The only way out is the way through, just as you cannot escape death except by dying. Being unable to write, you must examine in writing this being unable, which becomes for the present -henceforth?- the subject to which you are condemned.

I use non-fiction work written by Whites in my research. It's indispensable. That wasn't the problem. I said that "The Wire" was a cliché! It's like my writing a series about Jewish life and casting all of the characters as inside traders.

He had one uniform practice, and a very bad one it was, during the time of family worship, and just three or four seconds before the conclusion of the prayer, he started to his feet, and ran barking round the apartment like a crazed beast.

The poet, by composing poems, uses a language that is neither dead nor living, that few people speak, and few people understand We are the servants of an unknown force that lives within us, manipulates us, and dictates this language to us.

Norfolk would not be Norfolk without a church tower on the horizon or round a corner up a lane. We cannot spare a single Norfolk church. When a church has been pulled down the country seems empty or is like a necklace with a jewel missing.

So it is in poetry. All we ask is that the mood recorded shall impress us as having been of the kind that exhausts the imaginative capacity; if it fails to do this the failure will announce itself either in prose or in insignificant verse.

O impotence of mind, in body strong! But what is strength without a double share Of wisdom, vast, unwieldy, burdensome, Proudly secure, yet liable to fall By weakest subtleties, not made to rule, But to subserve where wisdom bears command.

I simply think that water is the image of time, and every New Year's Eve, in somewhat pagan fashion, I try to find myself near water, preferably near a sea or an ocean, to watch the emergence of a new helping, a new cupful of time from it.

My mother was a great storyteller and a great historian in her own way. She only made it to third grade. She came from Mexico City at the tail end of the Mexican Revolution and that kind of turmoil and chaos and frenzy and also excitement.

It is fully practical to create that which has form in the silence. The noise art makes is usually heard by those whose lives listen to god. It is not adviseable to cheat that which has no other stake than the deeps and brights of all man.

And is not time even as love is, undivided and paceless? But if in you thought you must measure time into seasons, let each season encircle all the other seasons, And let today embrace the past with remembrance and the future with longing.

charity is a calm, severe duty; it must be intellectual, to be advantageous. It is a strange mistake that it should ever be considered a merit; its fulfillment is only what we owe to each other, and is a debt never paid to its full extent.

It's no go my honey love, it's no go my poppet;Work your hands from day to day, the winds will blow the profit.The glass is falling hour by hour, the glass will fall for ever,But if you break the bloody glass you won't hold up the weather.

Thus the sum of things is ever being reviewed, and mortals dependent one upon another. Some nations increase, others diminish, and in a short space the generations of living creatures are changed and like runners pass on the torch of life.

I think that if you use something from you life in fiction, it metamorphosizes into something strange and different. Afterward it is hard to tell what actually was part of your life and what is part of the story of the fictional character.

Now, the whole world hears Or shall hear,--surely shall hear, at the last, Though men delay, and doubt, and faint, and fail,-- That promise faithful:--"Fear not, little flock! It is your Father's will and joy, to give To you, the Kingdom"!

What was nice for me was that when I got to secondary school - like high school - I met many other Ghanaian schoolgirls whose parents were also born in Ghana and were raising them here. We automatically had a huge kinship that was amazing.

The entirety of 'Bellocq's Ophelia' was a project, and I was interested in doing research and looking at photographs and writing about them, imagining this woman Ophelia and what her life was like and the kinds of things she thought about.

Believing ourselves to be possessors of absolute truth degrades us: we regard every person whose way of thinking is different from ours as a monster and a threat and by so doing turn our own selves into monsters and threats to our fellows.

The truth is that the history of Mexico is a history in the image of its geography: abrupt and tortuous. Each historical period is like a plateau surrounded by tall mountains and separated from the other plateaus by precipices and divides.

I have published in 'The New Yorker,' 'Holiday,' 'Life,' 'Mademoiselle,' 'American Heritage,' 'Horizon,' 'The Ladies Home Journal,' 'The Kenyon Review,' 'The Sewanee Review,' 'Poetry,' 'Botteghe Oscure,' the 'Atlantic Monthly,' 'Harper's.'

It is only by softening and disguising dead flesh by culinary preparation that it is rendered susceptible of mastication or digestion, and that the sight of its bloody juices and raw horror does not excite intolerable loathing and disgust.

Someday there will be girls and women whose name will no longer mean the mere opposite of the male, but something in itself, something that makes one think not of any complement and limit, but only life and reality: the female human being.

I see at last that all the knowledge I wrung from the darkness - that darkness flung me - Is worthless as ignorance: nothing comes from nothing The darkness from the darkness. Pain comes from the darkness And we call it wisdom. It is pain.

The Southern past, the Southern present, the Southern future, concentrated into Gertrude's voice, became one of red clay pine-barrens, of chain-gang camps, of housewives dressed in flour sacks who stare all day dully down into dirty sinks.

