Quotes of All Topics . Occasions . Authors
Film, for me, is in two stages. One is when I write the script more or less on my own - that's the nice bit. And then comes for me the unpleasant bit when they all go off, 100 people - actors and camera people and film and sound - and I stay away. When they go into the editing room, I come in again, and that's the bit I like.
We have seen many other not just writers and intellectuals, but including writers and intellectuals in the Muslim world being attacked and murdered by Islamic fanatics, accused of exactly the same things that I was, these medieval crimes of apostasy And heresy, but then broadening from that into a broader attack on all of us.
He who has been impoverished for a long timewho has long stood before the door of the mighty in darkness and begged for alms,has filled his heart with bitterness so that it resembles a sponge full of gall; he knows about the injustice and folly of all human action and sometimes his lips tremble with rage and a stifled scream.
Do you enjoy holidays with your family? I don't mean your mom and dad family, but your uncle and aunt and cousin family? Personally, I do. There are several reasons for this. First, I am very interested and fascinated by how everyone loves each other, but no one really likes each other. Second, the fights are always the same.
What’s this? What are the antagonists doing here – infiltrating their own audience? Well, they’re not really. It’s somebody else’s audience at the moment, and these nightly spectacles are an appreciable part of the darkside hours of life of the rocket capital. The chances for any paradox here, really, are less than you think.
There are some very powerful contributions to knowledge in the scientific world or the legal world, but art is singular. That's why every dictator gets rid of the artists first. They burn the books and execute the artists first. Then they get on with whatever else they're interested in. Art might do something. It's dangerous.
In Tar Baby, the classic concept of the individual with a solid, coherent identity is eschewed for a model of identity which sees the individual as a kaleidoscope of heterogeneous impulses and desires, constructed from multiple forms of interaction with the world as a play of difference that cannot be completely comprehended.
Treading the soil of the moon, palpating its pebbles, tasting the panic and splendor of the event, feeling in the pit of one's stomach the separation from Terra-these form the most romantic sensation an explorer has ever known . . . this is the only thing I can say about the matter. The utilitarian results do not interest me.
Our Children no longer learn how to read the great book of Nature from their own direct experience, or how to interact creatively with the seasonal transformations of the planet. They seldom learn where their water come from or where it goes. We no longer coordinate our human celebration with the great liturgy of the heavens.
To live, we must daily break the body and shed the blood of Creation. When we do this knowingly, lovingly, skillfully, reverently, it is a sacrament. When we do it ignorantly, greedily, clumsily, destructively, it is a desecration. In such desecration we condemn ourselves to spiritual and moral loneliness, and others to want.
Addictions [...] started out like magical pets, pocket monsters. They did extraordinary tricks, showed you things you hadn't seen, were fun. But came, through some gradual dire alchemy, to make decisions for you. Eventually, they were making your most crucial life-decisions. And they were [...] less intelligent than goldfish.
Among the virtues and vices that make up the British character, we have one vice, at least, that Americans ought to view with sympathy. For they appear to be the only people who share it with us. I mean our worship of the antique. I do not refer to beauty or even historical association. I refer to age, to a quantity of years.
Scott-there's nothing in the world I want but you-and your precious love. All the material things are nothing. I'd just hate to live in a sordid, colorless existence-because you'd soon love less-and less-and I'd do anything-anything-to keep your heart for my own-I don't want to live-I want to love first and live incidentally.
Later, with time, I learned that although all men are capable of good and evil, the worst among them are those who, when they commit evil, do so by shielding themselves in the authority of others, in their subordination, or in the excuse of following orders. And even worse are those who believe they are justified by their God.
The plot of a movie is its motor. It is not an accident that people call pictures 'vehicles' for stars. A vehicle has to move. A plotless story is like an expensive car with a wonderful body design, luxurious seats, upholstery, headlights (production, direction, cast) - and no motor under its hood. That is why it gets nowhere.
Believing things on authority only means believing them because you have been told them by someone you think trustworthy. Ninety-nine per cent of the things you believe are believed on authority... Every historical event in the world is believed on authority. None of us has seen the Norman Conquest or the defeat of the Armada.
Many a man, brought up in the glib profession of some shallow form of Christianity, who comes through reading Astronomy to realize for the first time how majestically indifferent most reality is to man, and who perhaps abandons his religion on that account, may at that moment be having his first genuinely religious experience.
