are on the stage. To play well the scenes in which we are "on" concerns us much more than to guess about the scenes that follow it.
Don't you give me that postmodern bullshit. There is truth, There is a truth. And what you want, or you feel, or you need, isn't going to change the truth. Any more than it's going to topple a skyscraper. There's truth, and there's belief. Don't call a mule a stallion.
I would stay at my grandma's house on my birthday every year and I remember she had a bookshelf of murder mystery books along with really frightening books, like one on Jack the Ripper. She also had a poster of a shark in the closet which also terrified me at the time.
You have to keep writing. It's almost like practice, almost like tennis, that actually after a few days of not writing, first of all it makes you slightly depressed and uneasy, but it also affects the style when you start up again. You need to get the show on the road.
I think the world's big enough for all kinds of zombies. You can have yours and I can have mine. I think by going with slow zombies I maybe have been asserting my own kind of zombie snobbery, but I don't begrudge the youngsters their tackling, running, jumping zombies.
How the horse dominated the mind of the early races especially of the Mediterranean! You were a lord if you had a horse. Far back, far back in our dark soul the horse prances...The horse, the horse! The symbol of surging potency and power of movement, of action in man!
And besides, look at elder flowers and bluebells-they are a sign that pure creation takes place - even the butterfly. But humanity never gets beyond the caterpillar stage -it rots in the chrysalis, it never will have wings.It is anti-creation, like monkeys and baboons.
You're captives of a civilizational system that more or less compels you to go on destroying the world in order to live. … You are captives—and you have made a captive of the world itself. That's what's at stake, isn't it?—your captivity and the captivity of the world.
Harlem exists in retrospect, in the memory of grandparents or elderly cousins, those 'old-timers' ever ready with their geysers of remembered scenes. The legends of 'Black Mecca' are preserved in the glossy musicals of Times Square and in texts of virtually every kind.
I was aware that there is an expectation that writers inevitably falter at this stage, that they fail to live up to the promise of their first successful book, that the next book never pleases the way the prior one did. It simply increased my sense of being challenged.
My secret is that I need God—that I am sick and can no longer make it alone. I need God to help me give, because I no longer seem to be capable of giving; to help me be kind, as I no longer seem capable of kindness; to help me love, as I seem beyond being able to love.
The people I respect most behave as if they were immortal and as if society was eternal. Both assumptions are false: both of them must be accepted as true if we are to go on eating and working and loving, and are to keep open a few breathing holes for the human spirit.
'One Hundred Years of Solitude' is a masterpiece because it is an episodic novel that has a rigorous form - an unprecedented combination. From the very beginning we know the town of Macondo will endure only a century, so there is a limit to the length of the narrative.
I've always been impelled to say the truth. When I was 14, in 1954, I already wrote a gay novel, though I'd never read one. I felt that life handed me a great subject, gay life, that had scarcely been examined, and I was impelled to record it in all its strange detail.
I still don't know if things fit together, or if everything will be all right in the end. But I believe that something means something. I believe in cleansing the soul through fun and games. I also believe in love. And I have several good friends, and just one bad one.
In other countries, congenital introverts simply remain introverts all their lives, neither advancing nor retreating, but America's commitment to extroversion as a national art form can abrade some naturally aloof personalities until they flower into deadly nightshade.
Feminists, I hasten to add, are not all bad. In fact, they are an ideal bellwether, an invaluable aid in helping me form opinions on issues that I don't have time to keep up with. If the feminists are for it, I'm against it; if the feminists are against it, I'm for it.
People always did like to talk, didn't they? That's why I call myself a witch now: the Wicked Witch of the West, if you want the full glory of it. As long as people are going to call you a lunatic anyway, why not get the benefit of it? It liberates you from convention.
I don't think anybody in my family meant there to be any pressure for me to write. But our parents were incredibly verbal and wrote for a living. The house was full of books, and we all grew up steeped in language. I mean, our mother recited poetry at the dinner table.
Constancy will always be the genius of love, the indication of that strength which constitutes the poet. A man should possess all women in his wife, like those squalid poetasters of the seventeenth century who made fair Irises and dazzling Chloes of their lowly Manons.
It's different in Scotland. People who come to readings are more interested in literature as such, but the readership in general is really quite diverse. It's a cliche, but it's said that people who read my books don't read any other books, and you do get that element.
I go to the gym and work through a routine. But if you see someone with a personal trainer, you know they do 10 times more than you do. You give up your sense of identity. If you watch 'The Biggest Loser,' you see people give up their identity to become something else.
Searching for what I need, and I don't even know precisely what that is, I was going from a man to a man, and I saw that all of them together have less than me who has nothing, and that I left to each of them a bit of that what I don't have and I've been searching for.
Your mother died to save you. If there is one thing Voldemort cannot understand, it is love. Love as powerful as your mother's for you leaves it's own mark. To have been loved so deeply, even though the person who loved us is gone, will give us some protection forever.
But Dobby shouted, "You shall not harm Harry Potter! ... He got up, face livid, and pulled out his wand, but Dobby raised a long, threatening finger. "You shall go now," he said fiercely, pointing down at Mr. Malfoy. "You shall not touch Harry Potter. You shall go now.
The elf’s eyes found him, and his lips trembled with the effort to form words. ‘Harry... Potter...’ And then with a little shudder the elf became quite still, and his eyes were nothing more than great, glassy orbs sprinkled with light from the stars they could not see.
Look, why don't you go talk to Ron about all this?" Harry asked. "Well, I would, but he's always asleep when I go and see him!" said Lavender fretfully. "Is he?" said Harry, surprised, for he had found Ron perfectly alert every time he had been up to the hospital wing.
In quick succession, Qhuinn reviewed his answers: No, of course not, the knife was acting of its own volition. I was actually trying to stop it...No, I only meant to give him a shave...No, I didn't realize that slicing open someone's jugular was going to lead to death.
It finally happened, he thought as he burrowed under his shirt and took hold of his heavy cross. All his life he’d wondered why he’d never fallen in love, and now he knew: He’d been waiting for this moment, this woman, this time. The female is mine, he thought. - Manny
Down on the lake rosy reflections of celestial vapor appeared, and I said, "God, I love you" and looked to the sky and really meant it. "I have fallen in love with you, God. Take care of us all, one way or the other." To the children and the innocent it's all the same.
To be born in a free society and not to be born free is to be born into a lie. To be told by co-citizens and co-Christians that you have no value, no history, have never done anything that is worthy of human respect destroys you because in the beginning you believe it.
To give money to a woman - and here I must speak as a man - is to deny her special quality, her irreplaceability, and reduce her unique amiability to a commodity. Money takes away her name, while transforming her lover into a nameless customer of a market of appetites.
To think bad thoughts is really the easiest thing in the world. If you leave your mind to itself it will spiral down into ever increasing unhappiness. To think good thoughts, however, requires effort. This is one of the things that discipline and training is all about.
Your parents are the parents you know best. Your brother and sister, if you have them, are the brother and sister you know best. They may not be the ones you like the best. They may not be the most interesting, but they are the closest and probably the clearest to you.
Amplitude is a powerful quality in fiction. It results in involvement, in sympathy with the characters. After a while, a reader can't avoid being involved with a book, caring about it, even if it's not a particularly good book. You're in it, and you're committed to it.
Without thinking highly either of men or of matrimony, marriage had always been her object; it was the only honourable provision for well-educated young women of small fortune, and however uncertain of giving happiness, must be their pleasantest preservative from want.