As God contains all good things, He must also contain a sense of playfulness -- a gift he has shared with Creatures other than ourselves, as witness the tricks Crows play, and the sportiveness of Squirrels, and the frolicking of Kittens.

Immortality,' said Crake, ' is a concept. If you take 'mortality' as being, not death, but the foreknowledge of it and the fear of it, then 'immortality' is the absence of such fear. Babies are immortal. Edit out the fear, and you'll be.

As nature erodes the earth into magnificent forms, life through endless experience opens us further and further to the essence of what matters. Each time I've been opened further, the way I experience life and receive things has changed.

When facing a child, I become a child. When facing an elderly person, or a husband, or a wife, in my heart, I too am an elderly person, husband, or a wife. While I am talking with a person, in my heart, nothing exists except that person.

I think of poetry as a very inclusive term. Still, it's interesting that people want to make the distinction. I love the magazine Double Room for that reason (contributors have to write about their ideas on the prose poem/flash fiction).

People worry that gas prices are high and how they are affecting their pocket book. But they want to know about renewable energy. People are really starting to question things, and that's made people look to the future in a positive way.

It is really hard to be lonely very long in a world of words. Even if you don't have friends somewhere, you still have language, and it will find you and wrap its little syllables around you and suddenly there will be a story to live in.

The mere notion of photography, when we introduce it into our meditation on the genesis of historical knowledge and its true value, suggests the simple question: Could such and such a fact, as it is narrated here, have been photographed?

Mild is the slow necessity of death; The tranquil spirit fails beneath its grasp, Without a groan, almost without a fear, Resigned in peace to the necessity; Calm as a voyager to some distant land, And full of wonder, full of hope as he.

I can't remember a time when I stepped into an airport or train station without wishing I were somewhere else, doing almost anything else. Just thinking about traveling gives me the willies. Traveling and dyslexia don't really get along.

with poems one accomplishes so little when one writes them early. One should hold off and gather sense and sweetness a whole life long, a long life if possible, and then, right at the end, one could perhaps write ten lines that are good.

In fact, sometimes traveling the world is a way of not writing a poem, but it's the quality of experience. It's being able to experience something and when you begin to write about it be able to apply the tools that you need for writing.

It struck her how eating was a comfort during a hard time because it reminded you that there had been other days, good days, when you’d eaten the same thing. Reminded you there were good days in life, when precious little else did. (268)

You rave about the Holy Place (Masjid al-Haram) and say you've visited God's garden but where is your bunch of flowers? There is some merit in the suffering you have endured but what a pity you have not discovered the Makkah thats inside

The spring is fresh and fearless And every leaf is new, The world is brimmed with moonlight, The lilac brimmed with dew. Here in the moving shadows I catch my breath and sing - My heart is fresh and fearless And over-brimmed with spring.

Our day-to-day lives are pretty chaotic. So in terms of the writing part, you have to get pretty disciplined about finding quiet moments and making sure you're making time for the art side, on top of all the time-consuming business side.

When you're depressed, you know, it's like the world has ended. Even getting out of bed takes the most massive amount of effort. But when you're manic, oh, it's so addicting. You know, I have finished novels in two weeks in manic stages.

What's surprising to me now is that now that I'm talking to a lot of women about this, so many women are doing this. Straight women, lesbian women, bisexual women, poor women, White women, immigrant women. This does not affect one group.

I wondered why I couldn't go the whole way doing what I should any more. This made me sad and tired. Then I wondered why I couldn't go the whole way doing what I shouldn't, the way Doreen did, and this made me even sadder and more tired.

Looking back, fire images have been constant in my poetry. As a boy, it was my job to light the fire each morning, and I remember the celebratory bonfires at the end of the war. It was from staring into fire that I began my first poetry.

A poem, necessarily, sits at a register that's different from our usual conversational voices. You have to listen more actively to get to the heart of what's being said, what you as a reader or listener are being asked to feel or notice.

I see myself only sporadically as a teacher and consistently as a writer. Teaching is how I pay the bills...and fortunately, for my students, I can intellectualize about writing, and I can talk about it well, and I like to talk about it.

The genius of the United States is not best or most in its executives or legislatures, nor in its ambassadors or authors or colleges, or churches, or parlors, nor even in its newspapers or inventors, but always most in the common people.

It seems that I must bid the Muse to pack, / Choose Plato and Plotinus for a friend / Until imagination, ear and eye, / Can be content with argument and deal / In abstract things; or be derided by / A sort of battered kettle at the heel.

Genius, with all its pride in its own strength, is but a dependent quality, and cannot put forth its whole powers nor claim all its honors without an amount of aid from the talents and labors of others which it is difficult to calculate.

