Quotes of All Topics . Occasions . Authors
I have no little insight into the feelings of furniture, and treat books and prints with a reasonable consideration. How some people use their pictures, for instance, is a mystery to me; very revolting all the same--portraits obliged to face each other for ever--prints put together in portfolios.
If I thought that any poem of mine could have been written by anyone else, either a contemporary or a forerunner, I should suppress it with a blush; and I should do the same if I ever found I were imitating myself. Every poem should be new, unexpected, inimitable, and incapable of being parodied.
Sometimes the only way I know how to work through something is by writing a poem. And sometimes I get to the end of the poem and look back and go, 'Oh, that's what this is all about,' and sometimes I get to the end of the poem and haven't solved anything, but at least I have a new poem out of it.
What is newest to one in foreign countries is not always the people, but their surroundings, and those same little details of life and circumstance which make no impression on a man in his own land until he returns to it after a prolonged absence, and then they stand out very sharply for a while.
Forget not, never forget that you have promised me to use this silver to become an honest man.... Jean Valjean, my brother: you belong no longer to evil, but to good. It is your soul that I am buying for you. I withdraw it from dark thoughts and from the spirit of perdition, and I give it to God!
Ah, passing few are they who speak, Wild, stormy month! in praise of thee; Yet though thy winds are loud and bleak, Thou art a welcome month to me. For thou, to northern lands, again The glad and glorious sun dost bring, And thou hast joined the gentle train And wear'st the gentle name of Spring.
Why then, O brawling love! O loving hate! O any thing, of nothing first create! O heavy lightness, serious vanity, Misshapen chaos of well-seeming forms, Feather of lead, bright smoke, cold fire, sick health, Still-waking sleep, that is not what it is! This love feel I, that feel no love in this.
I've watched you now a full half-hour; Self-poised upon that yellow flower And, little Butterfly! Indeed I know not if you sleep or feed. How motionless! - not frozen seas More motionless! and then What joy awaits you, when the breeze Hath found you out among the trees, And calls you forth again!
Sleep sweetly, tender heart, in peace;Sleep, holy spirit, blessed soul,While the stars burn, the moons increase,And the great ages onward roll. Sleep till the end, true soul and sweet. Nothing comes to thee new or strange. Sleep full of rest from head to feet;Lie still, dry dust, secure of change.
My mother and I were part of a deal in the mid-'60s between Romania and Israel. Israel bought freedom for Romanian Jews for $2,000 a head. Ceausescu made a bundle in hard currency. He also 'sold' ethnic Germans to West Germany. Instead of going to Israel, my mother and I came to the United States.
I always write knowing that people will hear it, but also hoping they'll see it. So a lot of times I make lyrical decisions based on what looks better. Also I write based on what I saw for a video. I obsess over lyrics in the hopes that they'll endure in different ways. I'm very precious about it.
beware those quick to praise for they need praise in return beware those who are quick to censor they are afraid of what they do not know beware those who seek constant crowds for they are nothing alone beware the average man the average woman beware their love, their love is average seeks average
I think every writer has their waves of inspiration and their ways of doing things. But writing is very difficult for me. It's something I haven't practiced as diligently as my visual art. I've been doing visual art because I think it's easier for me to construct, whereas words are very difficult.
And the good writer chooses his words for their 'meaning', but that meaning is not a a set, cut-off thing like the move of knight or pawn on a chess-board. It comes up with roots, with associations, with how and where the word is familiarly used, or where it has been used brilliantly or memorably.
A being who, as I grew older, lost imagination, emotion, a type of intelligence, a way of feeling things - all that which, while it made me sorry, did not horrify me. But what am I experiencing when I read myself as if I were someone else? On which bank am I standing if I see myself in the depths?
Being the Stream Meditation is not just a rest or retreat from the turmoil of the stream or the impurity of the world. It is a way of being the stream, so that one can be at home in both the white water and the eddies. Meditation may take one out of the world, but it also puts one totally into it.