We must perpetually try to distinguish, however closely they get entwined by the subtle nature of the facts and by the secret importunity of our passions, those attitudes in a writer which we can honestly and confidently condemn as real evils, and those qualities in his writing which simply annoy and offend us as men of taste.
I don't think I'll ever lose the feeling that I had when I read 'To Kill a Mockingbird' - Harper Lee was going back into her childhood. I grew up in a real small town - Lee's was in the South, mine the Northwest - but small towns have a lot in common. There was such a revelation in knowing that a story could be told like that.
I've always had a love of cards, ever since I was a little kid. I think poker, as a system, describes the chaos of the world. Our sudden reversals, our freak streaks of fortune. The belief that the next hand can save you, and the inevitable failure of the next hand to save you. I think that describes my world view pretty well.
He thought that in the beauty of the world were hid a secret. He thought that the world’s heart beat at some terrible cost and that the world’s pain and its beauty moved in a relationship of diverging equity and that in this headlong deficit the blood of multitudes might ultimately be exacted for the vision of a single flower.
The reaction to any word may be, in an individual, either a mob-reaction or an individual reaction. It is up to the individual to ask himself: Is my reaction individual, or am I merely reacting from my mob-self? When it comes to the so-called obscene words, I should say that hardly one person in a million escapes mob-reaction.
In effect, you're saying that if you knew how you oughtt to live, then the flaw is man could be controlled. If you knew how you ought to live, you wouldn't be forever screwing up the world. perhaps in fact the two things are actually one thing. Perhaps the flaw in man is exactly this: that he doesn't know how he ought to live.
Think of the old cliché about ‘the mind being an excellent servant but a terrible master.’ This, like many clichés, so lame and unexciting on the surface, actually expresses a great and terrible truth. It is not the least bit coincidental that adults who commit suicide with firearms almost always shoot themselves in: the head.
The early days of any relationship are punctuated with a series of firsts - first sight, first words, first laugh, first kiss, first nudity, etc., with these shared landmarks becoming more widely spaced and innocuous as days turn to years, until eventually you're left with first visit to a National Trust property or some such.
Though each trainer believes his or her method is best, I don't think it matters which method the pet owner adopts so long as that owner finds a capable mentor and sticks with the training. Eventually you will learn to see your dog, and when that happens, the richness of your and your dog's lives will tell you what to do next.
Pauline kept a scrapbook into which she pasted important articles that she had cut out of the newspapers. These were about the courageous deeds that had been done by people even if they only had one leg or couldn't see or had been dropped on their heads when they were babies. 'It's to make me brave,' she'd explained to Annika.
...in the negative part of Professor's Hayek's thesis there is a great deal of truth. It cannot be said too often - at any rate, it is not being said nearly often enough - that collectivism is not inherently democratic, but, on the contrary, gives to a tyrannical minority such powers as the Spanish Inquisitors never dreamt of.
... ages in which the dominant weapon is expensive or difficult to make will tend to be ages of despotism, whereas when the dominant weapon is cheap and simple, the common people have a chance... A complex weapon makes the strong stronger, while a simple weapon -- so long as there is no answer to it -- gives claws to the weak.
From a very early age, perhaps the age of five or six, I knew that when I grew up I should be a writer. Between the ages of about seventeen and twenty-four I tried to abandon this idea, but I did so with the consciousness that I was outraging my true nature and that sooner or later I should have to settle down and write books.
Removed from its more restrictive sense, masturbation has become an expression for everything that has proved, for lack of human contact, to be void of meaning. We have communication problems, suffer from egocentrism and narcissism, are frustrated by information glut and loss of environment; we stagnate despite the rising GNP.
I think I started writing about identity, and I used to believe that identity is the story. But now I'm not so much subscribed to that. I mean, with 'Mr. Fox,' it has a feminist agenda as well. And so, as I sort of been away from writing about identity, I still feel that kind of tug of roots and, you know, cultural background.
I read in announcements of deaths 'peacefully in his sleep' and I wonder how many of those are true. Maybe they are just conventional. I hope they are true whenever I read it of someone. [But] I would rather be awake. Peacefully awake, brim full of some calming drug that was seeing me out of the door, having said my farewells.