Many Americans would die naked in the middle of the road before they'd tell you what's hurt them most. But a born Southerner will show you the cell in their heart that burns the hardest. They'll hold it out to you in their bare right hand.

Nature hav no music; nor would ther be for theeany better melody in the April woods at dawnthan what an old stone-deaf labourer, lying awakeo'night in his comfortless attic, might perchancebe aware of, when the rats run amok in his thatch?

I am sure I have heard this several times from places I can't recall, but it's not already in the Gaia Quotes database, so I add this profound insight from the fields of psychological healing and spiritual evolution. It sure has helped me.

Since the age of 15 poetry has been my ruling passion and I have never intentionally undertaken any task or formed any relationship that seemed inconsistent with poetic principles; which has sometimes won me the reputation of an eccentric.

Taste is the intermediate faculty which connects the active with the passive powers of our nature, the intellect with the senses; and its appointed function is to elevate the images of the latter, while it realizes the ideas of the former.

Perusing colorful storylines on the backs of book jackets, I realized that none of them could possibly be as dramatic as my life to date. Then sadly, I also realized I could never find the ending of my story from the safety of an armchair.

The external reality and inner dynamic of happenings in Northern Ireland between 1968 and 1974 were symptomatic of change, violent change admittedly, but change nevertheless, and for the minority living there, change had been long overdue.

Also not being afraid to stand up for what you believe in while taking into account that you could very well be wrong, or maybe there's another way to look at it- that things are not what they seem to be, and that everything is subjective.

Cheerfulness consists in not regarding things as our own, but as entrusted to us by God for the benefit of our fellow-servants. It consists in scattering them abroad generously with joy and magnanimity, not reluctantly or under compulsion.

Once in Persia reigned a king Who upon his signet ring Graved a maxim true and wise, Which if held before the eyes Gave him counsel at a glance Fit for every change and chance. Solemn words, and these are they: "Even this shall pass away."

Everywhere on the Continent, the tourist is looked upon as a bird to be plucked, and presently the bird himself feebly comes to regard plucking as his proper destiny and abjectly holds out his wing so long as there is a feather left on it.

These poems possess intelligence, erudition, gravitas and urgency. Serious and moving in voice and ambition, this passionately lyrical and articulate work reminds me very much of the capacious, fierce and intelligent work of Adrienne Rich.

If it were (Is it not) outrageous that society should treat with such rigid precision those of its members who were most poorly endowed in the distribution or wealth that chance had made, and who were, therefore, most worthy of indulgence.

Before people complain of the obscurity of modern poetry, they should first examine their consciences and ask themselves with how many people and on how many occasions they have genuinely and profoundly shared some experience with another.

The wild gander leads his flock through the cool night, Ya-honk! he says, and sounds it down to me like an invitation: The pert may suppose it meaningless, but I listen closer, I find its purpose and place up there toward the November sky.

Speech after long silence; it is right, All other lovers being estranged or dead . . . That we descant and yet again descant Upon the supreme theme of Art and Song: Bodily decrepitude is wisdom; young We loved each other and were ignorant.

And yet one arrives somehow, finds himself loosening the hooks of her dress in a strange bedroom-- feels the autumn dropping its silk and linen leaves about her ankles. The tawdry veined body emerges twisted upon itself like a winter wind.

To be rich be diligent; move on Like heav'ns great movers that enrich the earth; Whose moment's sloth would show the world undone; And make the spring straight bury all her birth. Rich are the diligent who can command Time--nature's stock.

O, then I see Queen Mab hath been with you. . . . She is the fairies’ midwife, and she comes In shape no bigger than an agate stone On the forefinger of an alderman, Drawn with a team of little atomi Athwart men’s noses as they lie asleep.

The why is plain as way to parish church: He that a fool doth very wisely hit Doth very foolishly, although he smart, Not to seem senseless of the bob; if not, The wise man's folly is anatomiz'd Even by the squand'ring glances of the fool.

A flock of sheep that leisurely pass by One after one; the sound of rain, and bees Murmuring; the fall of rivers, winds and seas, Smooth fields, white sheets of water, and pure sky - I've thought of all by turns, and still I lie Sleepless.

Where but in the very asshole of comedown is redemption: as where but brought low, where but in the grief of failure, loss, error do we discern the savage afflictions that turn us around: where but in the arrangements love crawls us through

Here halt, I pray you, make a little stay. O wayfarer, to read what I have writ, And know by my fate what thy fate shall be. What thou art now, so shall thou be. The world's delight I followed with a heart Unsatisfied: ashes am I, and dust.

Science moves, but slowly, slowly, creeping on from point to point. ... Yet I doubt not through the ages one increasing purpose runs, And the thoughts of men are widened with the process of the suns. ... Knowledge comes, but wisdom lingers.

I wish I'd been better able to resist the sense of obligation to write some of the poems I did. It's in the nature of commissioned work to be written too much from the side of your mind that knows what it's doing, which dries up the poetry.

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