I'm not a fan of Dr. Seuss's better-known work, but his fables leave me awe-struck. 'Ten Tall Tales' is a collection of stories where his trademark anarchy is combined with a tautness of writing that shines an affectionate yet uncompromising spotlight on some of the absurdities of human behaviour.
But of all the water's secrets, he saw today only a single one-one that struck his soul. He saw that this water flowed and flowed, it was constantly flowing, and yet it was always there; it was always eternally the same and yet new at every moment! Oh, to be able to grasp this, to understand this!
He saw mankind going through life in a childlike manner... which he loved but also despised.... He saw them toiling, saw them suffering, and becoming gray for the sake of things which seemed to him to be entirely unworthy of this price, for money, for little pleasures, for being slightly honoured.
Act! the wise are known by their actions; fame and immortality are ever their attendants. Mark with deeds the vanishing traces of swiftrolling time. Let us make happy the circle around us,--be useful as much as we may. For that fills up with soft rapture, that dissolves the dark clouds of the day!
Remember that Divinity is the true self of Man. It cannot be sold for gold; neither can it be heaped up as are the riches of the world today. The rich man has cast off his Divinity, and has clung to his gold. And the young today have forsaken their Divinity and pursue self-indulgence and pleasure.
A child should be allowed to take as long as she needs for knowing everything about herself, which is the same as learning to be herself. Even twenty-five years if necessary, or even forever. And it wouldn't matter if doing things got delayed, because nothing is really important but being oneself.
When I was young I believed that "nonfiction" meant "true." But you read a history written in, say, 1920 and a history of the same events written in 1995 and they're very different. There may not be one Truth - there may be several truths - but saying that is not to say that reality doesn't exist.
We all know that a book is not really a person. It isn’t a human being. But if you are a lover of books as books – as objects, that is – and ignore the human element in them – that is, their voices – you will be committing an error of the soul, because you will be an idolator, or else a fetishist.
A heartsong doesn't have to be a song in your heart. It doesn't have to be talking about love and peace. It can just be your message. It can be your feeling. Some people might even call it a conscience, even though that's not really what it is. It's your message, what you feel like you need to do.
What keeps earth air breathable? Not oxygen alone. The earth is a freer place to breathe in, every time you love without calculating a return -- every time you make your drudgeries and routines still more inefficient by stopping to experience the shock of beauty wherever it unpredictably flickers.
For our part, when we feel, we evaporate; ah, we breathe ourselves out and away; with each new heartfire we give off a fainter scent. True, someone may tell us: you're in my blood, this room, Spring itself is filled with you . . . To what end? He can't hold us, we vanish within him and around him.
The path to Heaven is narrow, rough and full of wearisome and trying ascents, nor can it be trodden without great toil; and therefore wrong is their way, gross their error, and assured their ruin who, after the testimony of so many thousands of saints, will not learn where to settle their footing.
If you knew yourself for even one moment, if you could just glimpse your most beautiful face, maybe you wouldn’t slumber so deeply in that house of clay. Why not move into your house of joy and shine into every crevice! For you are the secret Treasure-bearer, and always have been. Didn’t you know?
Looking for happiness in the body, mind or world is like looking for the screen in a movie. The screen doesn't appear in the movie, and yet, at the same time, all that is seen in the movie is the screen. In the same way that the screen 'hides' in plain view, so happiness 'hides' in all experience.
Falsehood is fire in stubble; it likewise turns all the light stuff around it into its own substance for a moment, one crackling blazing moment, and then dies; and all its converts are scattered in the wind, without place or evidence of their existence, as viewless as the wind which scatters them.
Poetry does so many different things, it's difficult to say anything definitive about its role, which of course varies from culture to culture. It can range from being stories of the tribe to the private lyric, to being as W.H. Auden said "the clear expression of mixed feelings" to nonsense verse.
..I fancied you'd return the way you said, But I grow old and I forget your name. (I think I made you up inside my head.) I should have loved a thunderbird instead; At least when spring comes they roar back again. I shut my eyes and all the world drops dead. (I think I made you up inside my head.)