Well, Buttermere, this is a day that is good to live and breathe in, that makes a man feel in his prime. Standing here in front of my house, I feel as young as when I moved into it thirty years ago, in the year eighteen hundred and fifty-nine. What aged man would you take me to be, as I step as it were casually into your view?
I feel I owe you another explanation Harry," said Dumbledore hesitantly. "You may, perhaps, wondered why I never chose you as a prefect? I must confess...that I rather thought...you had enough responsibility to be going on with." Harry looked up at him and saw a tear trickling down Dumbledore's face into his long silver beard.
As the Brotherhood got down to business, he found himself putting his hand on the dog’s big head and stroking the soft fur…playing with an ear…dipping down and finding the long waves that flowed from the animal’s broad, strong chest. Not that any of that meant he was keeping the the animal, of course. It just felt nice, was all.
If you read novels of the 19th century, they're pretty experimental. They take lots of chances; they seem to break a lot of rules. You've got omniscient narrators lecturing at times to the reader in first person. If you go back to the earliest novels, this is happening to a wild extent, like 'Tristram Shandy' or 'Don Quixote'.
The traditional dictionary definition of the difference is that an alcoholic will steal your wallet in a blackout, come to, and apologize for it. A junkie will steal your wallet and then help you look for it. But ultimately I think all addictions boil down to just not being able to be with yourself for any long degree of time.
I hope for so much from every book I read. And time and again, I find myself disappointed. I look across my bookshelves and see hundreds of titles which in my memory seem merely mediocre or second-rate. Only occasionally does a novel appear for which I feel a lasting passion, a book that I think could in time become a classic.
It has been the struggle between privileged men who have managed to get hold of the levers of power and the people in general withtheir vague and changing aspirations for equality, for justice, for some kind of gentler brotherhood and peace, which has kept that balance of forces we call our system of government in equilibrium.
I might be confused sometimes in my head but it is not something you need to talk about. Before you can talk you have to line it all up in order and I had rather just let it swirl around until I am too tired to think. You just let the motion in your head wear you out. Never think about it. You just make a bigger mess that way.
There's still a part of me that thinks I have to write a really good novel. I'm not trying to say I'm not happy with the novels I've written in the past. But it always feels to me like there's another one that I have to write that will really say what I want to say, and really paint this world that I can see hazily in my head.
I don't say that the drunk man is the real man, and the sober man merely a shell. But you find out something different about people when they're drunk. Of course, you sometimes find that they're not different at all--that you merely get more of the same, perhaps said rather more loudly and incoherently, but basically the same.
For just one second, look at your life and see how perfect it is. Stop looking for the next secret door that is going to lead you to your real life. Stop waiting. This is it: there's nothing else. It's here, and you'd better decide to enjoy it or you're going to be miserable wherever you go, for the rest of your life, forever.
Nothing is wrong with you. You're not different. Everybody feels as bad as you do: this is just what writing a novel feels like. To write a novel is to come in contact with raw, primal feelings, hopes and longings and psychic wounds, and try to make a big public word-sculpture out of them, and that is a crazy hard thing to do.
A certain similarity exists, although the type evolves, between all the women we love, a similarity that is due to the fixity of our own temperament, which it is that chooses them, eliminating all those who would not be at once our opposite and our complement, fitted that is to say to gratify our senses and to wring our heart.
It's odd how a person always arouses admiration for his moral qualities among the relatives of another with whom he has sexual relations. Physical love, so unjustifiably decried, makes everyone show, down to the least detail, all he has of goodness and self-sacrifice, so that he shines even in the eyes of those nearest to him.
I saw the way she was looking at you, and I knew that she still loved you. More than that, I know she always will. It breaks my heart, but you know what? I'm still in love with her, and to me that means that I want nothing more than for her to be happy in life. I want that more than anything. It's all I've ever wanted for her.
At first I wanted to go to university, but I really didn't dare to. I was too self-conscious, being a working-class kid. It was really difficult. I was going to study history, but the professor asked me some questions I didn't understand, and I didn't dare to ask what they meant. I left university and went to work in the Post.
For he loved her and he understood that a woman cannot always live as a man. He understood that she cannot always think as he thought, walk as he walked, breathe the air that he took in. She would always be a different being from him, listening to a different music, hearing a different sound, familiar with a different element.