Quotes of All Topics . Occasions . Authors
I was a very religious child - I went to synagogue at least once, sometimes twice, a day. And I remember my religiousness as good - I think religion is good for children, especially educated children, because it allows for imagination, a whole imaginative world apart from the practical world.
And down I went to fetch my bride: But, Alice, you were ill at ease; This dress and that by turns you tried, Too fearful that you should not please. I loved you better for your fears, I knew you could not look but well; And dews, that would have fall'n in tears, I kiss'd away before they fell.
There is a slight problem with being a conceptual artist these days: You won't get paid. But this levels the field and takes the art of money out of the field of serious art. The only conceptual artists who would conceive of making money on the Internet are a lowbrow species known as hustlers.
All you can usually say about a poem or a picture is, 'Look at it, listen to it.' Whether you listen to a piece of music or a poem, or look at a picture or a jug or a piece of sculpture, what matters about it is not what it has in common with others of its kind, but what is singularly its own.
In art and life we're always reading bodies and behaviors (and skies and skylines or whatever), constructing brief and shifting coherences, and I guess I want to capture that process of characterization and re-characterization instead of offering up a few stable, easily-summarized individuals.
That was the trouble with being a writer, that was the main trouble—leisure time, excessive leisure time. You had to wait around for the buildup until you could write and while you were waiting you went crazy, and while you were going crazy you drank and the more you drank the crazier you got.
Love loves for ever, And finds a sort of joy in pain, And gives with nought to take again, And loves too well to end in vain: Is the gain small then? Love laughs at "never", Outlives our life, exceeds the span Appointed to mere mortal man: All which love is and does and can Is all in all then.
Writing and reading are the only ways to find your voice. It won't magically burst forth in your poems the next time you sit down to write, or the next; but little by little, as you become aware of more choices and begin to make them -- consciously and unconsciously -- your style will develop.
Eccentricity is not, as some would believe, a form of madness. It is often a kind of innocent pride, and the man of genius and the aristocrat are frequently regarded as eccentrics because genius and aristocrat are entirely unafraid of and uninfluenced by the opinions and vagaries of the crowd.
Poetry never loses its appeal. Sometimes its audience wanes and sometimes it swells like a wave. But the essential mystery of being human is always going to engage and compel us. We're involved in a mystery. Poetry uses words to put us in touch with that mystery. We're always going to need it.
The productions of the press, fast as steam can make and carry them, go abroad through all the land, silent as snowflakes, but potent as thunder. It is an additional tongue of steam and lightning, by which a man speaks his first thought, his instant argument or grievance, to millions in a day.
The question of perpetual copyright is, in my judgement, entitled to the full and favorable consideration of the Congress of an enlightened republic. There would seem to be every reason for the equitable protection, without limit as to time, of the unquestioned property rights of its citizens.
Sin is a basilisk whose eyes are full of venom. If the eye of thy soul see her first, it reflects her own poison and kills her; if she see thy soul, unseen, or seen too late, with her poison, she kills thee: since therefore thou canst not escape thy sin, let not thy sin escape thy observation.
If you're looking for a place to rest Cold Mountain is good for a long stay The breeze blowing through the dark pines Sounds better the closer you come And under the trees a white haired man Mumbles over his Taoist texts Ten years now he hasn't gone home He's even forgotten the road he came by
The devil take these people and their language! They take a dozen monosyllabic words in their jaws, chew them, crunch them and spit them out again, and call that speaking. Fortunately they are by nature fairly silent, and although they gaze at us open-mouthed, they spare us long conversations.
To live a very long time... is supposed to be the desired object of all human life. But it is not. The main thing is to ride the flood tide... How glorious it is to create! For those few moments of a lifetime when the stream is running full and deep: those are the justification for everything.
The garden rose may richly bloom In cultured soil and genial air, To cloud the light of Fashion's room Or droop in Beauty's midnight hair, In lonelier grace, to sun and dew The sweetbrier on the hillside shows Its single leaf and fainter hue, Untrained and wildly free, yet still a sister rose!