It is true there is nothing displays a genius, I mean a quickness of genius, more than a dispute; as two diamonds, encountering, contribute to each other's luster. But perhaps the odds is much against the man of taste in this particular.

You smile upon your friend to-day, To-day his ills are over; You hearken to the lover's say, And happy is the lover. 'Tis late to hearken, late to smile, But better late than never: I shall have lived a little while Before I die for ever.

To be, contents his natural desire, He asks no angel's wing, no seraph's fire; But thinks, admitted to that equal sky, His faithful dog shall bear him company. Go wiser thou! and in thy scale of sense Weigh thy opinion against Providence.

Yet all experience is an arch wherethrough Gleams that untraveled world whose margin fades Forever and forever when I move. How dull it is to pause, to make an end, To rust unburnished, not to shine in use! As though to breathe were life!

I need sometimes to hang back in the shadows with my pen and paper, and then other times, I need to take center stage in my own creations. The trick is to know when to hang back, and when to step forward. It's a perpetual ongoing balance.

I write because it is while I'm writing that I feel most connected to why we're here. I write because silence is a heavy weight to carry. I write to remember. I write to heal. I write to let the air in. I write as a practice of listening.

I'm very interested in the materiality of language. I wonder if, perhaps, this comes from my background in the visual arts. I was a potter for a number of years and earned a BFA in art before going to graduate school for creative writing.

Grief is perhaps an unknown territory for you. You might feel both helpless and hopeless without a sense of a 'map' for the journey. Confusion is the hallmark of a transition. To rebuild both your inner and outer world is a major project.

Collecting at its best is very far from mere acquisitiveness; it may become one of the most humanistic of occupations, seeking to illustrate by the assembling of significant reliques, the march of the human spirit in its quest for beauty.

The poet who speaks out of the deepest instincts of man will be heard. The poet who creates a myth beyond the power of man to realize is gagged at the peril of the group that binds him. He is the true revolutionary: he builds a new world.

The acknowledged legislators of the world take the world as given. They dislike mysteries, for mysteries cannot be coded, or legislated, and wonder cannot be made into law. And so these legislators police the accepted frontiers of things.

If an artist is driven primarily by social responsibility, I think the art probably suffers because, again, just as leadership has a rather defined end point or purpose, social responsibility would seem to have a very clear moral context.

Work is the order of the day, just as it was at one time, with our first starts and our best efforts. Do you remember? Therein lies its delight. It brings back the forgotten; one's stores of energy, seemingly exhausted, come back to life.

Love can take what shape he pleases; and when once begun his fiery inroad in the soul, how vain the after knowledge which his presence gives! We weep or rave; but still he lives, and lives master and lord, amidst pride and tears and pain.

People say modernism killed poetry for them: it doesn't rhyme, it doesn't touch a popular musical oral tradition. Years ago, you memorized and read poetry; it was one of the things you were forced to learn. Now it has tiny role in school.

Childhood is not only the childhood we really had but also the impressions we formed of it in our adolescence and maturity. That is why childhood seems so long. Probably every period of life is multiplied by our reflections upon the next.

It is not that the child lives in a world of imagination, but that the child within us survives and starts into life only at rare moments of recollection, which makes us believe, and it is not true, that, as children, we were imaginative?

hatred of oppression seems to me so blended with hatred of the oppressor that I cannot separate them. I feel that no other injury could be so hard to bear, so very very hard to forgive, as that inflicted by cruel oppression and prejudice.

Healthy wolves and healthy women share certain psychic characteristics: keen sensing, playful spirit, and a heightened capacity for devotion. Wolves and women are relational by nature, inquiring, possessed of great endurance and strength.

I have hundreds of poems memorized. Mostly by others, but also my own. I use the poems when I lead retreats for management groups on topics like creating teams, or coming up with a more entrepreneurial system, or creating more excitement.

The best young writers are convinced they need blurbs from famous writers before an editor will even read the first page of a manuscript. If this is true, then the editorial system that prevails today stinks. And let's start reforming it.

We live under threat from painful emotions: anger, desire, pride, jealousy and so on. Therefore we should always be ready to counter these with the appropriate antidote. True practitioners may be recognized by their unfailing mindfulness.

As for the usefulness of poetry, its uses are many. It is the deification of reality. It should make our days holy to us. The poet should speak to all men, for a moment, of that other life of theirs that they have smothered and forgotten.

Remain steadfast in the faith; instruct yourself; bridle your tongue; repress your wrath; forbear to do evil; associate with the good; screen the faults of your neighbour; relieve the poor by your alms; and expect your reward in eternity.

Few cities have been more definitely impressed upon the imagination of the world than San Francisco, this gray-hilled city on the peninsula by the hospitable bay, where Saint Francis protects the ships as he protected the birds of Assisi.

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