The moon, too, abases her subjects, but in the daytime she is ridiculous. Your dissatisfactions, on the other hand, arrive through the mailslot with loving regularity, white and blank, expansive as carbon monoxide. No day is safe from news of you, walking about in Africa maybe, but thinking of me.
The different steps and degrees of education may be compared to the artificer's operations upon marble; it is one thing to dig it out of the quarry, and another to square it, to give it gloss and lustre, call forth every beautiful spot and vein, shape it into a column, or animate it into a statue.
Every apartment devoted to the circulation of the glass, may be regarded as a temple set apart for the performance of human sacrifices. And they ought to be fitted up like the ancient temples in Egypt, in a manner to show the real atrocity of the superstition that is carried on within their walls.
The fierce pulsation of resurgent pride that disclaims servitude may one day cease to throb in the heart of Ireland - but the heart of Ireland will that day be dead. While Ireland lives, the brain and the brawn of her manhood will strive to destroy the last vestige of British rule in her territory
When love has fused and mingled two beings in a sacred and angelic unity, the secret of life has been discovered so far as they are concerned; they are no longer anything more than the two boundaries of the same destiny; they are no longer anything but the two wings of the same spirit. Love, soar.
In winter there is no heat, no light, no noon, evening touches morning, there is fog, and mist, the window is frosted, and you cannot see clearly. The sky is but the mouth of a cave. The whole day is the cave.... Frightful season! Winter changes into stone the water of heaven and the heart of man.
In the eyes of others a man is a poet if he has written one good poem. In his own he is only a poet at the moment when he is making his last revision to a new poem. The moment before, he was still only a potential poet; the moment after, he is a man who has ceased to write poetry, perhaps forever.
Beloved, we are always in the wrong, Handling so clumsily our stupid lives, Suffering too little or too long, Too careful even in our selfish loves: The decorative manias we obey Die in grimaces round us every day, Yet through their tohu-bohu comes a voice Which utters an absurd command - Rejoice.
Oh, popular applause! what heart of man Is proof against thy sweet seducing charms? The wisest and the best feel urgent need Of all their caution in thy gentlest gales; But swell'd into a gust--who then, alas! With all his canvas set, and inexpert, And therefore, heedless, can withstand thy power?
The life of Dumas is not only a monument of endeavour and success, it is a sort of labyrinth as well. It abounds in pseudonyms and disguises, in sudden and unexpected appearances and retreats as unexpected and sudden, in scandals and in rumours, in mysteries and traps and ambuscades of every kind.
Let fame, that all hunt after in their lives, Live regist'red upon our brazen tombs And then grace us in the disgrace of death; When, spite of cormorant devouring Time, Th' endeavor of this present breath may buy That honor which shall bate his scythe's keen edge And make us heirs of all eternity.
Now the melancholy of God protect thee, and the tailor make thy doublet of changable taffata, for thy mind is a very opal. I would have men of such constancy put to sea, that their business might be everything, and their intent everywhere, for that's it, that always makes a good voyage of nothing.
Students often have such a lofty idea of what a poem is, and I want them to realize that their own lives are where the poetry comes from. The most important things are to respect the language; to know the classical rules, even if only to break them; and to be prepared to edit, to revise, to shape.
My voice is the only material thing in which I can still reveal myself. Go ahead and cut off the hand or the testicles of a voice. Try to find the head of a voice, the orifice through which it passes, or even the breasts to which you can attach the clips of your electrodes. Nothing. Resonant tooth.
Two women seldom grow intimate but at the expense of a third person; they make friendships as kings of old made leagues, who sacrificed some poor animal betwixt them, and commenced strict allies; so the ladies, after they have pulled some character to pieces, are from henceforth inviolable friends.
Poets these days, like artists and composers, have won for themselves almost unlimited freedom. You can pass yourself off as a painter without being able to draw, as a composer without being conscious of key relationships, and as a poet without making yourself familiar with traditional verse forms.
morning night and noon the traffic moves through and the murder and treachery of friends and lovers and all the people move through you. pain is the joy of knowing the unkindest truth that arrives without warning. life is being alone death is being alone. even the fools weep morning night and noon.