Today, I will try to remember to regret the past. I will think of how many mistakes I have made throughout my life. I will say to myself, "If only I could go back in time and make different choices, so that my life could be the way it should have been." Then I will remind myself that I cannot.
A person sets out to write a poem for a variety of reasons: to win the heart of his beloved; to express his attitude toward the reality surrounding him, be it a landscape or a state; to capture his state of mind at a given instant; to leave - as he thinks at that moment - a trace on the earth.
Sometimes it's like that. I go, 'You know what? I'm going to just change scales. I'm going to even change instruments. And I'm going to go into the chromatics of the Spanish language,' and I do. You know, the poem is totally different. It's like a lunar voice versus a day voice, a solar voice.
When I encountered "The Lady of Shallot" (to take a "for instance" allusion from the many in the book, this one from the "Etiology" section) it was still considered a "great poem." What does that poem - or rather a particular presentation of that poem (hey, admire this!) - do to a young woman?
A Paradox, the doughnut hole. Empty space, once, but now they've learned to market even that. A minus quantity; nothing, rendered edible. I wondered if they might be used-metaphorically, of course-to demonstrate the existence of God. Does naming a sphere of nothingness transmute it into being?
The physical reinvention of the world is endless, relentless, fascinating, exhaustive; nothing that seems solid is. If you could stand at just a little distance in time, how fluid and shape-shifting physical reality would be, everything hurrying into some other form, even concrete, even stone.
The voice of God does not pander, offers no five-year plan, no long-term solution, nary an edict. It is small & fond & local. Don't look for your initials in the geese honking overhead or to see thru the glass even darkly. It says the most obvious crap - put down that gun, you need a sandwich.
Little by little, not without astonishment, I rediscovered the great names of the eighteenth and nineteenth centuries, who had been the master thinkers of my grandfather and other Mexican liberals. They did no offer me a doctrine or a catechism: they were and they are a source, an inspiration.
Husbands are things that wives have to get used to putting up with. And with whom they breakfast with and sup with. They interfere with the discipline of nurseries, And forget anniversaries, And when they have been particularly remiss, They think they can cure everything with a great big kiss.
I know why the caged bird sings, ah me, When his wing is bruised and his bosom sore,- When he beats his bars and would be free; It is not a carol of joy or glee, But a prayer that he sends from his heart's deep core, But a plea, that upward to Heaven he flings- I know why the caged bird sings!
There are two ways to aquire the niceties of life: 1) To produce them or 2) To plunder them. When plunder becomes a way of life for a group of men living together in society, they create for themselves in the course of time, a legal system that authorizes it and a moral code that glorifies it.
Books never pall on me. They discourse with us, they take counsel with us, and are united to us by a certain living chatty familiarity. And not only does each book inspire the sense that it belongs to its readers, but it also suggests the name of others, and one begets the desire of the other.
I love drinking now and then. It defecates the standing pool of thought. A man perpetually in the paroxysm and fears of inebriety is like a half-drowned stupid wretch condemned to labor unceasingly in water; but a now-and-then tribute to Bacchus is like the cold bath, bracing and invigorating.
The gas-cylinders had by this time been put into position on the front line. A special order came round imposing severe penalties on anyone who used any word but "accessory" in speaking of the gas. This was to keep it secret, but the French civilians knew all about the scheme long before this.
My soul gave me good counsel, teaching me to love. Love was for me a delicate thread stretched between two adjacent pegs, but now it has been transformed into a halo, its first is its last, and its last is its first. It encompases every being, slowly expanding to embrace all that ever will be.
We're certainly not perfect, and we're not probably even better than anybody else, except that perhaps we are given to certain kinds of contemplation that provide a valuable balance to the knee-jerk reactionary behavior of most of our newspapers and political leaders. Poets are great doubters.
The whole relationship between a writer's spiritual/emotional condition and the kind of wordstuff and form-making that's going on in his work is an interesting one. When I was an undergraduate, there was a glib notion around that there was no reason to suppose a bad man could be a good writer.
Poetry is ultimately mythology, the telling of stories of the soul. The old myths, the old gods, the old heroes have never died. They are only sleeping at the bottom of our minds, waiting for our call. We have need of them, for in their sum they epitomize the wisdom and experience of the race.
My brothers and sister and I were brought up in an atmosphere which I would describe as 'Puritan decadence'. Puritanism names the behaviour which is condemned; Puritan decadence regards the name itself as indecent, and pretends that the object behind that name does not exist until it is named.
Is to throw together events from my own life, fictionalizing to add color—it’s a pot boiler really, but I think it will show how isolated a person feels when he is suffering a breakdown . . . I’ve tried to picture my world and the people in it as seen through the distorting lens of a bell jar.
I grew up writing thank-you notes. Real, honest-to-goodness, pen-and-ink, stamped and posted letters. More than simple habit, it's about what the commitment to expressing your thoughts and feelings in writing says about the character of the writer. About the joy such notes bring to the reader.
There are, as we know, powerful and illustrious atheists. At bottom, led back to the truth by their very force, they are not absolutely sure that they are atheists; it is with them only a question of definition, and in any case, if they do not believe in God, being great minds, they prove God.
It is already possible to imagine a society in which the majority of the population, that is to say, its laborers, will have almost as much leisure as in earlier times was enjoyed by the aristocracy. When one recalls how aristocracies in the past actually behaved, the prospect is not cheerful.
Slavery is so intolerable a condition that the slave can hardly escape deluding himself into thinking that he is choosing to obey his master's commands when, in fact, he is obliged to. Most slaves of habit suffer from this delusion and so do some writers, enslaved by an all too personal style.
I like to give pennies to children, but unfortunately, a man cannot do these things if he lives in a small village or town where his face is known and seen every day. For children take advantage, as I know to my cost, and would gather round him like hens around a farmer when he scatters grain.
Love-buds, put before you and within you, whoever you are, Buds to be unfolded on the old terms; If you bring the warmth of the sun to them, they will open, and bring form, color, perfume, to you; If you become the aliment and the wet, they will become flowers, fruits, tall blanches and trees.
I know not that there is anything in nature more soothing to the mind than the contemplation of the moon, sailing, like some planetary bark, amidst a sea of bright azure. The subject is certainly hackneyed; the moon has been sung by poet and poetaster. Is there any marvel that it should be so?
Officers, what offence have these men done? DOGBERRY Marry, sir, they have committed false report; moreover, they have spoken untruths; secondarily, they are slanders; sixth and lastly, they have belied a lady; thirdly, they have verified unjust things; and, to conclude, they are lying knaves.
These are the forgeries of jealousy; And never, since the middle summer's spring, Met we on hill, in dale, forest, or mead, By paved fountain or by rushy brook, Or in the beached margent of the sea, To dance our ringlets to the whistling wind, But with thy brawls thou hast disturbed our sport.
Too much of water hast thou, poor Ophelia, And therefore I forbid my tears: But yet It is our trick; nature her custom holds, Let shame say what it will: when these are gone, The woman will be out. — Adieu, my lord! I have a speech of fire, that fain would blaze, But that this folly drowns it.
Is this a dagger which I see before me, The handle toward my hand? Come, let me clutch thee. I have thee not, and yet I see thee still. Art thou not, fatal vision, sensible To feeling as to sight? or art thou but A dagger of the mind, a false creation, Proceeding from the heat-oppressed brain?
Someone sits at a table or lies on a sofa while staring motionless at a wall or ceiling. Once in a while this person writes down seven lines, only to cross out one of them 15 minutes later, and then another hour passes, during which nothing happens. Who could stand to watch this kind of thing?
I don't want to succumb to the idea that for the generation, or generations, raised on television, the text is irrelevant or so intimidating that they won't deal with it. If you teach, you see this is not true. It may be that newer generations do not worship the text as some of their elders do.